Evil is not darkness, I thought to myself. It’s noise.

‍

His look is self-concious, but well done.

Cylinders of oxy­gen rolled past like dolls, propped up in wire bas­kets. After the first few min­utes it all seemed normal.

‍

Stephen Osborne uncovers the genesis of the poppy and how it became evidence of horror, a token of remembrance and a promise of oblivion.

Last month I had lunch with a good friend who years ago had told me that her parents, who immigrated to Canada after the war, were Holocaust survivors. I asked my friend, whose name is Slava, to tell me again about her parents, who had lived in Vilna, the ancient Lituanian city of Europe known for three centuries as the “Jerusalem of the north.”

The police officer turned us back and told us to for

The last thing in the world I wanted was to be an exhibit, or worse.

Senior Editor Mary Schendlinger remembers her friend and Geist contributor Saeko Usukawa.

Thompson’s free-ranging narrative of the New World must be the only one in which the devil is defeated at checkers.

At home Frank and I are mutually sympathetic to the obligation to face one another and speak loudly; or, when we are away, to supply each other with new batteries when we forget them; but we have no defence against the independent wandering behaviour of our hearing aids. They are always someplace else. I probably have spent one percent of my life, close to a whole year, looking for the damned things.

After the fall of the Berlin Wall, Hakescher Markt became one of hippest neigh

A shuttle driver at LAX shares his idea for a Valentine’s Day gift.

He looked vaguely familiar— there was a sort of outline around his ­features that I almost recognized, a translucent and shifting visage, as of someone I once knew. He looked vaguely familiar— there was a sort of outline around his ­features that I al

The man who told me to sit here is wearing a blue uniform. He asks me questions. “You’re going to sacrifice your body just to save some money,” he jokes.

On a recent trip to Paris, I met a young woman from Japan. But this is not a story about a sudden love affair, which one might expect in Paris.

If Toronto were like Baghdad, thirty-nine res

Boyfriends are trouble, I said. He leaned over and gave me a high-five.

A eulogy delivered by email, from a woman living in Berlin to her lifelong friend in Vancouver.

Sometime in the late seventies Osborne and I walked down Spadina from Bloor to Front street, listening to Shein talk about the China Effect.

In multi-cultural Vancouver, strangers come together at a moment of crisis.

The organizers of tonight’s talk have branded it as a “raw exchange”—part of a series of uncensored literary gatherings around the city—and so they’ve invited three biting B.C. writers to get down to brass tacks for a group of strangers in the basement of the Vancouver Public Library. By some freak of programming, a punk-metal band is slaying the kids in the room down the hall tonight, which means every time a bookish-looking latecomer wades into our midst, a foul-sounding wave of hellish power chords does, too.

A question of some concern among my friends when we were growing up in the fifties and sixties was how old you had to be to go to war.

An intrepid Geist correspondent narrowly avoids being stabbed by a moose-antler letter opener in Whitehorse.

I started walking, seriously. It was the bone scan that got me going. The healthy solid green was spongy with rotting black holes.

My god, I think as I wait my turn in the wash­room of the Hotel Vancouver, all of these peo­ple look just like Carol Shields.

‍

Out on the set, except for the fact that there is always someone to catch us if we stumble, or someone to set up folding chairs for us between scenes, we are beneficiaries of the semi that denies the passing of clock-time. There is nothing to remind

Our film is a semi-documentary. We are ourselves, up to a point; beyond this point is the "semi," a region with boundaries that become more or less imprecise, according to our view of them. In one sense, it is semi from beginning to end, for we would

Patty Osborne reviews a collection of journal entries, correspondence and other writings produced by Mary Meigs during the last years of her life.

Did that really happen? J. Jill Robinson initiates a midnight stand-off between the police and two drunk brothers in an RV Park in White Rock, B.C.

For four decades, Jay Powell and Vickie Jensen helped to revive forgotten languages for many Aboriginal groups along the coast of the Pacific Northwest. Read their story here.

The Bolshevists are coming! The Bolshevists are coming! Daniel Francis recounts Canada's close call with a revolution.

Stephen Henighan compares the chaotic sprawl of "Third World" societies to the degradation of Canada's political, social and physical landscape.

The poet John Glassco lived in disguise, masquerading as a member of the gentry while writing pornography and reinventing his past.

L.B. Foote fled Newfoundland to avoid life as a cod fisherman and became Winnipeg's best-known photographer, chronicling Boomtown's growth, energy and struggles.

Sarah Leavitt is more than just a clever cartoonist; she also paints pictures with her colourful prose.

The mother of the groom measures the distance between two weddings: twenty-six years, six thousand miles, and a donkey covered with flowers. It’s outtasight.

