The fish is a suspended phantom, its magenta skeleton an exquisite, vibrant exhibit of what lies beneath

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A wildland fighter witnesses an old burn's second act

Memories sneak up, tiptoe quiet as a cat. Boom like a slapshot

The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

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This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

If marriage was a television show, it might look something like this.

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Destroying books for the greater good.

Remembering Norbert Ruebsaat.

Losers: you have a lifetime to hunt.

"I never went looking for them."

“The first time I met him, he caused me to float to the ceiling"

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Mastery of the self

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

In Jeannie and the Gentle Giants by Luanne Armstrong (Ronsdale), Jeannie is a young city girl who ends up in a foster home in the countryside near Kelowna, B.C., and the gentle giants are two enormous work horses named Sally and Sebastien who help Je

In the note accompanying Geist's copy of jacks: a gothic gospel (Livres DC Books), the book's author Anne Stone recommends it for review, or for "hanging out on a coffee table as an orange object." And, although it is a lovely orange object, jacks is

Forever is a Dutch film made by the experienced documentarian Heddy Honigmann. Its subject is Père-Lachaise cemetery in Paris but its scope includes life and death, history and memory, art and beauty.

In Geist No. 1, I reviewed a handful of Canadian publishers’ catalogues.

Orhan Pamuk’s Istanbul: Memories and the City, translated by Maureen Freely (Knopf), presents Istanbul as a palimpsest in which can be read the fading traces of empires Christian and Muslim, of childhood, and of a European gaze that once contemplated

For Myles Hildyard, a British aristocrat, the Second World War was an adventure like no other. He joined a local military unit in the late 1930s and saw action throughout the entire war, stationed in the Middle East, North Africa, Crete and western E

Forbidden Lie$ tells the story of Norma Khouri, who shot to fame when her book, Forbidden Love, became a bestseller. The book claimed to tell the story of Khouri’s best friend, who was murdered by her own family because she dated a man of a different

For Men Who Dream of Lolita (Coteau Books) is Kim Morrissey's retelling of Nabokov's story from Lolita's point of view in a series of linked poems.

When Thoreau remarked that most of us lead lives of quiet desperation, he must have been reading David Adams Richards. For Those Who Hunt the Wounded Down (McClelland & Stewart) is Richards' latest novel, continuing his examination of life as it is l

Two recent books nicely illustrate, for me, the disturbing state of contemporary publishing. The first book, Hemingway: The Toronto Years (Doubleday) by William Burrill, a Toronto journalist, is a handsome example of the book-making art.... The secon

Now that Buffy is over, Whedon has but one TV program to work on: Angel. Which is all the more sad because he had created the best thing to hit television in years: Firefly. That show starred Nathan Fillion (born in Edmonton) as Captain Malcolm Reyno

Flesh and Bone (with Meg Ryan, James Caan and that handsome guy whose name I keep forgetting) had been sitting for months in New Arrivals at the local video purveyor's and no one ever seemed to pick it up. Feeling more than usually desperate last wee

Barbara Olson, author of The Final Days: The Last, Desperate Abuses of Power by the Clinton White House (Regnery), died aboard Flight 77 when it hit the Pentagon on September 11, 2001. Unfortunately, therefore, she does not have to account for the no

Sarah Waters’s novel pulls the reader into the gritty, dangerous world of mid-nineteenth-century London, where the petty thieves are known as fingersmiths.

Lily Gontard reviews the Farley Mowat-inspired film, Finding Farley (National Film Board).

Lily Gontard reviews One Day (Hodder & Staughton), David Nicholls's novel about a decades-long friendship.

I wish I could say that I finished Ferry Woman's History of the World (Coteau) by Susan Andrews Grace on the ferry ride home, but I didn't. This is a wonderful book, full of Celtic history, the speaker's childhood, her confrontations with Jesus, and

You could take the Lesbian National Parks and Services Field Guide to North America (Pedlar Press) into the woods, but this guidebook, written by Rangers Shawna Dempsey and Lorri Millan, is just as suitable for reading in bed. In fact, under the cove

Felicity's Fool, by François Gravel (Cormorant), is a novel with history and science in it, and both the history and the science are very good. Its protagonist is a mild-mannered doctor driven to search for the organ of happiness in the human brain.

In Fierce People by Dirk Wittenborn (Bloomsbury), fifteen-year-old Finn Earl aches to enter the privileged, self-indulgent world inhabited by the billionaire Osborne family and their wealthy friends. One minute he’s trying to cover up his mother’s dr

Some good Canadian with lots of hard currency should give Pico Iyer a ticket to Yellowknife, or Inuvik, or Pangnirtung or Come By Chance—almost anywhere in Canada, come to think of it. Iyer is the author of Falling Off the Map: Some Lonely Places of

Kris Rothstein reviews Fantasy Freaks and Gaming Geeks by Ethan Gilsdorf (Lyons Press).

Patty Osborne reviews February by Lisa Moore (Anansi).

