This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

If marriage was a television show, it might look something like this.

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Remembering Norbert Ruebsaat.

Destroying books for the greater good.

Losers: you have a lifetime to hunt.

"I never went looking for them."

Tell me again how long the trip is?

Fill the room with a flock of moths.

Any resemblances to persons living or dead are purely vindictive.

The secret is in the velvet.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

In a perfect world, the writers we love would have all their stories published as beautifully as The Red Tenda of Bologna has been.

David Cayley, whose work is often heard on CBC Ideas, has done a great service in preparing The Rivers North of the Future: The Testament of Ivan Illich (House of Anansi), a text that makes a perfect companion to The Fabric of Reality by David Deutsc

My friend wrote that the first part of Bernhard Schlink's The Reader (Vintage) is "brilliantly erotic, hauntingly poetic and very romantic." Part Two, my friend wrote, is "a hideous trial of Germans by Germans. Post-war youth condemned their parents

The River Midnight by Lilian Nattel (Knopf) made me miss men a little, because it is a very sexy book. This is surprising, because it is about life in a Jewish village in Poland at the turn of the century, a place where women cut off their hair and w

Rupert Sheldrake, author of Dogs That Know When Their Owners Are Coming Home and The Presence of the Past, continues to have good luck with book titles: his new one is The Sense of Being Stared At (Crown). For those of us who have been haunted from t

Kris Rothstein reviewed the 2008 Vancouver International Film Festival. For more reviews, visit her Geist blog at geist.com/blog/kris.

Kristen Cheung reviews The Secret Lives of Litterbugs by M.A.C. Farrant (Key Porter).

Cormac McCarthy’s new novel The Road (Knopf) presents a vision of unrelenting grimness as two nameless characters, a father and his young son, make their way beneath a sunless sky through a world adrift with ash, trudging across a post-apocalyptic Am

The Search Warrant (Harvill Press) is the English title given to Dora Bruder, Patrick Modiano’s account of his attempt to find out what happened to a fifteen-year-old girl who ran away from school in Paris on a winter night in 1941.

This year my brother supplied me with Ted Allbeury's The Seeds of Treason (New English Library), about a loyal British spy who falls in love with a Russian agent's wife and is manipulated into committing an act of treason. It's an intelligent story w

I picked up The Romance Reader by Pearl Abraham (Riverhead Books) from the New Arrivals shelf in the local library, probably because the back cover blurb said it was about life in a Hasidic family—from a woman's point of view. I haven't had much expo

On the same bill with The Harp was The Score, a full-length Canadian movie (directed by Kim Collier and produced by Trish Dolman and Leah Mallen) that was adapted from a play by the Electric Company Theatre. The film considers the ramifications of re

After the salt men pass a certain rock they all speak the salt language. Women are not allowed to hear this language, nor are they allowed to look in the direction of the lake where the salt language is spoken....The film is called The Salt Men of Ti

The Black Cat Collective, a group of young Vancouver writers frustrated (in their own words) by "Vancouver's lethargic literary scene," has taken matters into its own hands with The Skinnier Leg of the Journey, a collection of short stories by Lisa M

Patty: What I liked about Alan Cumyn’s The Sojourn (McClelland and Stewart) is the way he thrusts us into a muddy trench in the middle of World War I, where the narrator is carrying a load of something called iron pig’s tails on his shoulders and his

Stan Persky’s The Short Version: An ABC Book (New Star Books) is a “miscellany” that Persky defines as a book “composed in alphabetically arranged entries of indeterminate length that can run from an aphorism to a complete essay or story.” Persky got

Two days later I took Wayman’s workshop, Catching Fire, which was guaranteed to inspire us to get writing. He told us, among other things, that once we became writers we would no longer read for pure pleasure because we would always be analyzing what

The Shipping News is a novel about Newfoundland written by E. Annie Proulx (Scribners), an off-Islander who states frankly in her disclaimer that "the Newfoundland in this book, although salted with grains of truth, is an island of invention." Nevert

J. G. Farrell’s version of a prison is the British Residency in the fictional Krishnapur. There a group of ex-pats take shelter when Indian peasant soldiers turn on their British colonizers and slaughter four hundred of them in a nearby settlement.