Last summer, during a visit to Vancouver, my nine-year-old son climbed the pediment of a cast-iron traffic-light standard and put his palm on the glowing hand that warns pedestrians to stay put. My mother pointed out afterwards that my photograph of the event contained its own French caption, in the word visible over his shoulder: main.

Dinner with James Reaney—poet, playwright, professor—who is mistaken by a pair of Irish ladies for “that decadent writer Mordecai Richler.”

A series of lucky events seemed to conspire to bring me to Stettler, Alberta, one day in June 1998. Jennifer, the woman who was in between being my roommate and my girlfriend, was at the Banff Centre and I was on my way there from Saskatoon, where we lived. She had left me fifty dollars for gas so I could pick her up after her workshop, and I had accepted, hoping that when the time came I wouldn’t need it and I could give it back. I did need it, of course. I had been waiting for a cheque to come from the Globe and Mail for one of a series of drawings I was doing for them, and when it was time to leave, the cheque still hadn’t arrived. So I set out from Saskatoon with just a tank of gas and the fifty dollars.

It started with a note I found tucked into an anthology of poems edited by Selden Rodman, a book I opened rarely, though there was a time when I was young I had read it so closely and so many times I had most of the poems memorized. The note lay in the spine of the book against a poem of Arthur Rimbaud's titled, I think, "The Twelve-Year-Old Poet." On it are four names printed out in my sure and youthful twenty-one-year-old hand: Baghdad, Koweit, Sakakah, Jaffa.

I answered the ad: SWM likes to dance. Called him up (said his name was Jay), suggested we meet at the local cafe Tuesday night, something different, a performance poet performing. Free coffee and cookies, the place rocking with middle-aged angst.

And then I remembered an important event. It happened at a funeral in St. Paul’s chapel for a twenty-four-year-old prostitute who had overdosed in her Gastown hotel room. The small chapel was half full, and very quiet. There were a couple of fresh flower arrangements in front of the cheap, closed coffin. Most of the congregation were other prostitutes dressed in their working clothes, and a few pimps. One woman apologized to Brother Tim for having nothing black to wear, except for lingerie and a leather miniskirt.

Once while living in Burma (now Myanmar), Goran Simic and his brother, whose father was the Serbian ambassador, were stopped by rebels on their way to the international school in Yangon. They were hauled out of their diplomatic Mercedes limousine and forced at gunpoint to witness the beheading, at the side of the road, of a uniformed Myanmar government official.

During my thirty years living on the waterfront of British Columbia, I have always had some sort of container in which to sit on the water. My first boat was a ten-foot dinghy that my late husband John Daly, a commercial salmon troller, equipped with a small electric motor to surprise me. He had the bizarre idea that I, a sometime canoeist from Ohio, could manoeuvre a boat on my own around our capacious Pacific coast harbour. The electric engine would be ideal for me, he thought. No rope to pull to start it up! No gasoline tank on board!

Mary Meigs and her friend Lise Weil, editor of Beyond Recall, met regularly to do freewriting together. For each exercise they chose a line or phrase from the work of a poet they both admired; then, inspired by that "prompt," both women wrote for five or ten minutes, recording whatever came to mind (and hand).

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

A first-hand account of Greenpeace's first expedition to stop U.S. underwater nuclear testing on September 15, 1971.

For summer I favour books that can withstand the indignities of the season: beat-up paperbacks that can get stained by sunscreen, or library hardcovers in Brodart jackets that can be wiped clean with a damp cloth. But I make exceptions for new books

Karen Connelly has travelled extensively in southeast Asia and described her experiences through non-fiction (Touch the Dragon, a memoir of her year in Thailand, won the Governor General’s Award in 1993) and poetry. Connelly’s first novel, The Lizard

Speaking of the library, the day after I borrowed The Bird Artist by Howard Norman (Farrar, Straus & Giroux), a book my brother had recommended, The Museum Guard (Knopf), also by Norman, arrived in the Geist office. For some reason I chose to read Th

The Montreal Gazette reports that Réjean Ducharme, whose new novel Va Savoir is at the top of the bestseller list, has released a photograph of him after a photographic hiatus of twenty-five years, or, in the words of the Gazette caption writer, "a q

Sheila Heti, author of The Middle Stories (Anansi) has received much praise in the Globe and the National Post, all of it deserved. The stories in this little volume are very short and very good: formidable might be the right word.

Julien Gracq, one of France’s most senior and respected writers, provides a living bridge to the era of Proust and Alain-Fournier, and in his slim book The Narrow Waters (Turtle Point) Gracq explores a theme favoured by both of those writers: the mys

The myth of the West in Canada and the U.S.A. issues largely from a country almost unknown to most North Americans: the wide plains that spill over the forty-ninth parallel between Montana and Saskatchewan. Beth LaDow, who lives in Massachusetts and

John Irving's The Imaginary Girlfriend (Knopf) is an attractive little hardcover book that is a pleasure to look at and to hold. But to read it is another matter.

