This invertebrate does not go looking for prey

‍

For the sake of the large romantic gesture

‍

Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

‍

No Skylab buzz in East Germany.

‍

Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

If marriage was a television show, it might look something like this.

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Remembering Norbert Ruebsaat.

Destroying books for the greater good.

Losers: you have a lifetime to hunt.

"I never went looking for them."

Tell me again how long the trip is?

Fill the room with a flock of moths.

Any resemblances to persons living or dead are purely vindictive.

The secret is in the velvet.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

‍

I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

‍

New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

‍

I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

Isaac A. Block has taken some real chances in Assault on God's Image (Windflower Communications), a thesis-turned-book about violence within Mennonite families living in Winnipeg.

Ascending Peculiarity: Edward Gorey on Edward Gorey (Harcourt), selected and edited by Karen Wilkin, is a collection of twenty-six years’ worth of interviews of Gorey, the eccentric American artist and writer. He was best known for his intricate pen-

In the film Atanarjuat (The Fast Runner), the story is in the action and the scenery. The sparse dialogue, which is in Inuktitut with English subtitles, fills in only where necessary.

The short stories in Jon Paul Fiorentino’s Asthmatica (Insomniac) tickle the funny bone every time, from hypothetical essay titles to a story about the tactics a kid might use to shame the son of a mediocre Swedish hockey player. In these yarns Fiore

Au Hasard Balthazar is a forty-year-old film about a donkey. Not only that, a suffering donkey saint.

In an author photograph on the back cover of Back on the Fire (Shoemaker & Hoard) Gary Snyder is shown looking west into the distance (seen from the perspective of a Canadian reader looking south to the Sierra Nevada foothills, Snyder’s home for more

bill bissett is the author of some sixty books of poetry, each more full and fluid than the last, and the most recent collection, b leev abul char ak trs (Talon Books), is jam-packed. Here are meditations on holes in the sky, endangered species, "fee

Although Authors à la Carte was among the last events in the Vancouver Writers and Readers Festival, it was the first one I attended.

Speaking of the beautifully explained inexplicable things in life Anne Carson's Autobiography of Red: A Romance (Knopf) is a gorgeous, astounding, poetic study of what things are like when you just happen to be red. The colour red.

Bacacay (Archipelago Books), a collection of some of the strangest, funniest and most wondrous stories ever published, introduces the early work Witold Gombrowicz, one of Poland’s greatest literary figures and one of the twentieth century’s most impo

W. G. Sebald’s Austerlitz (Vintage Canada) is a serious European novel. This translation (by Anthea Bell) still bears more than just a trace of the heaviness and denseness of the German language, which may discourage some readers.

The Bad in Bad Latitudes by Al Pope (Turnstone Press) turns out not to be that early ’80s, sort of harmless Michael Jackson baaaaad, but just plain bad, as in the opposite of good, as in bad northern stereotypes: abusive drunk husband, drunk wife, mi

David Wootton writes in his introduction to Bad Medicine: Doctors Doing Harm Since Hippocrates (Oxford) that he set out to write “a history of different ways of conceiving the human body” (the medieval, the mechanical, the chemical, the genetic) but

The invaluable Sheila Fischman, whose translations have become a kind of national treasure, has brought us another book by Michel Tremblay: Bambi and Me (Talonbooks) is a small memoir of Tremblay's earliest movie-going days in Montreal in the fifties

The close proximity of my new apartment to a repertory cinema has caused me to go through a movie-going renaissance. Unfortunately, most of my discoveries have been in the mediocre to bad category.

Patty Osborne reviews Baking Cakes in Kigali by Gaile Parkin (McClelland & Stewart).

In 1995, New Star Books in Vancouver launched a series of short (about 100 pages), inexpensive books about nonmainstream subjects in the history and culture of British Columbia. The series is called Transmontanus (that’s “across the mountains” for th

I didn't expect to like Bastion Falls by Susie Moloney (Key Porter) because the back cover describes it as spine-tingling. I don't usually like having my spine tingled, but Bastion Falls was a pleasant surprise.

Michael Hayward reviews Basho: The Complete Haiku, written by Matsuo Basho and translated by Jane Reichhold (Kodansha).

Beat (2000) stars Canada’s own Kiefer Sutherland (who recently got his groove back in the Fox series 24) in an amazing performance as William Burroughs in the early days—before he truly started writing and before he shot his wife Joan during a botche

The next time I was up at the cabin I read Beach Boy, by Ardashir Vakil (Hamish Hamilton), an orange book that caught my eye on the New Arrivals rack at my local library. The book's narrator is a precocious eight-year-old named Cyrus Readymoney, whos

Reading Be Near Me by Andrew O’Hagan (McClelland & Stewart) is like watching a slow-motion traffic accident: you’re not sure how it will end, but you’re sure it will end badly.

