Gender performance and colonial mimicry through the family archive

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At the edge of Japan's super natural forest

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The Photography of Ronnie Tessler.

"Every time we visit my great-grandma's grave, we close our eyes and follow her footsteps across the sea, and back again."

Border photography along the 49th parallel.

Photos of Vancouver Chinatown taken in 1956 by a mystery photographer and developed 50 years later.

30 years of Fabrice Strippoli’s photographs.

A selection of sourced images from Jonah Samson's book, "Yes Yes We're Magicians," the title of which is taken from a passage of Samuel Beckett's absurdist play, "Waiting for Godot."

A series of photogLouie Paluraphs consider the history and changing geopolitics of the polar region.

"We were not even scratched—but the machine burned down completely. I will send some photos home."

Behind every post is a real person wanting to connect with someone else.

The resilience of nature and the eerie spectre of a post-human world.

The Howard and Carole Tanenbaum Photography Collection.

Deliberately obscured photographs mimic the way information is transferred in North Korea.

Fugitives in archives reveal the generative power of disorder

Paul Seesequasis on the photography of Métis activist James Brady.

Huneault's videography project is part of a new chapter of work, The New Memories, 2014–2016, that documents the community of Lac-Mégantic following the 4th anniversary of the Mégantic disaster.

Wade Davis recalls being taught photography by Tod Papageorge: "he was an inspired teacher, in good measure because he had no interest in soliciting student opinion about anything."

A Canadian memoir of black and white in America's unhappiest city, 1966–2011. Gold medal winner at the 40th Annual National Magazine Awards.

The Hong Kong neon photography of Brent Lewin.

Michel Huneault's documentary project, Post Tohoku, records the effects of the 2011 earthquake in Japan on collective and individual memory.

Fireside Truck Stop, Rancheria, Bear Flats Lodge, Lum 'n Abner's—just a few of the disappearing outposts along the Alaska Highway.

Michel Huneault's photographs of Syrian refugees in Hungary, Austria and Germany from September 2015.

Sara Cassidy examines the entire history of self-portraiture in Canada (from Geist 98, on newsstands now).