Until I read The Mummy Congress by Heather Pringle (Penguin Viking), I thought mummies were just dead people with good PR. But this book traces the role mummies have played in anthropological, historical and medical research, as well as helping to re

It's been reported that my nephew in Ottawa needs to be encouraged to read, but he doesn't need to be encouraged to do sports. With this in mind I ventured into an unfamiliar genre. Sports books seem to come in two flavours—how-to books (which most t

Gary Michael Dault’s The Milk of Birds (Mansfield Press) is an exercise in brevity—each of the one hundred poems in the volume contains between fifteen and forty words. Dault presents the reader with images of nature and nature as metaphor in poetry

Michael Hayward reviews The Paris Review Interviews, IV (Picador).

The first time I visited the new library I was planning only to look around. It was opening week and things were pretty busy.

The Noam Chomsky Lectures (Coach House) is a table play. For two hours Daniel Brooks and Guillermo Verdecchia sit behind a table and wage war on the Canadian Government and Big Business.

The twenty-one stories by Morley Callaghan that appeared in The New Yorker between 1928 and 1938 have been gathered into a small volume by the author’s son Barry, who is the publisher of Exile Editions.

The unabridged audio version of the Odyssey (Penguin) opens with a brief interlude of eerie music, followed by the voice of Gandalf announcing: “The Odyssey, translated by Robert Fagles, read by Ian McKellan,” and with that, one is caught up in an ep

The New Northwest by Bill Waiser (Fifth House), is subtitled The Photographs of the Frank Crean Expeditions 1908-1909, but provides us with very little information about these two fascinating subjects. The New Northwest can be seen as another wacky v

Roy Woodbridge tries hard to connect everything in his somewhat despairingly named book, The Next World War: Tribes, Cities, Nations and Ecological Decline (University of Toronto), in which he calls for a “war on ecological decline”—a war on the forc

Paul Auster’s New York Trilogy was a revelation to me: literary puzzles examining the nature of fiction-writing; an intellectual meta-fiction that turned the hard-boiled detective genre on its head. Those three novels featured characters with cryptic

For me and other residents of the North Shore of Greater Vancouver, the wilderness is literally blocks away. A line drawn due north from the peaks of the North Shore mountains to the Yukon border will intersect only four roads other than logging road

Kris Rothstein reviewed the 2008 Vancouver International Film Festival. For more reviews, visit her Geist blog at geist.com/blog/kris.

For the second Christmas in a row, I asked for a ten-day holiday at a cooking school in Tuscany, and for the second year in a row my ever-practical wife found a way to indulge my fantasy without emptying our bank account. Last year she pacified me wi

Twenty Miles by Cara Hedley (Coach House) hurtles headlong through the chaos of a season of tough young women playing university hockey. Isabel Norris (Iz) is the unlikely heroine of this novel, a pretty girl whose talent for hockey is more of a comp

Vikram Seth made a name for himself with the conventional epic A Suitable Boy, but most of his publishing ventures have been strange and surprising. Two Lives (McArthur & Company) is the non-fiction story of his great uncle Shanti and great aunt Henn

Phrase books are tools of cultural globalization—but they are also among its casualties.

When building a nation, cultural riches can be lost.

Coming to harbour in a new world.

Science and the arts fulfil their functions to help us survive through the imagination.

In a world dominated by heroes, difference is not tolerated.

Dividing and conquering local populations confines them to manageable administrative units.

“Have patience” and “Tomorrow” are two inseparable locutions in the Portuguese tongue.

For a brief period the band CANO gave shape to the dream of a bilingual Canadian culture.

Lisa Bird-Wilson on UNDRIP, reconciliation, and the anxiety felt by Indigenous people in Canada.

"The hemispheric context reveals the roots of the residential school system...Destroying Indigenous cultures was a positivist policy from Patagonia to Dawson City."

What we do when we absorb words from a screen—and we haven’t yet evolved a verb for it—is not reading.

Libraries are not only essential in educating the soul, but in forming the identity of a society.

Our society is formed on the assumption of a healthy immune system.

What we can—and can’t—learn from the plague

Dogged dedication grants a reader vicarious immortality.

The woman who called herself Tatiana Aarons gave me an address that led to a vacant lot.

On March 5, 2006, a group of people gathered in a small Ontario city in the expectation of having books signed by an author who was not present.

The newspaper wars aren’t what they used to be.

A package-deal paradise reputation curtails gringo knowledge of Dominican life.

What can the Brothers Grimm teach us about the state of our economic system? Everything.

Faith seems to shiver when confronted by art.

Must artists declare their moral integrity?

Without air travel, family networks might have dissolved long ago.

There’s something not quite right about the grid on which the game is played.