Stephen Osborne's broken cellphone leads him to Schopenhauer, the Titanic publishing industry and historical Phantom Rides.

Jan Feduck faces Frenchish food, vomit and guys from Ontario when her ferry from the Magdalen Islands is caught in a hurricane.

“Don’t try to make anything happen,” the calm voice said. Dylan Gyles visits a sensory deprivation float tank.

Stephen Osborne attends a gallery opening for Elisapee Ishulutaq, an 89-year-old Inuit artist who has been making prints in Pangnirtung, Nunavut for 40 years.

Stephen Osborne discovers that some of the most startling papers in the city archives are the letters and diaries of the first archivist himself.

A young Canadian man visits family in Pakistan to settle a generational feud.

Does a house that has been home to four generations of one family still hold their electricity?

Opa, you know that sometimes people say things, well, indirectly? They don’t say everything that they mean?

At the Jubilee Cinema, the manager carries an imitation pistol in the John Dillinger style.

A Vancouver rock band made up of musicians, photographers and at one time, a prominent sci-fi writer.

Shared family memories of burnt baked goods.

A new pet kitten becomes part of the family.

The Calgary floods left behind a stew of knee-deep mud, and waterlogged piles of couches, fridges, books, toys, artworks, chairs, carpet, drywall...

That dreamlike quality causes rational minds to dismiss the moment as “only a coincidence.”

Headlines featuring crack-smoking mayors and election fraudsters.

Rick laughed. I walked away. I was irritated at Henry, at Lee for getting stoned and being paranoid and leaving without saying goodbye, at Rick, at everyone.

Two women on motorcycles: one in the dead zone of Chernobyl, and the other in the cactus country of Kamloops.

The first time losing a game of Scrabble and the last time taking a train cross-country.

"One way or another we all write out of this place,” comments Patricia Young in Writing Life (McClelland & Stewart), edited by Constance Rooke, a collection of essays by fifty writers, most of them Canadian, about the process and perils of authorship

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An account of the circumstances surrounding seven literary honours bestowed on a writer.

A young man comes into possession of a 1957 Pontiac, modelled after one owned by a legendary pianist.

Shiny bras and worn-in sweaters—the clothes do make the woman.

You had to sleep in it and fall in love in it.

A writer talks about personal health issues and their connection to his family history.

In 1946, a young bride writes home about her month-long sea voyage to her new home on Baffin Island.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

Sometime in the future, historians will look back amazed at how little attention North American media paid to African issues in this time in history. In Scott Peterson's memoir Me Against my Brother: At War in Somalia, Sudan and Rwanda (Routledge), h

The story of Michael Locke is a footnote to the story of Martin Frobisher, and is not within the scope of Martin Frobisher: Elizabethan Privateer (Yale University Press).

The Germans have upped the ante on absurdity with the film Measures to Better the World (produced by Jörn Hintzer, Jakob Hüfner), which chronicles a series of invented social movements such as the Green Light Society and Rent-a-Brother. In the most c

Melanie Bluelake's Dream by Betty Dorion (Coteau) looked like it would interest my eleven-year-old son. It's a small book so I didn't mind carrying it home, and of course, once on the bus, I pulled it out to take a look.

The majority of Memory: An Anthology (Chatto & Windus) is what used to be called a commonplace book, a collection of extracts from other texts. The editors, Harriet Harvey Wood and A.S. Byatt, have selected 155 passages on the theme of memory, which

Brian Mulroney’s Memoirs: 1939—1993 (McClelland & Stewart) is longer than The Brothers Karamazov, the index is longer than the Canadian Charter of Rights and Freedoms, the book costs more than a five-year membership in the Progressive Conservative Pa

The Canadian Museum of Civilization is to be commended for Meta Incognita: A Discourse of Discovery: Martin Frobisher’s Arctic Explorations, 1576-1578, a two-volume compilation of everything there is to know about the series of disasters known as the

The Canadian Museum of Civilization is to be commended for Meta Incognita: A Discourse of Discovery: Martin Frobisher’s Arctic Explorations, 1576-1578, a two-volume compilation of everything there is to know about the series of disasters known as the

Jeffrey Eugenides’ Middlesex (Knopf Canada) is the eighty-year saga of the Stephanides family, who immigrate to America from Greece. It is a conventional tale, except for a few crucial details.

Child-rearing manuals cropped up with a vengeance in the latter half of the twentieth century after Dr. Benjamin Spock produced Baby and Child Care—the all-time best-selling book in American history, second only to the Bible, despite advice such as “

I was up at the cabin, reading Blindness by José Saramago, translated from the Portuguese by Giovanni Pontiero (Harcourt Brace & Co.) when the power went out. It was about four in the afternoon so I could still read by the light from the window, but

Blood (Scirocco) is the play by Tom Walmsley based on “Maxine,” a piece for performance that appeared in Geist No. 16.

In Boiling Point: How Politicians, Big Oil and Coal, Journalists, and Activists Are Fueling the Climate Crisis—and What We Can Do to Avert Disaster (Basic Books) by Ross Gelbspan, the intricate politics of oil and money that drive the governmental po

Nevertheless, Canadian writers do persist in the genres, and one is always gratified to come across a Canadian thriller or a mystery novel like Paul Grescoe's Blood Vessel (Douglas & McIntyre) for the sheer pleasure of watching Canadian places and ti

Fans who are missing Inspector Morse, the famous fictional British detective who, unfortunately, has been killed off, should try reading the Inspector Van Veeteren mysteries by Hakan Nesser (translated by Laurie Thompson; Doubleday).