Magazine addicts on the west coast have lost their most reliable (and revered) source of supply. Magpie Magazine Gallery on Commercial Drive in east Vancouver went out of business in spring 2008, after fifteen years of catering happily to a multifari

Dr. Portillo, a Mexican physician, lives with her husband and son in a balcony-festooned six-bedroom house in a gated suburb. The adobe walls that enclose the garden, the coloured tiles embedded in the walls and the servants’ garden house are all typical of the home of a prosperous Mexican family. The multi-generational collection of relatives who occupy the spare bedrooms also reflect Mexican tradition. Dr. Portillo receives her patients in an office located in a tower in the northern Mexican city of Tijuana; since many of the patients are American, much of her working day takes place in English. When she goes home at night, she relaxes by speaking to her husband and son in Spanish. Her son, however, often responds in English because Dr. Portillo’s typical Mexican home is located in suburban California.

The Group of Seven “vision” is an inadequate way to describe an urban, multiracial, industrial society like Canada, and pretty much always was.

Lonely Planet readers no longer travel in Bolivia or Thailand, but within the elastic, infinitely portable boundaries of the Lonely Planet nation.

In Bangkok as in major centres all over Asia, there is life everywhere, on every street, in every shop and at all hours.

In Chicago, where he settled, William Henry Jackson, British settler, transformed himself into Honoré Jaxon, Métis freedom fighter. He identified so closely with the Métis struggle for justice that he became one of them. He had no trouble convincing others that he was a Native and probably had no trouble convincing himself either.

When a poet friend was found dead after two days because of the do not disturb sign he had hung outside his hotel room, Darwish swore never again to hang the sign or lock his door. “When death comes,” he said, “I want to be disturbed.”

The top-selling American novel of the nineteenth century was Lew Wallace’s Ben-Hur: A Tale of the Christ. The phrase “the Christ” reminds us that the second word originally meant something along the lines of “the person who has been anointed.” By the twentieth century, the article had been dropped, making “Christ” sound like the family name of Sometime Carpenter Jesus, offspring of Joe and Mary Christ, brother of Jim Christ who keeps cropping up in the New Testament. But a couple of generations after Jesus lost His definite article, His spokesmen on Earth were still “the Reverend” So-and-so or even “the Reverend Doctor” until the editors of Time and their kind followed Samson’s example and warning: metaphor ends in 25 metres—smote them with the jawbone of an ass.

The movie Wordplay, directed by Patrick Creadon (IFC Films, available on DVD), takes us into the arcana of crossword fanatics, who call themselves puzzle heads. Once a year they come from all over the U.S. to sit at long tables in a room at the Marri

Art museums and geographical exp

Bologna, Italy, known as both “the Fat” and “the Red,” is a city to a make a bookish vacationer salivate. Less overrun by package tours than Rome, Florence or Venice, Bologna combines superb food with the wonderful bookstores that seem to be the inevitable companion of left-wing politics.

Several years ago Ian McKay, a Queen’s University history professor, published a book called The Quest of the Folk: Antimodernism and Cultural Selection in Twentieth-Century Nova Scotia (McGill-Queen’s University Press) in which he argued that the image many of us have of Nova Scotia as a tartan-wearing, bagpipe-squealing mini-Scotland is pretty much a fabrication.

The theatre is plush, high-ranking and named after the Queen. I don’t know the name of the play but C does. C brings me to the theatre when I go. I undergo a pleas­ant transformation when I go to the theatre. I wear a tie, black shoes and a sports coat. At first it was difficult, “not my style.”

In 1971 I went to work as a reporter at the Ottawa Journal. The newspaper depended for much of its copy on a roster of freelancers who would get their assignments by phone and drop by the office to deliver their articles. One of these contributors was D’Arcy Marsh.

In the sun-streaked barroom of the Irma Hotel on the main street of Cody, Wyoming, late one afternoon in June, I made a big mistake. “What’s on tap?” I asked.

Immediately after the New Year, both my daughters became victims of the First Great Snowfall of 1999.

I first tried to read J. M. Coetzee in 1994, when I was twenty-three. I failed.

A city is an atmosphere defined by a history. A great city's streets may reflect its past, but only art makes a city's history, like its distinctive mood, present to the world.

Mordecai Richler, in a withering put-down, once dismissed the novelist Hugh Garner as “a good speller.” In the summer of 2003, grinding through 160 Canadian books as a jury member for the Governor General’s Literary Award for Fiction in English, I learned that for many contemporary Canadian writers, Garner’s level of dubious distinction remains out of reach.

Cakchiquel, the third most widely spoken of Guatemala’s twenty Mayan languages, is understood by more than 400,000 people. It is blessed with a larger population base than most Native American languages but is cursed by its location.

The Giller Prize is the most conspicuous example of corporate suffocation of the public institutions that built our literary culture. True, the Giller hasn’t done as much damage as the throttling of the book market by the Chapters-Indigo chain.

As Canada is one of the world's most urbanized countries, a reader knowing nothing of contemporary Canadian writing might expect to find a surfeit of urban novels in our bookstores. Yet novels explicitly set in Canadian cities form a mere sliver of our novelistic production.

In 1982 I had my first argument with an American about Saddam Hussein. As an undergraduate at an American liberal arts college where everyone read the New York Times, I supplemented my reading by browsing the British papers.

During the power cut that paralyzed Ontario in August 2003, the residents of my townhouse condominium complex began talking to each other. It was an event that took me by surprise.

In 1999, when I returned to Canada from London, England, to teach Spanish at the University of Guelph, I was handed an introductory Spanish textbook and told that two-thirds of my teaching load was basic language instruction. The textbook was American.