It was the big sort of rhmmm-rhmmm you hear at demolition derbies and ball-busting monster truck rallies. It was loud. Who could be sitting in their car, revving the engine?

"At the back of the line a woman with no teeth was trying to hold an eighteen-pack of budget toilet paper with one hand."

From Jean Talon to Lenin’s Tomb

“If we paid protection money to the KGB, there’d be nothing left for salaries. And we call it the FSB now.”

Christine Novosel talks life in Scotland: "What Glasgow lacks in beauty and brains, it makes up for with wit and resilience."

Stephen Osborne on the origins of the International 3-Day Novel Contest, the time-honoured writing contest that flies in the face of the notion that novels take years of angst to produce.

Forty percent of people believe that if they practice enough, they can predict the outcome of a flipped coin. Would my current love end the way my past ones had?

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"I stared in awe at the pink-petalled flowers of human tissue blossoming in the mass of a collapsed grey-brown lung as it was reinflated during a thoracotomy."

One of the advantages of life back then was that people had jobs that could be easily defined. None of your strategic walrus initiative development consultants or anything.

At first no one notices when the dog rushes your daughter as if she’s some kind of game and your daughter runs as if it’s some kind of chase.

People are getting either sick or mad, or both.

The Kathmandu Café in multiple dimensions.

"Today your dog will decide to end things. Your dog, who is wearing a red vinyl jacket and is tied to the tree on the boulevard outside the thrift store."

Sarah Pollard makes a pilgrimage to Montreal to hang out and write where Mavis Gallant hung out and wrote.

"'Goin’ to university' was a cover or alibi, rather than a statement of fact, providing the indolent and the imaginative with richer lives than simply having a job."

Stephen Osborne is entranced by a pair of eccentric, high profile students while on a university tour in 1964.

Montreal was once the “City of a Thousand Steeples.” Today it’s the city of a thousand church bazaars open on Saturdays to keep the cash flow up.

Espadrille, paduka, chopine—Eve Corbel illustrates a guide for readers on some of the fanciest footwear found in literature.

For me, the jacket is a piece of menswear history that I can actually put on, and a link to the tragicomic tale of an underachiever with a famous name.

A collection of Jerome Stueart's Greyhound sketches, including one Vitruvian bus driver.

The driver said, “Are you fit to travel, sir?” and the crack smoker said, “Are any of us fit to travel?"

How did the 99 B-Line bus route come to be the locus of the most heartless transit rides in Greater Vancouver?

Stephen Osborne discusses the past, present and future of literary magazines in Canada.

Possum-style or straight up dirty.

Michal Kozlowski reports on the state of publishing: s'mores, Titantic metaphors, Celtic jigs, steak canapés and mechanical bull riding.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

Songs of Aging Children, by Ken Klonsky (Arsenal Pulp Press) is a remarkable book of stories about troubled teenagers—people who too rarely find their way onto the centre stage of contemporary fiction. These are very good stories, well imagined and v

Clumsy slang and fake angst are what Some Girls Do (do what?) by Teresa McWhirter (Polestar) is all about. While I enjoyed the buoyant conversational style and unconventional characters, I hated McWhirter’s self-conscious portrayal of the subculture

Three-day novels tend to get off the ground quickly and move along at a good pace but then, understandably, founder near the end. Socket by David Zimmerman (Anvil), this year’s winner, is an exception: the story never lets up. The novel follows Ronal

When Rob and Sheila went away for the weekend, Rob was reading, but not enjoying, Spadework by Timothy Findley (HarperFlamingo). This was Rob’s first foray into Findley and he moaned and groaned about the silly plot filled with actor-worship, and the

Copies of Spycatcher by Peter Wright (General Publishing) are washing up in great numbers these days in the secondhand bookstores, and so may be had for a song. This book, the memoir of a British spy, is an unsettling testament to the power of fictio

Jerry Wasserman has assembled the original text and two translations in Spectacle of Empire: Marc Lescarbot’s Theatre of Neptune in New France (Talon Books), a useful and amusing book filled with fascinating little-known facts. The colony at Port Roy

Sputnik Diner by Rick Maddocks (Knopf) is an in-depth exploration of a group of people who move through a small-town diner in the tobacco belt of southern Ontario. Maddocks shows just enough of his characters’ lives for us to understand, identify and

Something Drastic by Colleen Curran (Goose Lane) found its way to the cabin because I was tired of reading serious books. This is not a new book (it came out in 1995) so I must have missed it the first time around, but it is funny and refreshing.

