For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

If marriage was a television show, it might look something like this.

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Remembering Norbert Ruebsaat.

Destroying books for the greater good.

Losers: you have a lifetime to hunt.

"I never went looking for them."

Tell me again how long the trip is?

Fill the room with a flock of moths.

Any resemblances to persons living or dead are purely vindictive.

The secret is in the velvet.

You can’t break eggs without making an omelette.

These stories and conversations took place in a Media and Communications Studies class at a Canadian college. Students come to the college from many countries, in the hope of enrolling eventually in a North American university.

A new anthology of reviews, interviews and commentary on Joni Mitchell's music reveals the star-making machinery.

I am sorry I caused you pain. But I thought it was okay.

The British called it the Great Game. The Russians called it Bolshoya Igra. The playing field was, and still is, Afghanistan.

Remembering her father's last days in a hospital in Wyoming, Connie Kuhns struggles with questions of mortality, memory and how to fulfill her father's dying wish.

Connie Kuhns' major profile of punk, politics and feminism in 1970s Canada: the Moral Lepers, the Dishrags and other revolutionary bands.

We don’t know why the budgie did it. He must have been unhappy. It can’t have been easy for him—pecking the bell, hanging about on the pole.

D.M. Fraser on the myth of cultural identity.

When you live in Saskatoon, you find yourself caring more about the details of grain farming then you did when you lived in Toronto or Windsor.

When Geist first approached me with the idea of speaking here, I made it known that of all the things I ever wanted to be when I grew up, being an after-dinner speaker was very low on the list.

It's human nature to jump to the wrong conclusion–and stick with it.

What is at the heart of this Edith Iglauer profile by Giller nominee Annabel Lyon? Hint: Ice Road Truckers.

Stephen Smith investigates the hockey lives of Barthes, Faulkner, Hemingway, which were marked by dismissal, befuddlement and scorn.

"Leading Men” is taken from a work-in-progress, Cinéma-Verité and the Collected Works of Ronald Reagan: A History of Propaganda in Motion Pictures.

Tom Thomson, godfather of the Group of Seven, drowned in an Ontario lake under mysterious circumstances, and ever since, his reputation has been the stuff of legend.

Compared to today's vile heros, Ned Kelly-the Australian outlaw who wrote the angry, articulate Jerilderie letter in 1879-seems as innocent as an ogre-slaughtering hero of fairy tales.

Femme girls get free Slurpees, but boyish ladies get free cavity searches at the border.

Hal Niedzviecki com­mem­o­rates his Jewish grand­fa­ther—a heavy drinker, a bad driver and a Polish refugee.

World War I, Canada’s “war of independence,” marked a turning point for a young colony wanting to prove itself as a self-reliant nation, but at what cost.

On the merry-go-round, you just shouted out a des­ti­na­tion and all the kids pushed until every­one agreed we’d arrived.

A flower child looks back, to the time between Motown and acid rock.

Derek Matthews has to be the ugliest boy in the class but I like him. I’ve liked every boy except Barry Pumphrey now. Barry Pumphrey likes me.

On a rainy night in October 1970, I crossed paths with Canada's most elusive poet.

For summer I favour books that can withstand the indignities of the season: beat-up paperbacks that can get stained by sunscreen, or library hardcovers in Brodart jackets that can be wiped clean with a damp cloth. But I make exceptions for new books

Karen Connelly has travelled extensively in southeast Asia and described her experiences through non-fiction (Touch the Dragon, a memoir of her year in Thailand, won the Governor General’s Award in 1993) and poetry. Connelly’s first novel, The Lizard

Speaking of the library, the day after I borrowed The Bird Artist by Howard Norman (Farrar, Straus & Giroux), a book my brother had recommended, The Museum Guard (Knopf), also by Norman, arrived in the Geist office. For some reason I chose to read Th

The Montreal Gazette reports that Réjean Ducharme, whose new novel Va Savoir is at the top of the bestseller list, has released a photograph of him after a photographic hiatus of twenty-five years, or, in the words of the Gazette caption writer, "a q

Sheila Heti, author of The Middle Stories (Anansi) has received much praise in the Globe and the National Post, all of it deserved. The stories in this little volume are very short and very good: formidable might be the right word.

