Shiny bras and worn-in sweaters—the clothes do make the woman.

In 1946, a young bride writes home about her month-long sea voyage to her new home on Baffin Island.

A writer talks about personal health issues and their connection to his family history.

Space travel, world religions and quotes from Pascal are just a few of the topics covered in these little phone calls between friends.

Former Iranian schoolteacher, Mehrar Arbab escaped execution, moved to Canada and now earns a living sellingAll Beef Smokies.

Walking along the streets of Paris, watching thousands of tourists using their digital cameras, I remember the way my father held his old Kodak when he took photographs.

Walking along the streets of Paris, watching thousands of tourists using their digital cameras, I remember the way my father held his old Kodak when he took photographs.

Banff: a collection of scenic views and a setting for the Avant-Garde?

On the night of the last Wednesday of February 1884, at about ten o’clock, a gang of armed men entered a farmhouse near Sumas Lake in southern B.C., woke the inhabitants at gunpoint and took away with them a teenage boy who was being held in the cust

Michel Lambeth's photo of Milton Acorn brings back memories of dancing, love poetry and a revolution.

The dog turns his butt to the stinging spray and wind but my boyfriend and I face the water, watching the massive waves crash on the shore. We are drenched in seconds and we have to shout over the wind. It’s exhilarating.

Mrs. Higgins lived with her legless brother and her blind husband in a tall, narrow old house in Nottingham. The room I rented from her in the 1950s was just below her sitting room, where she kept a life-size portrait of Lenin.

Onstage a group of writers and critics sat in a semicircle and spoke earnestly about whether or not a national literature could exist in two languages.

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When I was living in New York in the 1960s, almost everyone I knew was walking or running to the office of some psychiatrist.

According to legend and prophecy, this child would possess the second sight.

Public bombings have a profound effect on cities, even if the bomb is a coconut filled with beans and rice.

"A rookery of dead ends and curved lanes. Everywhere heaps of debris. Pigs rooting in eyes." Explore Manchester during the Industrial Revolution, in poem.

First published in Geist #30 and now in the 20th Anniversary Collector's Edition.

When I was twelve my father enrolled me in a typing course from which I emerged typing with two fingers.

She was a conversationalist, a home builder and a deliverer of calves. Those who loved Ursula will miss her adventurous soul.

I had my car at the hotel but snow was expected, and driving home alone in a snowstorm around the hairpin curves edged with deep ravines on Highway 101 was the last thing I wanted to do.

Last month in Calgary a friend showed me the way to Louise Bridge by sketching a map with her fingertip on the dust jacket of The Wolf King, a book by Judd Palmer that we had been admiring at her kitchen table.

Some

The Health Hotline can only do so much for the exotic animals swimming in a hole on your forehead.

From Mapping a Sense of Place: The Photographs of Manfred Buchheit, 1972-1995, an exhibition curated by Bruce Johnson for the Art Gallery of Newfoundland and Labrador.

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Mastery of the self

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

"If you are still alive, you must have had the experience of surrendering."

Review of "Memories: From Moscow to the Black Sea" by Teffi (trans. Robert Chandler).

Review of "Our Flag Means Death" created by David Jenkins on HBO Max.

Review of No Fun (the band) and reissued music by Atomic Werewolf Records.

Review of "Godzilla Minus One" directed by Takashi Yamazaki.

Review of "Canzone di Guerra: New Battle Songs" by Daša Drndić, trans. by Celia Hawkesworth.

Review of "The Midnight Bargain" by C.L. Polk

Review of "The Invention of the Other" directed by Bruno Jorge (2022).

Review of "A Primer for Forgetting: Getting Past the Past" by Lewis Hyde.

Review of "Orwell: The New Life" by D.J. Taylor.

Review of "Iron Curtain Journals," "South American Journals" and "Fall of America Journals" by Allen Ginsberg.

Review of "Antkind" by Charlie Kaufman.

Review of "A Guest in the House" by Emily Carroll.

Review of "The Last Grain Race" by Eric Newby.

Review of "The Man in the Red Coat" by Julian Barnes.

Review of "Rubymusic" by Connie Kuhns.

Review of "A Russian Sister" by Caroline Adderson.

Review of the Netflix series "Rabo de Peixe" (2023) created by Augusto de Fraga.

Review of "My Grandfather’s Knife: Hidden Stories from the Second World War" by Joseph Pearson

Review of "Mercy Gene" by JD Derbyshire.

Review of "Underland" by Robert Macfarlane.

Review of "Tracking Giants: Big Trees, Tiny Triumphs, and Misadventures in the Forest" by Amanda Lewis.

Review of "Solito: A Memoir" by Javier Zamora

Review of "Turn Every Page" directed by Lizzie Gottlieb

Review of "Holden After & Before: Love Letter for a Son Lost to Overdose" by Tara McGuire.

Memories lie because they build on memories. I think that I remember something, but in fact I remember remembering it, and so on through countless layers of memory. Every memory is a mise en abyme.

Begging the question of what can be defined as “form.”

The crowds learned that they could not act effectively in the present without confronting the past, specifically the historical treatment of indigenous people.

On the screen, only the image—not the word—can become the world.

It all started with a zesty little book about getting old.

Donald Creighton was a bigot and a curmudgeon, a cranky Tory with a chip on his shoulder. He was also the country’s leading historian, who changed the way that Canadians told their own story.

The novelist can often better define reality than the historian.

"We know that life-altering and possibly cataclysmic change is coming, and we continue to live as we have always done."

"Since the beginning of time (the telling of which is also a story), we have known that words are dangerous creatures."

Lacking in drama and embarrassingly undemocratic, Canada’s origins owe a lot to old-fashioned politics and not much to European battles or transcontinental railways.

"Authenticity is the essential quality of all travel literature, imaginary or real."

Alberto Manguel examines the rich symbology of the fist, a primal symbol of rebellion and grief, across cultures and history.

"Resistance to wars is as much a Canadian tradition as fighting them." Daniel Francis discusses alternative histories, anti-draft demonstrations and the divisive nature of war.

The writer who is loved by all, by definition, neglects literature’s prime responsibility: to offend.

Daniel Francis discusses Canada's failing mental health care system and its long history of mistreatment.

Aboriginal people are creating a new version of Canada, and non-Aboriginals can lend a hand or get out of the way—Daniel Francis on the new Canadian narrative.

Stephen Henighan asks: what if you don't have a tidy answer to "Where are you from?"

"Cross-country skiing offered me the reassurance sought by the immigrant who is excluded from his locality’s history: a viable alternate route to belonging."

European Jewish artisans on horseback in Argentina.

"Sometimes, in politics or history, certain words, certain names are sufficient unto themselves: it is as if there were names that once pronounced require no further telling."

"In the public eye, universities have never recovered from the antics of Donald Sutherland as Professor Jennings in the 1978 film Animal House."

Daniel Francis asks why a high-speed commuter route runs through Stanley Park, Vancouver's precious urban oasis.

"A library is never finished, only abandoned." Alberto Manguel on incompletion, voluntary interruption and the pleasure of the day before.

The assumption of mutual comprehensibility between speakers of Spanish and Portuguese creates a culture of mutual ignorance.