An intrepid Geist correspondent narrowly avoids being stabbed by a moose-antler letter opener in Whitehorse.

A question of some concern among my friends when we were growing up in the fifties and sixties was how old you had to be to go to war.

I started walking, seriously. It was the bone scan that got me going. The healthy solid green was spongy with rotting black holes.

My god, I think as I wait my turn in the wash­room of the Hotel Vancouver, all of these peo­ple look just like Carol Shields.

‍

We did what we weren’t supposed to do. We paid a local man to take us horseback riding. He was walking up and down the beach, waving papers and shouting, “Horses!” We signalled for him to come over, and we negotiated a price.

Only when I settle down in the back seat of the cab do I notice that on the dashboard there are several stickers with the letter U, the sign of Ustashe. During the Second World War, Ustashe was the ruling party in the Independent State of Croatia.

‍

The main reason that I open up my doors to people on the street is so that they would have a place to sort of come home.

I haven’t been in Jerusalem for sixteen years and the first thing my friend shows me is the wall that separates them from the Palestinians.

At the end of the Electrolux era, a veteran salesman closes his store to start a new job at Future Shop.

We look back and so much of the past seems to portend what would come later. The man in the seat in front of me on the Greyhound bus was returning to Edmonton from his annual vacation in Las Vegas, where in the off-season you can get a cheap room wit

‍

The Borderland Foundation documents borderland culture from its headquarters in the Jewish ghost town of Sejny, Poland.

Reporting on the Michael Jackson trial from a Best Value Inn in Santa Maria, California.

How do you have a good time in Warsaw? Sing Neil Diamond songs in a karaoke bar.

Ayurveda massage will leave you feeling like the bones have been secretly extracted from your body.

It was at about this moment that I hit him in the face, which is something I’ve never done before. I don’t know what perfect form the punch took in my mind, but by the time the impulse had pushed its way through me, my hand had bent inward like an old person’s claw, or a doll’s hand—curved around but without a bottle to clutch.

This was the first pub I entered when I finally said goodbye to vomiting on local beaches because I could drink legally. And it’s the first pub I’ve come to since I’ve been home. Now it’s Tuesday night, Karaoke Night.

When I met you, one floor up from the acute psychosis ward, you were wearing a paper shower cap and green pyjamas just like mine. You glared at me through the crowd because you thought I had your hoodie on. But we just had very similar hoodies.

‍

It’s dark when I get off the bus by the corner store. Not the best area of town. The only other person in sight is lying on the sidewalk.

The next performer, Coco, a six-year-old Belgian shepherd, stood on his back legs and hopped alongside a woman wearing white go-go boots who jiggled her hips in time to “ymca.” Coco weaved between her legs, rolled across her feet, lay on his back and kicked his legs in the air. The woman’s brow was furrowed and sweat ran down her face. Coco bounded in front of her, then backed through her legs and sneezed twice. The judges looked at each other and one of them wrote somethingdown.

When I am dying, it would be comforting tobe told that I had been the human equivalent of a good dog. Loving,compassionate, faithful, understanding, dignified, but also goofy, curious,fun, protective, a friend. Let’s leave out obedience.

Mr. C.F. Keiss, awealthy American visitor from Bucyrus, Ohio, met death with “tragic suddenness”under the wheels of the new City auto ambulance at the corner of Pender andGranville Streets yesterday afternoon.

When we hitchhiked back to Castle­gar it was dark and the lights on the car dashboards flickered and their glass reflected the faces of the men who’d picked us up and who, I imagined, knew everything there was to know about electricity.

Not long ago on a sticky Saturday night at a comedy club in Madison, Wisconsin, the funeral director with whom I was having a drink told me how long it takes for the formaldehyde to replace the blood in a dead person’s arteries. He drank a light beer

‍

At the Tim Hortons on Young Street in Halifax, a man clears his throat, a rough-looking older guy in the back corner, staring out the window. One knee, angled out from the table, jigs up and down; the rest of him is quite still. A sheet of notepaper

‍

One day a Swiss couple stopped in at the carpet shop, just as they had each year for the last ten years. Every spring they loaded up a cargo van with nets and jars and drove from their home in Switzerland to east Turkey, where they collected ­butterflies together. The man, Walter, had caught snakes in Africa and South America all his life and sold them to universities and private collectors, but that day he was turning seventy-five and, he said, it is not so wise at my age to play with snakes.

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

‍

I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

‍

New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

‍

I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Mastery of the self

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

"If you are still alive, you must have had the experience of surrendering."