Julien Gracq, one of France’s most senior and respected writers, provides a living bridge to the era of Proust and Alain-Fournier, and in his slim book The Narrow Waters (Turtle Point) Gracq explores a theme favoured by both of those writers: the mys

The myth of the West in Canada and the U.S.A. issues largely from a country almost unknown to most North Americans: the wide plains that spill over the forty-ninth parallel between Montana and Saskatchewan. Beth LaDow, who lives in Massachusetts and

John Irving's The Imaginary Girlfriend (Knopf) is an attractive little hardcover book that is a pleasure to look at and to hold. But to read it is another matter.

Until I read The Mummy Congress by Heather Pringle (Penguin Viking), I thought mummies were just dead people with good PR. But this book traces the role mummies have played in anthropological, historical and medical research, as well as helping to re

It's been reported that my nephew in Ottawa needs to be encouraged to read, but he doesn't need to be encouraged to do sports. With this in mind I ventured into an unfamiliar genre. Sports books seem to come in two flavours—how-to books (which most t

Gary Michael Dault’s The Milk of Birds (Mansfield Press) is an exercise in brevity—each of the one hundred poems in the volume contains between fifteen and forty words. Dault presents the reader with images of nature and nature as metaphor in poetry

Michael Hayward reviews The Paris Review Interviews, IV (Picador).

The first time I visited the new library I was planning only to look around. It was opening week and things were pretty busy.

The Noam Chomsky Lectures (Coach House) is a table play. For two hours Daniel Brooks and Guillermo Verdecchia sit behind a table and wage war on the Canadian Government and Big Business.

The twenty-one stories by Morley Callaghan that appeared in The New Yorker between 1928 and 1938 have been gathered into a small volume by the author’s son Barry, who is the publisher of Exile Editions.

The unabridged audio version of the Odyssey (Penguin) opens with a brief interlude of eerie music, followed by the voice of Gandalf announcing: “The Odyssey, translated by Robert Fagles, read by Ian McKellan,” and with that, one is caught up in an ep

The New Northwest by Bill Waiser (Fifth House), is subtitled The Photographs of the Frank Crean Expeditions 1908-1909, but provides us with very little information about these two fascinating subjects. The New Northwest can be seen as another wacky v

Roy Woodbridge tries hard to connect everything in his somewhat despairingly named book, The Next World War: Tribes, Cities, Nations and Ecological Decline (University of Toronto), in which he calls for a “war on ecological decline”—a war on the forc

Paul Auster’s New York Trilogy was a revelation to me: literary puzzles examining the nature of fiction-writing; an intellectual meta-fiction that turned the hard-boiled detective genre on its head. Those three novels featured characters with cryptic

For me and other residents of the North Shore of Greater Vancouver, the wilderness is literally blocks away. A line drawn due north from the peaks of the North Shore mountains to the Yukon border will intersect only four roads other than logging road

Kris Rothstein reviewed the 2008 Vancouver International Film Festival. For more reviews, visit her Geist blog at geist.com/blog/kris.

For the second Christmas in a row, I asked for a ten-day holiday at a cooking school in Tuscany, and for the second year in a row my ever-practical wife found a way to indulge my fantasy without emptying our bank account. Last year she pacified me wi

Twenty Miles by Cara Hedley (Coach House) hurtles headlong through the chaos of a season of tough young women playing university hockey. Isabel Norris (Iz) is the unlikely heroine of this novel, a pretty girl whose talent for hockey is more of a comp

Vikram Seth made a name for himself with the conventional epic A Suitable Boy, but most of his publishing ventures have been strange and surprising. Two Lives (McArthur & Company) is the non-fiction story of his great uncle Shanti and great aunt Henn

Mordecai Richler, in a withering put-down, once dismissed the novelist Hugh Garner as “a good speller.” In the summer of 2003, grinding through 160 Canadian books as a jury member for the Governor General’s Literary Award for Fiction in English, I learned that for many contemporary Canadian writers, Garner’s level of dubious distinction remains out of reach.