The Stone Angel by Margaret Laurence is a classic Canadian novel, and nothing short of a great film would do it justice. Kari Skogland's film is a subtle meditation on Prairie social life and taboos in the mid-twentieth century. It’s also a complex a

The dysfunctional family is a familiar theme in literature these days, and Sarah Sheard's new novel The Swing Era (Knopf) is an exception only in that it is so good. It's the story of a young woman who returns home from abroad following her mad mothe

Tim Winton’s elegiac collection of seventeen linked short stories, The Turning (HarperCollins), explores the frailty and foibles of human existence, the power and pain of memory and the mighty wildness of western Australia. Characters reappear in lar

My local library has introduced a program called Speed Reads. In the interests of increasing the circulation of the most popular books, a patron may borrow a best-seller for just a week, and very steep fines are imposed for late returns. Under these

For many years, the poet, linguist and typographer Robert Bringhurst has immersed himself in studying the Aboriginal cultures and languages of the Pacific northwest coast, studies that culminated in his acclaimed Masterworks of the Classical Haida My

Mordecai Richler, in a withering put-down, once dismissed the novelist Hugh Garner as “a good speller.” In the summer of 2003, grinding through 160 Canadian books as a jury member for the Governor General’s Literary Award for Fiction in English, I learned that for many contemporary Canadian writers, Garner’s level of dubious distinction remains out of reach.

A city is an atmosphere defined by a history. A great city's streets may reflect its past, but only art makes a city's history, like its distinctive mood, present to the world.

It is not only the children of British mothers who have lost one of their nationalities; Great Britain, too, has lost a part of itself

In a letter of 350 words, published in Geist 65, Michael Redhill calls me a racist once and implies that I am a racist on at least four other occasions. Redhill’s repetition of the ultimate insult of the postmodern era offers a fascinating, if depressing, window into how certain Canadian writers betray their responsibility to the society they live in.

Dear George Szanto, I write in answer to your letter describing your difficulties in finding a publisher for your new novel.

"There are people," Chateaubriand comments, "who, in the midst of the collapse of empires, visit fountains and gardens"

The epic genre suffers from disregard. To the Iliad, our new century has preferred the Odyssey: the encumbered return of the warrior matters more to us than his laborious swordplay.

The federal government recently announced it is reviewing the CBC’s mandate. This review is the latest chapter in a long story of questioning the value of the CBC since its inception seventy years ago. Clearly there are politics involved here; the CBC is an easy target for attack by parties of all stripes.

Auvers-sur-Oise is a town of ghosts. Among the summer tourists and art-loving pilgrims who visit Auvers from all over the world, drift flocks of long-dead artists with folding easels and boxes of paints, who a century ago would disembark every week at the small railway station.

For reasons I can't make out, organizers of congresses and literary get-togethers throughout the world appear to have been inspired by a common theme: America. In Germany, in Spain, in France, in Holland, writers are being asked to talk about this faraway place that is either an overwhelming country or an underdeveloped continent.

There are two big trees in my garden under which, when friends are visiting, we sit and talk, sometimes during the day, but usually at night. Especially at night, when talk seems less inhibited, wider-ranging, strangely more stimulating.

Cyril Connolly’s writings have been republished, as The Selected Works (Picador, 2002). I remember reading his work in my late adolescence and wondering how someone could write like that, in fragments and half-formed ideas, allowing his thoughts (and the reader’s) to go in a thousand directions at the same time, and yet lend his texts an overwhelming feeling of cohesiveness.

One of the pleasures of reading for no particular reason is coming across hidden stories, involuntary essays, samples of what someone once called “found literature”—as opposed, I imagine, to the literature that states its official identity on the cover. Leafing through a book on Samuel de Champlain, I came across, of all things, a detective story.

When I was in school in Argentina, Europe (our notion of Europe) was a vast and powerful conglomerate of culture and wisdom. From there, from across the Atlantic, came the history to which, magister dixit, we owed our existence; from there came the writers whose literature we read, the musicians whose music we listened to, the filmmakers whose films we watched.

Many years ago my father-in-law, who had been a British prisoner of war in Japan, gave me a small pocket anthology, The Knapsack, edited by the undeservedly forgotten Herbert Read. The book (which I have since passed on to my daughter) had been put together for the Ministry of War to be given to its soldiers: its proclaimed intention was "to celebrate the genius of Mars." Surprisingly, however, the general tone of the anthology was above all elegiac.

A few years after Kafka’s death, Milena, the woman he had loved so dearly, was taken away by the Nazis and sent to a concentration camp. Suddenly life seemed to have become its reverse: not death, which is a conclusion, but a mad and meaningless state of brutal suffering, brought on through no visible fault and serving no visible end. To attempt to survive this nightmare, a friend of Milena devised a method: she would resort to the books she had read, stored in her memory.

“Get it right,” Rob Allen told me. “You have no idea how few novels you will actually write in your life”

Six days before the Passover festival in Bethany, the sisters Martha and Mary gave a dinner in honour of Jesus who (the gospels tell us) had raised their brother from the dead. Martha worked in the kitchen while Mary sat herself down at the feet of their guest, to listen to his words. Overwhelmed by the many tasks to be done, Martha asked her sister to come and help her. “Martha, Martha,” said Jesus. “You fret and fuss about many things, but only one thing is necessary. The part Mary has chosen is the best, and it will not be taken from her.”