During Geist's first year, we devoted many inches of this column to thoughts on browsing through Canadian book publishers' catalogues. It's as good a way as any to explore the temper of the times, to say nothing of the place. Now I've got two more te

Salvatore Ala has written a poem about a barbershop that may have no equal in that genre. It can be found in his new book, Straight Razor and Other Poems (Biblioasis).

Don McKay’s Strike/Slip (McClelland & Stewart) was awarded the 2007 Dorothy Livesay Poetry Prize and, just as Geist was going to press, this year's Griffin Poetry Prize. It deserves both awards and more: poetry does not get much better than this.

We always need more books like Stupid Crimes, by Dennis Bolen (Anvil). Crime novels set in Canadian milieux have the immediate and salubrious effect of elevating places we know into places we like to see imagined.

The protagonist in Geoffrey Bromhead’s three-day novel Struck (winner of the 25th Annual 3-Day Novel Contest) is a drifter with a penchant for being struck by lightning, and with some practical experience of Heisenberg’s uncertainty principle, and he

On the Labour Day weekend a friend and I jumped into a secluded lake on an island in B.C. and I thought of Lynne Cox, author of Swimming to Antarctica: Tales of a Long-Distance Swimmer (Harcourt) because the lake had been stirred up by wind and rain

Daniel Zomparelli reviews Suicide Psalms by Mari-Lou Rowley (Anvil Press).

Kayleigh, the teenage protagonist of Sun Signs by Shelley Hrdlitschka (Orca), is fighting cancer, and her treatments are so intense that she’s been forced to drop out of high school. She completes her schoolwork by correspondence and discusses her as

The inviting cover and unique layout of Sunnybrook: A True Story with Lies by Persimmon Blackbridge drew me in and kept me there. The story starts when Diane gets a job at the Sunnybrook Institution for the Mentally Handicapped by saying she had work

I never expected to find two new zines about geeky gay girls. Sarah Dermer, author of the Toronto zine True Confessions of a Big Geek, should really get together with Joy, who publishes Super Geek Girl in Portland.

The best $4.50 that you can spend this year will be on a copy of David Colliers's Surviving Saskatoon, a comic book account of the wrongful persecution and conviction of David Milgaard in Saskatoon in 1971 (when Milgaard was declared innocent in 1999

Book best read while standing in the aisle: the Leonard Cohen Must Be Getting Old By Now Memorial Volume. Title: Take This Waltz: A Celebration of Leonard Cohen (Muses Company).

Yes, fiction can be quite enjoyable, but let’s admit it: nothing can match the experience of curling up with a long, detailed report on how Canadian magazines are selling on newsstands, such as Taking Back the Rack: Amid New Challenges, Canadian Maga

Tales of Innocence and Experience (Bloomsbury) is Eva Figes’s lyrical exploration of the bond between grandmother and granddaughter. In it she takes on the monumental subject of the loss and pain that accompany the acquisition of knowledge.

When I got home after buying Tarnished Icons by Stuart Kaminsky (Ballantine) for our family's favourite viola teacher, I realized that I had the same tide in my pile of unread library books. So for a few days I had the luxury of never having to go up

Tatsea and her husband Ikotsali, the main characters in Armin Wiebe’s book Tatsea, are searching for each other in the Canadian subarctic. Tatsea and Ikotsali are members of the Dogrib tribe who are separated when their village is raided by Cree from

Mordecai Richler, in a withering put-down, once dismissed the novelist Hugh Garner as “a good speller.” In the summer of 2003, grinding through 160 Canadian books as a jury member for the Governor General’s Literary Award for Fiction in English, I learned that for many contemporary Canadian writers, Garner’s level of dubious distinction remains out of reach.

