Review of "A Guest in the House" by Emily Carroll.

Review of "Antkind" by Charlie Kaufman.

Review of "The Last Grain Race" by Eric Newby.

Review of "The Man in the Red Coat" by Julian Barnes.

Review of "Rubymusic" by Connie Kuhns.

Review of the Netflix series "Rabo de Peixe" (2023) created by Augusto de Fraga.

Review of "A Russian Sister" by Caroline Adderson.

Review of "My Grandfather’s Knife: Hidden Stories from the Second World War" by Joseph Pearson

I watch the lights slip and slur on the headpond and think down, toward the dam, the embankment and the long drop of the spillway where the water rests, whirled and stunned

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Half a breath is all it takes, in or out.

You can keep going, the moon said, if you want to.

The rooms I imagined repeating endlessly, with me at the centre.

Being a warrior princess is a lot like being an archetype of human potential.

Go to bed. Lock the door. Don’t open it for anyone.

“It's often triggered by group settings. Especially groups laughing.”

Kawishhhh! Kaaaawishhhh!

Two poems by Jane Shi

... You and I / tried. We tried walking down a street once in fall. / It was night, half light, we found ourselves finding / ...

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"... Blood dripped down my chin. The light / left. After, I googled what it all meant—death, / capitalism, Steffie’s stuffed bunny ..."

"... I showed you / a video of faint sunsets dawning from / Ochil Hills, and my momentum when / travelling upward, against gravity ..."

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"...vocabularies / reduced to virus, vaccine, variants— / that dull emergency of the daily count."

“a switch, a focus, and a temperament / suited to discovery…”

“The public air transmits / his days wirelessly / to my open window”

“It’s God’s day off, and mine too.”

Gender performance and colonial mimicry through the family archive

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At the edge of Japan's super natural forest

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The Photography of Ronnie Tessler.

"Every time we visit my great-grandma's grave, we close our eyes and follow her footsteps across the sea, and back again."

Border photography along the 49th parallel.

Photos of Vancouver Chinatown taken in 1956 by a mystery photographer and developed 50 years later.

30 years of Fabrice Strippoli’s photographs.

A selection of sourced images from Jonah Samson's book, "Yes Yes We're Magicians," the title of which is taken from a passage of Samuel Beckett's absurdist play, "Waiting for Godot."

"Every month or so, my mom sends me a picture from a trip we took together."

(Or What Does Drowning Look Like).

Who puts those little stickers on the apples in the grocery store?

Don't mess with Madame Larmer's mojo.

Nicola Winstanley's comic on hearing spirits in the walls at a foster when she was young.

Eve Corbel creates a set of greeting cards to celebrate life's best and worst mundane moments.

Alison McCreesh encounters snow in May, a bemused gas station attendant and a dumpster to cook behind on a trip across Canada.

Espadrille, paduka, chopine—Eve Corbel illustrates a guide for readers on some of the fanciest footwear found in literature.