For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

If marriage was a television show, it might look something like this.

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Remembering Norbert Ruebsaat.

Destroying books for the greater good.

Losers: you have a lifetime to hunt.

"I never went looking for them."

Tell me again how long the trip is?

Fill the room with a flock of moths.

Any resemblances to persons living or dead are purely vindictive.

The secret is in the velvet.

You can’t break eggs without making an omelette.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

When We Were Orphans by Kazuo Ishiguro (Knopf Canada) fell as if by magic into my lap and I read it relentlessly for two days, almost without sleeping, eating, bathing or responding to my partner and daughter. Like all great works of imagination, thi

A curious inscription in a copy of a book called Fir-Flower Tablets: Poems from the Chinese inspired Peter Sanger to write White Salt Mountain (Gaspereau Press), a book that weaves together stories and facts about the life of Florence Ayscough, a lar

When the Spirits Dance (Theytus) by Larry Loyie with Constance Brissenden, the second book in a series of stories from Loyie’s childhood, paints a gentle picture of life in a First Nations community in northern Alberta during World War II.

My deadline for finishing Wilderness Beginnings by Rose Hertel Falkenhagen (Caitlin Press) was December 21 because that’s when my partner David finished an out-of-town job. I’m a sucker for books about homesteading, especially homesteading in the nor

Wish Book (Gutter Press) by Derek McCormack. McCormack looks to the past to shatter the placid show window that the future promises us.

The action in Whole New Thing, a film from Nova Scotia, is also precipitated by self-involved parents. Thirteen-year-old Emerson lives in a remote cabin, where he writes novels, takes saunas and gives massages to his parents’ friends.

Richard Ford (who I always think is John Ford) writes stories in the third person which read like stories in the first person, and I wanted to find out how and why he did this. I read the first story in his book Women With Men (Little, Brown) in Aust

Food and eating are essential parts of our lives but they are seldom given serious thought.

Sabine Rose, the heroine of Witch Ball by Linda Joy Singleton (Llewellyn), is a psychic. She hides her powers from her popular friends and dreamy boyfriend by day and consults with her spirit guide by night.

Two days later I took Wayman’s workshop, Catching Fire, which was guaranteed to inspire us to get writing. He told us, among other things, that once we became writers we would no longer read for pure pleasure because we would always be analyzing what

A friend told me recently that women who write write like they are weaving and men who write write like they are having sex. Women bring together strands of things, she said, and connect them. Men focus relentlessly on a particular end, with an urgen

It’s much more fun to read this first-hand account of the war and its aftermath observed from ground level than a professional historian’s account, written decades after the fact.

Word of Mouth (Thistledown) is M.A.C. Farrant's fourth collection of fiction and is in two parts: stories about Sybilla, a nineteen-year-old mother struggling to survive in suburban Vancouver Island, stretching welfare cheques and coping with pervert

I’ve always resisted Sarah McLachlan, even when my heart and my ears wanted to give in to her songs. They seemed too middle-of-the-road, too angel-filled, too soft and girly, too Canadian. Then today I’m sitting at my desk on West 43rd Street in Manh

As the film begins, the main character, Zia, is listening to a Tom Waits record and cleaning his room in preparation for suicide. Too bad he misses a spot; the last thing he sees before he dies on the bathroom floor is a dust bunny in the corner. So

You’ll Be Okay offers a feminine perspective on the Beat Generation from the wife of one of its most celebrated authors.

Last fall, production for the film X-Men 2 set up in Vancouver, and as we await the theatrical release of the movie, the studio has issued a new DVD version of the first film. X-Men 1.5 (20th Century Fox) includes a new cut of the original film (whic

Daniel Zomparelli reviews Yesno by Dennis Lee (Anansi).

In late May 2003 the American Institute of Graphic Arts (AIGA) hosted a discussion forum called Hell No: Designers and the War, featuring the design historian Steven Heller, the design icon Milton Glaser (perhaps most known for the “I Love NY” symbol

As a teen I was never happier than when in cahoots with my best friend, passing silly notes, talking obsessively on the phone, pouring out heartache, even fighting. I expected You Be Me: Friendship in the Lives of Teen Girls (Annick Press), edited by

Yishu: Journal of Contemporary Chinese Art is a new quarterly published in Taiwan and Canada by the anonymously named Art and Collection Group Ltd., which turns out to be an ambitious group of editors, writers, curators and artists in several countri

For six years while Pagan Kennedy was an "out of whack, directionless woman trying to muddle through her late twenties," she wrote, drew and published a zine called Pagan's Head, which was all about her. In 'Zine (St. Martin's Griffin), all issues of

Kris: In the not-too-distant future, American refugees stream into Canada, populating shelters and dilapidated warehouses. Racial tension, skittish police, a powerful elevator operators’ union and flying teens are all factors in the skewed reality of

Portland is a great destination for fans of the independent presses. During a recent two-day trip, I selected a few must-have zines and chapbooks from a huge selection.