In the most successful sections of Be Quiet by Margaret Hollingsworth (Blue Lake), the author imagines Emily Carr’s six-week stay in Ste. Agathe, France in 1911, by writing the diary of Winifred Church.

People who live in the North speak of leaving as “going outside.” I recently returned to the North after a lengthy absence and found myself reading two books about the effects of the “outside,” and about the things that brought me here in the first p

Mordecai Richler, in a withering put-down, once dismissed the novelist Hugh Garner as “a good speller.” In the summer of 2003, grinding through 160 Canadian books as a jury member for the Governor General’s Literary Award for Fiction in English, I learned that for many contemporary Canadian writers, Garner’s level of dubious distinction remains out of reach.

A city is an atmosphere defined by a history. A great city's streets may reflect its past, but only art makes a city's history, like its distinctive mood, present to the world.

It is not only the children of British mothers who have lost one of their nationalities; Great Britain, too, has lost a part of itself

In a letter of 350 words, published in Geist 65, Michael Redhill calls me a racist once and implies that I am a racist on at least four other occasions. Redhill’s repetition of the ultimate insult of the postmodern era offers a fascinating, if depressing, window into how certain Canadian writers betray their responsibility to the society they live in.

Dear George Szanto, I write in answer to your letter describing your difficulties in finding a publisher for your new novel.

"There are people," Chateaubriand comments, "who, in the midst of the collapse of empires, visit fountains and gardens"

The epic genre suffers from disregard. To the Iliad, our new century has preferred the Odyssey: the encumbered return of the warrior matters more to us than his laborious swordplay.

The federal government recently announced it is reviewing the CBC’s mandate. This review is the latest chapter in a long story of questioning the value of the CBC since its inception seventy years ago. Clearly there are politics involved here; the CBC is an easy target for attack by parties of all stripes.

Auvers-sur-Oise is a town of ghosts. Among the summer tourists and art-loving pilgrims who visit Auvers from all over the world, drift flocks of long-dead artists with folding easels and boxes of paints, who a century ago would disembark every week at the small railway station.

For reasons I can't make out, organizers of congresses and literary get-togethers throughout the world appear to have been inspired by a common theme: America. In Germany, in Spain, in France, in Holland, writers are being asked to talk about this faraway place that is either an overwhelming country or an underdeveloped continent.

There are two big trees in my garden under which, when friends are visiting, we sit and talk, sometimes during the day, but usually at night. Especially at night, when talk seems less inhibited, wider-ranging, strangely more stimulating.

Cyril Connolly’s writings have been republished, as The Selected Works (Picador, 2002). I remember reading his work in my late adolescence and wondering how someone could write like that, in fragments and half-formed ideas, allowing his thoughts (and the reader’s) to go in a thousand directions at the same time, and yet lend his texts an overwhelming feeling of cohesiveness.

One of the pleasures of reading for no particular reason is coming across hidden stories, involuntary essays, samples of what someone once called “found literature”—as opposed, I imagine, to the literature that states its official identity on the cover. Leafing through a book on Samuel de Champlain, I came across, of all things, a detective story.

When I was in school in Argentina, Europe (our notion of Europe) was a vast and powerful conglomerate of culture and wisdom. From there, from across the Atlantic, came the history to which, magister dixit, we owed our existence; from there came the writers whose literature we read, the musicians whose music we listened to, the filmmakers whose films we watched.

Many years ago my father-in-law, who had been a British prisoner of war in Japan, gave me a small pocket anthology, The Knapsack, edited by the undeservedly forgotten Herbert Read. The book (which I have since passed on to my daughter) had been put together for the Ministry of War to be given to its soldiers: its proclaimed intention was "to celebrate the genius of Mars." Surprisingly, however, the general tone of the anthology was above all elegiac.

A few years after Kafka’s death, Milena, the woman he had loved so dearly, was taken away by the Nazis and sent to a concentration camp. Suddenly life seemed to have become its reverse: not death, which is a conclusion, but a mad and meaningless state of brutal suffering, brought on through no visible fault and serving no visible end. To attempt to survive this nightmare, a friend of Milena devised a method: she would resort to the books she had read, stored in her memory.

“Get it right,” Rob Allen told me. “You have no idea how few novels you will actually write in your life”

Six days before the Passover festival in Bethany, the sisters Martha and Mary gave a dinner in honour of Jesus who (the gospels tell us) had raised their brother from the dead. Martha worked in the kitchen while Mary sat herself down at the feet of their guest, to listen to his words. Overwhelmed by the many tasks to be done, Martha asked her sister to come and help her. “Martha, Martha,” said Jesus. “You fret and fuss about many things, but only one thing is necessary. The part Mary has chosen is the best, and it will not be taken from her.”