The dust jacket of The Girl with the Botticelli Face (W. D. Valgardson, Douglas & McIntyre) promises an "explicit rendering of sexual politics," a dissection of "the nature of male rage" and even "one of the most hilarious scenes in CanLit." This rev

In his new book, The French Quarter (Macfarlane, Walter & Ross), Ron Graham sets out to illuminate French-English relations in Canada by exploring the French-Canadian side of his own family. Sounds promising, and sets us up brilliantly with a descrip

Some of the books that come in over the transom I scoop up for other members of my family. But somewhere between the office and home I often find myself sneaking a read. I took home The Garden Letters by Elspeth Bradbury and Judy Maddocks (Polestar)

Howard White is known to his readers as a wry chronicler of life in the bush and on the boats. But his new book of poems, The Ghost in the Gears (Harbour), reveals the heart of a true romantic beating beneath that lumpen exterior.

Canadian readers may doubt that they can learn anything new about winter from The Facts of Winter (McSweeney’s), a book that is faux in many ways. The afterword is a faux biography by Paul La Farge, an American “translator,” of the book’s purported a

Here in Vancouver we had Honest Nat’s Department Store at 48th and Fraser, and in Karen X. Tulchinsky’s book The Five Books of Moses Lapinsky, Toronto had Lenny’s House of Bargains on College Street near Spadina, which, according to Tulchinsky’s stor

As an avid long-distance cyclist who also loves to be pulled into a good adventure story, I could not resist Cioma Schönhaus’s book The Forger (Granta), a memoir that describes how Schönhaus lived in hiding in wartime Berlin while working clandestine

No secret Canadian knowledge will help illuminate The French Guy, the latest film by Ann Marie Fleming. Though it is obviously shot in Vancouver, this absurd story lacks a sense of place, and the central joke about the eponymous French guy falls flat

The Facts Behind the Helsinki Roccamatios, the latest book by Yann Martel (Vintage), looked to me like a novel, not a book of short stories (which it is). So, when coming close to the end of the first “chapter,” I was alarmed at how fast the story se

The Gathering Tree by Larry Loyie (Theytus Books) was initiated by Chee Mamuk, an organization that provides aboriginal communities with culturally appropriate education about HIV/AIDS and other sexually transmitted infections, and there is a long li

At press time I am in the middle of The First Quarter of the Moon (TalonBooks) by Michel Tremblay (translated by Sheila Fischman), and so far have been completely drawn in by the complicated and contradictory relationship between two young boys—the f

The English Patient (McClelland & Stewart) by Michael Ondaatje is just as good as everyone says it is; and surely contains some of the most compelling desert writing in the language (you will swear that Ondaatje must have spent most of his life in th

The Exterminated Angel by Gerard Godin (Guernica Editions) is an eighteenth-century satire dressed up as a twentieth-century murder mystery in the manner of Chandler and Hammett, and great fun to read. The real subject of the book is Montreal in the

Elvis Aaron Presley, who was reborn on the Carcross Road near Whitehorse seventeen years ago during an alien encounter, is the subject of The Elvis Project: A Yukon Road Documentary by Adam Green and Bill Kendrick (Blueishgreen).

I love reading memoir and I love reading anything about farming and nature (I grew up on a farm), so I wanted to love The Education of Mr. Whippoorwill: A Country Boyhood by David Zieroth (Macfarlane Walter and Ross).

Gillian Jerome reviews The Elegance of the Hedgehog by Muriel Barbery (Europa).

In “Ambros Adelwarth,” the third story in The Emigrants (New Directions), W. G. Sebald quotes long excerpts from the titular character’s purported diary, and this character’s diction and cadences duplicate Sebald’s so exactly that one feels uneasy w

The main characters of The Dreamlife of Bridges by Robert Strandquist (Anvil Press), also suffer through mental collapse and find themselves outside society on the west coast. Both Leo and June bottom out in the ways of their respective sexes: for Le

Patty Osborne reviews The English Stories by Cynthia Flood (Biblioasis).

The death and life of Diana, Princess of Wales, provides Tina Brown, the well-known Diana tribute artist and lookalike—her Di-likeness fills the back cover of The Diana Chronicles (Doubleday), which makes it uncomfortable to read this book on public

In The Diary of a Teenage Girl by Phoebe Gloeckner (Frog Ltd/North Atlantic Books), Minnie Goetze shares her story of growing up in anything-goes 1970s San Francisco, using words, drawings and comics. It’s the year Minnie becomes sexually curious and

John Huston's final film, of the James Joyce short story from "Dubliners", was a worthy capstone to his career of nearly fifty years.

The Dam Busters (Anchor Bay dvd), Michael Anderson’s 1955 movie version of the attacks, is still considered a classic war movie, and despite special effects that look tame when compared to modern cgi sequences, the pacing of the film and the power of

Dr. Portillo, a Mexican physician, lives with her husband and son in a balcony-festooned six-bedroom house in a gated suburb. The adobe walls that enclose the garden, the coloured tiles embedded in the walls and the servants’ garden house are all typical of the home of a prosperous Mexican family. The multi-generational collection of relatives who occupy the spare bedrooms also reflect Mexican tradition. Dr. Portillo receives her patients in an office located in a tower in the northern Mexican city of Tijuana; since many of the patients are American, much of her working day takes place in English. When she goes home at night, she relaxes by speaking to her husband and son in Spanish. Her son, however, often responds in English because Dr. Portillo’s typical Mexican home is located in suburban California.