A city is an atmosphere defined by a history. A great city's streets may reflect its past, but only art makes a city's history, like its distinctive mood, present to the world.

It is not only the children of British mothers who have lost one of their nationalities; Great Britain, too, has lost a part of itself

In a letter of 350 words, published in Geist 65, Michael Redhill calls me a racist once and implies that I am a racist on at least four other occasions. Redhill’s repetition of the ultimate insult of the postmodern era offers a fascinating, if depressing, window into how certain Canadian writers betray their responsibility to the society they live in.

Dear George Szanto, I write in answer to your letter describing your difficulties in finding a publisher for your new novel.

"There are people," Chateaubriand comments, "who, in the midst of the collapse of empires, visit fountains and gardens"

The epic genre suffers from disregard. To the Iliad, our new century has preferred the Odyssey: the encumbered return of the warrior matters more to us than his laborious swordplay.

The federal government recently announced it is reviewing the CBC’s mandate. This review is the latest chapter in a long story of questioning the value of the CBC since its inception seventy years ago. Clearly there are politics involved here; the CBC is an easy target for attack by parties of all stripes.

Auvers-sur-Oise is a town of ghosts. Among the summer tourists and art-loving pilgrims who visit Auvers from all over the world, drift flocks of long-dead artists with folding easels and boxes of paints, who a century ago would disembark every week at the small railway station.

For reasons I can't make out, organizers of congresses and literary get-togethers throughout the world appear to have been inspired by a common theme: America. In Germany, in Spain, in France, in Holland, writers are being asked to talk about this faraway place that is either an overwhelming country or an underdeveloped continent.

There are two big trees in my garden under which, when friends are visiting, we sit and talk, sometimes during the day, but usually at night. Especially at night, when talk seems less inhibited, wider-ranging, strangely more stimulating.

Cyril Connolly’s writings have been republished, as The Selected Works (Picador, 2002). I remember reading his work in my late adolescence and wondering how someone could write like that, in fragments and half-formed ideas, allowing his thoughts (and the reader’s) to go in a thousand directions at the same time, and yet lend his texts an overwhelming feeling of cohesiveness.

One of the pleasures of reading for no particular reason is coming across hidden stories, involuntary essays, samples of what someone once called “found literature”—as opposed, I imagine, to the literature that states its official identity on the cover. Leafing through a book on Samuel de Champlain, I came across, of all things, a detective story.

When I was in school in Argentina, Europe (our notion of Europe) was a vast and powerful conglomerate of culture and wisdom. From there, from across the Atlantic, came the history to which, magister dixit, we owed our existence; from there came the writers whose literature we read, the musicians whose music we listened to, the filmmakers whose films we watched.

Many years ago my father-in-law, who had been a British prisoner of war in Japan, gave me a small pocket anthology, The Knapsack, edited by the undeservedly forgotten Herbert Read. The book (which I have since passed on to my daughter) had been put together for the Ministry of War to be given to its soldiers: its proclaimed intention was "to celebrate the genius of Mars." Surprisingly, however, the general tone of the anthology was above all elegiac.

A few years after Kafka’s death, Milena, the woman he had loved so dearly, was taken away by the Nazis and sent to a concentration camp. Suddenly life seemed to have become its reverse: not death, which is a conclusion, but a mad and meaningless state of brutal suffering, brought on through no visible fault and serving no visible end. To attempt to survive this nightmare, a friend of Milena devised a method: she would resort to the books she had read, stored in her memory.

“Get it right,” Rob Allen told me. “You have no idea how few novels you will actually write in your life”

Six days before the Passover festival in Bethany, the sisters Martha and Mary gave a dinner in honour of Jesus who (the gospels tell us) had raised their brother from the dead. Martha worked in the kitchen while Mary sat herself down at the feet of their guest, to listen to his words. Overwhelmed by the many tasks to be done, Martha asked her sister to come and help her. “Martha, Martha,” said Jesus. “You fret and fuss about many things, but only one thing is necessary. The part Mary has chosen is the best, and it will not be taken from her.”