A city is an atmosphere defined by a history. A great city's streets may reflect its past, but only art makes a city's history, like its distinctive mood, present to the world.

It is not only the children of British mothers who have lost one of their nationalities; Great Britain, too, has lost a part of itself

In a letter of 350 words, published in Geist 65, Michael Redhill calls me a racist once and implies that I am a racist on at least four other occasions. Redhill’s repetition of the ultimate insult of the postmodern era offers a fascinating, if depressing, window into how certain Canadian writers betray their responsibility to the society they live in.

Dear George Szanto, I write in answer to your letter describing your difficulties in finding a publisher for your new novel.

"There are people," Chateaubriand comments, "who, in the midst of the collapse of empires, visit fountains and gardens"

The epic genre suffers from disregard. To the Iliad, our new century has preferred the Odyssey: the encumbered return of the warrior matters more to us than his laborious swordplay.

The federal government recently announced it is reviewing the CBC’s mandate. This review is the latest chapter in a long story of questioning the value of the CBC since its inception seventy years ago. Clearly there are politics involved here; the CBC is an easy target for attack by parties of all stripes.

Auvers-sur-Oise is a town of ghosts. Among the summer tourists and art-loving pilgrims who visit Auvers from all over the world, drift flocks of long-dead artists with folding easels and boxes of paints, who a century ago would disembark every week at the small railway station.

For reasons I can't make out, organizers of congresses and literary get-togethers throughout the world appear to have been inspired by a common theme: America. In Germany, in Spain, in France, in Holland, writers are being asked to talk about this faraway place that is either an overwhelming country or an underdeveloped continent.

There are two big trees in my garden under which, when friends are visiting, we sit and talk, sometimes during the day, but usually at night. Especially at night, when talk seems less inhibited, wider-ranging, strangely more stimulating.

Cyril Connolly’s writings have been republished, as The Selected Works (Picador, 2002). I remember reading his work in my late adolescence and wondering how someone could write like that, in fragments and half-formed ideas, allowing his thoughts (and the reader’s) to go in a thousand directions at the same time, and yet lend his texts an overwhelming feeling of cohesiveness.

One of the pleasures of reading for no particular reason is coming across hidden stories, involuntary essays, samples of what someone once called “found literature”—as opposed, I imagine, to the literature that states its official identity on the cover. Leafing through a book on Samuel de Champlain, I came across, of all things, a detective story.

When I was in school in Argentina, Europe (our notion of Europe) was a vast and powerful conglomerate of culture and wisdom. From there, from across the Atlantic, came the history to which, magister dixit, we owed our existence; from there came the writers whose literature we read, the musicians whose music we listened to, the filmmakers whose films we watched.

Many years ago my father-in-law, who had been a British prisoner of war in Japan, gave me a small pocket anthology, The Knapsack, edited by the undeservedly forgotten Herbert Read. The book (which I have since passed on to my daughter) had been put together for the Ministry of War to be given to its soldiers: its proclaimed intention was "to celebrate the genius of Mars." Surprisingly, however, the general tone of the anthology was above all elegiac.

A few years after Kafka’s death, Milena, the woman he had loved so dearly, was taken away by the Nazis and sent to a concentration camp. Suddenly life seemed to have become its reverse: not death, which is a conclusion, but a mad and meaningless state of brutal suffering, brought on through no visible fault and serving no visible end. To attempt to survive this nightmare, a friend of Milena devised a method: she would resort to the books she had read, stored in her memory.

“Get it right,” Rob Allen told me. “You have no idea how few novels you will actually write in your life”

Six days before the Passover festival in Bethany, the sisters Martha and Mary gave a dinner in honour of Jesus who (the gospels tell us) had raised their brother from the dead. Martha worked in the kitchen while Mary sat herself down at the feet of their guest, to listen to his words. Overwhelmed by the many tasks to be done, Martha asked her sister to come and help her. “Martha, Martha,” said Jesus. “You fret and fuss about many things, but only one thing is necessary. The part Mary has chosen is the best, and it will not be taken from her.”