Mordecai Richler, in a withering put-down, once dismissed the novelist Hugh Garner as “a good speller.” In the summer of 2003, grinding through 160 Canadian books as a jury member for the Governor General’s Literary Award for Fiction in English, I learned that for many contemporary Canadian writers, Garner’s level of dubious distinction remains out of reach.

A city is an atmosphere defined by a history. A great city's streets may reflect its past, but only art makes a city's history, like its distinctive mood, present to the world.

It is not only the children of British mothers who have lost one of their nationalities; Great Britain, too, has lost a part of itself

In a letter of 350 words, published in Geist 65, Michael Redhill calls me a racist once and implies that I am a racist on at least four other occasions. Redhill’s repetition of the ultimate insult of the postmodern era offers a fascinating, if depressing, window into how certain Canadian writers betray their responsibility to the society they live in.

Dear George Szanto, I write in answer to your letter describing your difficulties in finding a publisher for your new novel.

"There are people," Chateaubriand comments, "who, in the midst of the collapse of empires, visit fountains and gardens"

The epic genre suffers from disregard. To the Iliad, our new century has preferred the Odyssey: the encumbered return of the warrior matters more to us than his laborious swordplay.

The federal government recently announced it is reviewing the CBC’s mandate. This review is the latest chapter in a long story of questioning the value of the CBC since its inception seventy years ago. Clearly there are politics involved here; the CBC is an easy target for attack by parties of all stripes.

Auvers-sur-Oise is a town of ghosts. Among the summer tourists and art-loving pilgrims who visit Auvers from all over the world, drift flocks of long-dead artists with folding easels and boxes of paints, who a century ago would disembark every week at the small railway station.

For reasons I can't make out, organizers of congresses and literary get-togethers throughout the world appear to have been inspired by a common theme: America. In Germany, in Spain, in France, in Holland, writers are being asked to talk about this faraway place that is either an overwhelming country or an underdeveloped continent.

There are two big trees in my garden under which, when friends are visiting, we sit and talk, sometimes during the day, but usually at night. Especially at night, when talk seems less inhibited, wider-ranging, strangely more stimulating.

Cyril Connolly’s writings have been republished, as The Selected Works (Picador, 2002). I remember reading his work in my late adolescence and wondering how someone could write like that, in fragments and half-formed ideas, allowing his thoughts (and the reader’s) to go in a thousand directions at the same time, and yet lend his texts an overwhelming feeling of cohesiveness.

One of the pleasures of reading for no particular reason is coming across hidden stories, involuntary essays, samples of what someone once called “found literature”—as opposed, I imagine, to the literature that states its official identity on the cover. Leafing through a book on Samuel de Champlain, I came across, of all things, a detective story.

When I was in school in Argentina, Europe (our notion of Europe) was a vast and powerful conglomerate of culture and wisdom. From there, from across the Atlantic, came the history to which, magister dixit, we owed our existence; from there came the writers whose literature we read, the musicians whose music we listened to, the filmmakers whose films we watched.

Many years ago my father-in-law, who had been a British prisoner of war in Japan, gave me a small pocket anthology, The Knapsack, edited by the undeservedly forgotten Herbert Read. The book (which I have since passed on to my daughter) had been put together for the Ministry of War to be given to its soldiers: its proclaimed intention was "to celebrate the genius of Mars." Surprisingly, however, the general tone of the anthology was above all elegiac.

A few years after Kafka’s death, Milena, the woman he had loved so dearly, was taken away by the Nazis and sent to a concentration camp. Suddenly life seemed to have become its reverse: not death, which is a conclusion, but a mad and meaningless state of brutal suffering, brought on through no visible fault and serving no visible end. To attempt to survive this nightmare, a friend of Milena devised a method: she would resort to the books she had read, stored in her memory.

“Get it right,” Rob Allen told me. “You have no idea how few novels you will actually write in your life”

Six days before the Passover festival in Bethany, the sisters Martha and Mary gave a dinner in honour of Jesus who (the gospels tell us) had raised their brother from the dead. Martha worked in the kitchen while Mary sat herself down at the feet of their guest, to listen to his words. Overwhelmed by the many tasks to be done, Martha asked her sister to come and help her. “Martha, Martha,” said Jesus. “You fret and fuss about many things, but only one thing is necessary. The part Mary has chosen is the best, and it will not be taken from her.”