For the sake of the large romantic gesture

‍

Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

‍

No Skylab buzz in East Germany.

‍

Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

If marriage was a television show, it might look something like this.

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Remembering Norbert Ruebsaat.

Destroying books for the greater good.

Losers: you have a lifetime to hunt.

"I never went looking for them."

Tell me again how long the trip is?

Fill the room with a flock of moths.

Any resemblances to persons living or dead are purely vindictive.

The secret is in the velvet.

You can’t break eggs without making an omelette.

Out on the set, except for the fact that there is always someone to catch us if we stumble, or someone to set up folding chairs for us between scenes, we are beneficiaries of the semi that denies the passing of clock-time. There is nothing to remind

Our film is a semi-documentary. We are ourselves, up to a point; beyond this point is the "semi," a region with boundaries that become more or less imprecise, according to our view of them. In one sense, it is semi from beginning to end, for we would

Patty Osborne reviews a collection of journal entries, correspondence and other writings produced by Mary Meigs during the last years of her life.

Did that really happen? J. Jill Robinson initiates a midnight stand-off between the police and two drunk brothers in an RV Park in White Rock, B.C.

For four decades, Jay Powell and Vickie Jensen helped to revive forgotten languages for many Aboriginal groups along the coast of the Pacific Northwest. Read their story here.

The Bolshevists are coming! The Bolshevists are coming! Daniel Francis recounts Canada's close call with a revolution.

Stephen Henighan compares the chaotic sprawl of "Third World" societies to the degradation of Canada's political, social and physical landscape.

The poet John Glassco lived in disguise, masquerading as a member of the gentry while writing pornography and reinventing his past.

L.B. Foote fled Newfoundland to avoid life as a cod fisherman and became Winnipeg's best-known photographer, chronicling Boomtown's growth, energy and struggles.

Sarah Leavitt is more than just a clever cartoonist; she also paints pictures with her colourful prose.

The mother of the groom measures the distance between two weddings: twenty-six years, six thousand miles, and a donkey covered with flowers. It’s outtasight.

Last summer, during a visit to Vancouver, my nine-year-old son climbed the pediment of a cast-iron traffic-light standard and put his palm on the glowing hand that warns pedestrians to stay put. My mother pointed out afterwards that my photograph of the event contained its own French caption, in the word visible over his shoulder: main.

Dinner with James Reaney—poet, playwright, professor—who is mistaken by a pair of Irish ladies for “that decadent writer Mordecai Richler.”

A series of lucky events seemed to conspire to bring me to Stettler, Alberta, one day in June 1998. Jennifer, the woman who was in between being my roommate and my girlfriend, was at the Banff Centre and I was on my way there from Saskatoon, where we lived. She had left me fifty dollars for gas so I could pick her up after her workshop, and I had accepted, hoping that when the time came I wouldn’t need it and I could give it back. I did need it, of course. I had been waiting for a cheque to come from the Globe and Mail for one of a series of drawings I was doing for them, and when it was time to leave, the cheque still hadn’t arrived. So I set out from Saskatoon with just a tank of gas and the fifty dollars.

It started with a note I found tucked into an anthology of poems edited by Selden Rodman, a book I opened rarely, though there was a time when I was young I had read it so closely and so many times I had most of the poems memorized. The note lay in the spine of the book against a poem of Arthur Rimbaud's titled, I think, "The Twelve-Year-Old Poet." On it are four names printed out in my sure and youthful twenty-one-year-old hand: Baghdad, Koweit, Sakakah, Jaffa.

I answered the ad: SWM likes to dance. Called him up (said his name was Jay), suggested we meet at the local cafe Tuesday night, something different, a performance poet performing. Free coffee and cookies, the place rocking with middle-aged angst.

And then I remembered an important event. It happened at a funeral in St. Paul’s chapel for a twenty-four-year-old prostitute who had overdosed in her Gastown hotel room. The small chapel was half full, and very quiet. There were a couple of fresh flower arrangements in front of the cheap, closed coffin. Most of the congregation were other prostitutes dressed in their working clothes, and a few pimps. One woman apologized to Brother Tim for having nothing black to wear, except for lingerie and a leather miniskirt.

Once while living in Burma (now Myanmar), Goran Simic and his brother, whose father was the Serbian ambassador, were stopped by rebels on their way to the international school in Yangon. They were hauled out of their diplomatic Mercedes limousine and forced at gunpoint to witness the beheading, at the side of the road, of a uniformed Myanmar government official.

During my thirty years living on the waterfront of British Columbia, I have always had some sort of container in which to sit on the water. My first boat was a ten-foot dinghy that my late husband John Daly, a commercial salmon troller, equipped with a small electric motor to surprise me. He had the bizarre idea that I, a sometime canoeist from Ohio, could manoeuvre a boat on my own around our capacious Pacific coast harbour. The electric engine would be ideal for me, he thought. No rope to pull to start it up! No gasoline tank on board!