J.M. Coetzee has written a boyhood memoir in the third person, and this is no mean feat; nor is it a postmodern "novel." This could have to do with the fact that Boyhood: a Memoir (Vintage) is set in South Africa, a country where life and history sti

It has been said that Canadian poets are a staid, funereal bunch, but there are a lot of exciting new writers who are reinventing the form, such as those in Breathing Fire (Harbour), an anthology of young poets. Re-entering the fray is a true origina

Breath offers insight into the minds of adolescent boys, and is also a great way to feel the thrill and power of big waves without actually surfing them.

Just in: a copy of Broken Pencil; the Guide to Alternative Publications in Canada, Number One. A much needed guide to the weird and wonderful of the periodical press in Canada.

Brotherhood of the Wolf, the highest grossing film in the history of French cinema, is a surprise. I thought it was going to be a werewolf movie, which would have been fine, but it is an action-packed tale of political intrigue set during the reign o

Natural history writers often write as if nature were a nineteenth-century corporation. Species “colonize” territory left bare by glaciers; these “pioneer species” establish “dominance,” only to be “displaced” by “opportunistic newcomers” who “invade

On a lighter note, Bucket Nut by Liza Cody (Doubleday) was recommended to me by a fellow mystery buff who dropped by the office the other day. I like Liza Cody's mysteries anyway, but Bucket Nut is by far the most outrageous I've read.

Budavox (DC Books) by Todd Swift is a first collection of poems. Swift writes like something still matters, but he doesn't know what.

The close proximity of my new apartment to a repertory cinema has caused me to go through a movie-going renaissance. Unfortunately, most of my discoveries have been in the mediocre to bad category.

Mordecai Richler, in a withering put-down, once dismissed the novelist Hugh Garner as “a good speller.” In the summer of 2003, grinding through 160 Canadian books as a jury member for the Governor General’s Literary Award for Fiction in English, I learned that for many contemporary Canadian writers, Garner’s level of dubious distinction remains out of reach.

A city is an atmosphere defined by a history. A great city's streets may reflect its past, but only art makes a city's history, like its distinctive mood, present to the world.

It is not only the children of British mothers who have lost one of their nationalities; Great Britain, too, has lost a part of itself

In a letter of 350 words, published in Geist 65, Michael Redhill calls me a racist once and implies that I am a racist on at least four other occasions. Redhill’s repetition of the ultimate insult of the postmodern era offers a fascinating, if depressing, window into how certain Canadian writers betray their responsibility to the society they live in.

Dear George Szanto, I write in answer to your letter describing your difficulties in finding a publisher for your new novel.

"There are people," Chateaubriand comments, "who, in the midst of the collapse of empires, visit fountains and gardens"

The epic genre suffers from disregard. To the Iliad, our new century has preferred the Odyssey: the encumbered return of the warrior matters more to us than his laborious swordplay.

The federal government recently announced it is reviewing the CBC’s mandate. This review is the latest chapter in a long story of questioning the value of the CBC since its inception seventy years ago. Clearly there are politics involved here; the CBC is an easy target for attack by parties of all stripes.

Auvers-sur-Oise is a town of ghosts. Among the summer tourists and art-loving pilgrims who visit Auvers from all over the world, drift flocks of long-dead artists with folding easels and boxes of paints, who a century ago would disembark every week at the small railway station.

For reasons I can't make out, organizers of congresses and literary get-togethers throughout the world appear to have been inspired by a common theme: America. In Germany, in Spain, in France, in Holland, writers are being asked to talk about this faraway place that is either an overwhelming country or an underdeveloped continent.

There are two big trees in my garden under which, when friends are visiting, we sit and talk, sometimes during the day, but usually at night. Especially at night, when talk seems less inhibited, wider-ranging, strangely more stimulating.

Cyril Connolly’s writings have been republished, as The Selected Works (Picador, 2002). I remember reading his work in my late adolescence and wondering how someone could write like that, in fragments and half-formed ideas, allowing his thoughts (and the reader’s) to go in a thousand directions at the same time, and yet lend his texts an overwhelming feeling of cohesiveness.

One of the pleasures of reading for no particular reason is coming across hidden stories, involuntary essays, samples of what someone once called “found literature”—as opposed, I imagine, to the literature that states its official identity on the cover. Leafing through a book on Samuel de Champlain, I came across, of all things, a detective story.

When I was in school in Argentina, Europe (our notion of Europe) was a vast and powerful conglomerate of culture and wisdom. From there, from across the Atlantic, came the history to which, magister dixit, we owed our existence; from there came the writers whose literature we read, the musicians whose music we listened to, the filmmakers whose films we watched.

Many years ago my father-in-law, who had been a British prisoner of war in Japan, gave me a small pocket anthology, The Knapsack, edited by the undeservedly forgotten Herbert Read. The book (which I have since passed on to my daughter) had been put together for the Ministry of War to be given to its soldiers: its proclaimed intention was "to celebrate the genius of Mars." Surprisingly, however, the general tone of the anthology was above all elegiac.

A few years after Kafka’s death, Milena, the woman he had loved so dearly, was taken away by the Nazis and sent to a concentration camp. Suddenly life seemed to have become its reverse: not death, which is a conclusion, but a mad and meaningless state of brutal suffering, brought on through no visible fault and serving no visible end. To attempt to survive this nightmare, a friend of Milena devised a method: she would resort to the books she had read, stored in her memory.

“Get it right,” Rob Allen told me. “You have no idea how few novels you will actually write in your life”

Six days before the Passover festival in Bethany, the sisters Martha and Mary gave a dinner in honour of Jesus who (the gospels tell us) had raised their brother from the dead. Martha worked in the kitchen while Mary sat herself down at the feet of their guest, to listen to his words. Overwhelmed by the many tasks to be done, Martha asked her sister to come and help her. “Martha, Martha,” said Jesus. “You fret and fuss about many things, but only one thing is necessary. The part Mary has chosen is the best, and it will not be taken from her.”