The Group of Seven “vision” is an inadequate way to describe an urban, multiracial, industrial society like Canada, and pretty much always was.

Lonely Planet readers no longer travel in Bolivia or Thailand, but within the elastic, infinitely portable boundaries of the Lonely Planet nation.

In Bangkok as in major centres all over Asia, there is life everywhere, on every street, in every shop and at all hours.

In Chicago, where he settled, William Henry Jackson, British settler, transformed himself into Honoré Jaxon, Métis freedom fighter. He identified so closely with the Métis struggle for justice that he became one of them. He had no trouble convincing others that he was a Native and probably had no trouble convincing himself either.

When a poet friend was found dead after two days because of the do not disturb sign he had hung outside his hotel room, Darwish swore never again to hang the sign or lock his door. “When death comes,” he said, “I want to be disturbed.”

The top-selling American novel of the nineteenth century was Lew Wallace’s Ben-Hur: A Tale of the Christ. The phrase “the Christ” reminds us that the second word originally meant something along the lines of “the person who has been anointed.” By the twentieth century, the article had been dropped, making “Christ” sound like the family name of Sometime Carpenter Jesus, offspring of Joe and Mary Christ, brother of Jim Christ who keeps cropping up in the New Testament. But a couple of generations after Jesus lost His definite article, His spokesmen on Earth were still “the Reverend” So-and-so or even “the Reverend Doctor” until the editors of Time and their kind followed Samson’s example and warning: metaphor ends in 25 metres—smote them with the jawbone of an ass.

The movie Wordplay, directed by Patrick Creadon (IFC Films, available on DVD), takes us into the arcana of crossword fanatics, who call themselves puzzle heads. Once a year they come from all over the U.S. to sit at long tables in a room at the Marri

Art museums and geographical exp

Bologna, Italy, known as both “the Fat” and “the Red,” is a city to a make a bookish vacationer salivate. Less overrun by package tours than Rome, Florence or Venice, Bologna combines superb food with the wonderful bookstores that seem to be the inevitable companion of left-wing politics.

Several years ago Ian McKay, a Queen’s University history professor, published a book called The Quest of the Folk: Antimodernism and Cultural Selection in Twentieth-Century Nova Scotia (McGill-Queen’s University Press) in which he argued that the image many of us have of Nova Scotia as a tartan-wearing, bagpipe-squealing mini-Scotland is pretty much a fabrication.

The theatre is plush, high-ranking and named after the Queen. I don’t know the name of the play but C does. C brings me to the theatre when I go. I undergo a pleas­ant transformation when I go to the theatre. I wear a tie, black shoes and a sports coat. At first it was difficult, “not my style.”

In 1971 I went to work as a reporter at the Ottawa Journal. The newspaper depended for much of its copy on a roster of freelancers who would get their assignments by phone and drop by the office to deliver their articles. One of these contributors was D’Arcy Marsh.

In the sun-streaked barroom of the Irma Hotel on the main street of Cody, Wyoming, late one afternoon in June, I made a big mistake. “What’s on tap?” I asked.

Immediately after the New Year, both my daughters became victims of the First Great Snowfall of 1999.

I first tried to read J. M. Coetzee in 1994, when I was twenty-three. I failed.

A city is an atmosphere defined by a history. A great city's streets may reflect its past, but only art makes a city's history, like its distinctive mood, present to the world.

Mordecai Richler, in a withering put-down, once dismissed the novelist Hugh Garner as “a good speller.” In the summer of 2003, grinding through 160 Canadian books as a jury member for the Governor General’s Literary Award for Fiction in English, I learned that for many contemporary Canadian writers, Garner’s level of dubious distinction remains out of reach.

Cakchiquel, the third most widely spoken of Guatemala’s twenty Mayan languages, is understood by more than 400,000 people. It is blessed with a larger population base than most Native American languages but is cursed by its location.

The Giller Prize is the most conspicuous example of corporate suffocation of the public institutions that built our literary culture. True, the Giller hasn’t done as much damage as the throttling of the book market by the Chapters-Indigo chain.

As Canada is one of the world's most urbanized countries, a reader knowing nothing of contemporary Canadian writing might expect to find a surfeit of urban novels in our bookstores. Yet novels explicitly set in Canadian cities form a mere sliver of our novelistic production.

In 1982 I had my first argument with an American about Saddam Hussein. As an undergraduate at an American liberal arts college where everyone read the New York Times, I supplemented my reading by browsing the British papers.

During the power cut that paralyzed Ontario in August 2003, the residents of my townhouse condominium complex began talking to each other. It was an event that took me by surprise.

In 1999, when I returned to Canada from London, England, to teach Spanish at the University of Guelph, I was handed an introductory Spanish textbook and told that two-thirds of my teaching load was basic language instruction. The textbook was American.