Mary Meigs and her friend Lise Weil, editor of Beyond Recall, met regularly to do freewriting together. For each exercise they chose a line or phrase from the work of a poet they both admired; then, inspired by that "prompt," both women wrote for five or ten minutes, recording whatever came to mind (and hand).

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

A first-hand account of Greenpeace's first expedition to stop U.S. underwater nuclear testing on September 15, 1971.

The best pen-in-a-shirt-pocket photograph you will ever see is the author photo on the back cover of Joe Fiorito's new book, Tango on the Main (Nuage).

Frontier stories are known to be great cultural archives but boring reads. Not so with Theatre Newfoundland Labrador’s Tempting Providence, written by Robert Chafe, directed by Jillian Keiley and performed at the Vancouver East Cultural Centre in Jan

In 1988 Jean Mallinson, a West Vancouver poet and essayist, entered hospital for abdominal surgery. She came through the operation without mishap, and afterwards her doctor prescribed gentamicin, an antibiotic intended to stave off infection during r

For my niece in Ottawa, I chose Tell No One Who You Are by Walter Buchignani (Tundra Books). It is an account of three years in the life of a young Jewish girl in Belgium—three years during which she was hidden from the Nazis by non-Jews.

Evan Jenkins collected and expanded material from his column in the Columbia Journalism Review to create That or Which, and Why (Routledge), a clear and succinct guide to English language, grammar and usage.

In a recent Vancouver Sun, Don McGillivray had a note on what Americans think Canuck means to Canadians. He quotes the 1992 American Heritage Dictionary, which defines Canuck as: "offensive slang used as a disparaging term for a Canadian, especially

Halfway through The Amateur, An Independent Life of Letters by Wendy Lesser (Pantheon Books), I stopped reading long enough to tell a few people that this was a great book of essays. Maybe I should have kept my mouth shut because from that point on I

In 1929 Morley Callaghan and his wife Loretta went to Paris, where they hung out in cafés with writers and artists and rubberneckers and lounge lizards, spent a couple of hilarious evenings with James Joyce and his wife Nora Barnacle, and eventually

John Steffler, in The Afterlife of George Cartwright (McClelland & Stewart) goes after the big stuff in a richly imagined account of an eighteenth-century Englishman who sets up in business in Labrador. There is some terrific writing and real imagini

If you read one book on the Information Age, make sure it's Bill McKibben's The Age of Missing Information (Penguin/Plume), which is a real page-turner of a long essay about What's Wrong with the Idea of Information. The device is neat: McKibben watc

The day began with a comment from a colleague that working with a certain buggy database program made him feel like Sisyphus, and it ended with three pieces of reading. An hour or so after the colleague’s remark, I was trading favourite Onion headlin

The Anatomy of Arcadia by David Solway (Véhicule Press) pretends to be an anti-travel book, written against the grain of the "usual" travel book, but is really an anti-travel-guide-book filled with hard words that seem to be inserted into the text fo

The Assassin’s Cloak: An Anthology of the World’s Greatest Diarists, edited by Irene and Alan Taylor (Canongate Books), makes excellent bedtime reading for those who have difficulty limiting themselves to just a few pages a night. For each day of the

Everything I know about the Spanish Inquisition I learned from a young adult novel by Melanie Little that is written in free verse.

The areas of John Hodgman’s expertise do not extend to the Northwest Passage in his new book The Areas of My Expertise (Dutton). The deficiency is more than made up for, in a chapter called “Our 51 United States,” by an entry on the drifting state of

The Arcades Project by Walter Benjamin (Belknap/ Harvard) is one of the greatest books of the twentieth century, and it will make you want to assemble one yourself for your own life and time. This is a monumental work of excavation in history, philos

In The Architects Are Here (Viking), Michael Winter revisits his fictional alter ego Gabriel English, who has previously appeared as a central figure in two short story collections and in This All Happened, Winter’s first novel (published in 2000).

Another reflection of Earth’s Mind can be found in the pages of The Arctic Sky: Inuit Astronomy, Star Lore and Legend, by John MacDonald, just published by the Nunavut Research Institute with the Royal Ontario Museum. This is a gathering of the celes

Luanne Armstrong’s apocalyptic novel The Bone House (New Star) is a searingly perceptive social commentary on a world in which sovereign corporate might has pillaged the goodness of humankind. The natural world and the struggle to preserve it, a recu

In my life I have only written one fan letter that began: “I have never written a fan letter before.” It was addressed to Shane Rhodes, and I wrote it after reading his poetry collections Holding Pattern (NeWest Press) and The Wireless Room (NeWest P

Annabel Lyon’s new book, The Best Thing for You (McClelland & Stewart), is a collection of three novellas and one of the best things in new fiction this season.

The only book of poetry I enjoyed this year is Zoe Whittall’s The Best 10 Minutes of Your Life (McGilligan Books). Here Ally McBeal and Dr. Seuss live alongside Susan Musgrave and Rocket Richard in a mélange of popular culture and literary craving.

This year, January in Vancouver was one long, dark rainy day. Thankfully the PuSh International Performing Arts Festival offered a variety of performances that piqued my curiosity enough to seduce me out of the house, away from the comforts of Kraft

Speaking of the library, the day after I borrowed The Bird Artist by Howard Norman (Farrar, Straus & Giroux), a book my brother had recommended, The Museum Guard (Knopf), also by Norman, arrived in the Geist office. For some reason I chose to read Th

Mordecai Richler, in a withering put-down, once dismissed the novelist Hugh Garner as “a good speller.” In the summer of 2003, grinding through 160 Canadian books as a jury member for the Governor General’s Literary Award for Fiction in English, I learned that for many contemporary Canadian writers, Garner’s level of dubious distinction remains out of reach.

A city is an atmosphere defined by a history. A great city's streets may reflect its past, but only art makes a city's history, like its distinctive mood, present to the world.

It is not only the children of British mothers who have lost one of their nationalities; Great Britain, too, has lost a part of itself

In a letter of 350 words, published in Geist 65, Michael Redhill calls me a racist once and implies that I am a racist on at least four other occasions. Redhill’s repetition of the ultimate insult of the postmodern era offers a fascinating, if depressing, window into how certain Canadian writers betray their responsibility to the society they live in.

Dear George Szanto, I write in answer to your letter describing your difficulties in finding a publisher for your new novel.

"There are people," Chateaubriand comments, "who, in the midst of the collapse of empires, visit fountains and gardens"

The epic genre suffers from disregard. To the Iliad, our new century has preferred the Odyssey: the encumbered return of the warrior matters more to us than his laborious swordplay.

The federal government recently announced it is reviewing the CBC’s mandate. This review is the latest chapter in a long story of questioning the value of the CBC since its inception seventy years ago. Clearly there are politics involved here; the CBC is an easy target for attack by parties of all stripes.

Auvers-sur-Oise is a town of ghosts. Among the summer tourists and art-loving pilgrims who visit Auvers from all over the world, drift flocks of long-dead artists with folding easels and boxes of paints, who a century ago would disembark every week at the small railway station.

For reasons I can't make out, organizers of congresses and literary get-togethers throughout the world appear to have been inspired by a common theme: America. In Germany, in Spain, in France, in Holland, writers are being asked to talk about this faraway place that is either an overwhelming country or an underdeveloped continent.

There are two big trees in my garden under which, when friends are visiting, we sit and talk, sometimes during the day, but usually at night. Especially at night, when talk seems less inhibited, wider-ranging, strangely more stimulating.

Cyril Connolly’s writings have been republished, as The Selected Works (Picador, 2002). I remember reading his work in my late adolescence and wondering how someone could write like that, in fragments and half-formed ideas, allowing his thoughts (and the reader’s) to go in a thousand directions at the same time, and yet lend his texts an overwhelming feeling of cohesiveness.

One of the pleasures of reading for no particular reason is coming across hidden stories, involuntary essays, samples of what someone once called “found literature”—as opposed, I imagine, to the literature that states its official identity on the cover. Leafing through a book on Samuel de Champlain, I came across, of all things, a detective story.

When I was in school in Argentina, Europe (our notion of Europe) was a vast and powerful conglomerate of culture and wisdom. From there, from across the Atlantic, came the history to which, magister dixit, we owed our existence; from there came the writers whose literature we read, the musicians whose music we listened to, the filmmakers whose films we watched.

Many years ago my father-in-law, who had been a British prisoner of war in Japan, gave me a small pocket anthology, The Knapsack, edited by the undeservedly forgotten Herbert Read. The book (which I have since passed on to my daughter) had been put together for the Ministry of War to be given to its soldiers: its proclaimed intention was "to celebrate the genius of Mars." Surprisingly, however, the general tone of the anthology was above all elegiac.

A few years after Kafka’s death, Milena, the woman he had loved so dearly, was taken away by the Nazis and sent to a concentration camp. Suddenly life seemed to have become its reverse: not death, which is a conclusion, but a mad and meaningless state of brutal suffering, brought on through no visible fault and serving no visible end. To attempt to survive this nightmare, a friend of Milena devised a method: she would resort to the books she had read, stored in her memory.

“Get it right,” Rob Allen told me. “You have no idea how few novels you will actually write in your life”

Six days before the Passover festival in Bethany, the sisters Martha and Mary gave a dinner in honour of Jesus who (the gospels tell us) had raised their brother from the dead. Martha worked in the kitchen while Mary sat herself down at the feet of their guest, to listen to his words. Overwhelmed by the many tasks to be done, Martha asked her sister to come and help her. “Martha, Martha,” said Jesus. “You fret and fuss about many things, but only one thing is necessary. The part Mary has chosen is the best, and it will not be taken from her.”