It was the big sort of rhmmm-rhmmm you hear at demolition derbies and ball-busting monster truck rallies. It was loud. Who could be sitting in their car, revving the engine?

"At the back of the line a woman with no teeth was trying to hold an eighteen-pack of budget toilet paper with one hand."

From Jean Talon to Lenin’s Tomb

“If we paid protection money to the KGB, there’d be nothing left for salaries. And we call it the FSB now.”

Christine Novosel talks life in Scotland: "What Glasgow lacks in beauty and brains, it makes up for with wit and resilience."

Stephen Osborne on the origins of the International 3-Day Novel Contest, the time-honoured writing contest that flies in the face of the notion that novels take years of angst to produce.

Forty percent of people believe that if they practice enough, they can predict the outcome of a flipped coin. Would my current love end the way my past ones had?

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"I stared in awe at the pink-petalled flowers of human tissue blossoming in the mass of a collapsed grey-brown lung as it was reinflated during a thoracotomy."

One of the advantages of life back then was that people had jobs that could be easily defined. None of your strategic walrus initiative development consultants or anything.

At first no one notices when the dog rushes your daughter as if she’s some kind of game and your daughter runs as if it’s some kind of chase.

People are getting either sick or mad, or both.

The Kathmandu Café in multiple dimensions.

"Today your dog will decide to end things. Your dog, who is wearing a red vinyl jacket and is tied to the tree on the boulevard outside the thrift store."

Sarah Pollard makes a pilgrimage to Montreal to hang out and write where Mavis Gallant hung out and wrote.

"'Goin’ to university' was a cover or alibi, rather than a statement of fact, providing the indolent and the imaginative with richer lives than simply having a job."

Stephen Osborne is entranced by a pair of eccentric, high profile students while on a university tour in 1964.

Montreal was once the “City of a Thousand Steeples.” Today it’s the city of a thousand church bazaars open on Saturdays to keep the cash flow up.

Espadrille, paduka, chopine—Eve Corbel illustrates a guide for readers on some of the fanciest footwear found in literature.

For me, the jacket is a piece of menswear history that I can actually put on, and a link to the tragicomic tale of an underachiever with a famous name.

A collection of Jerome Stueart's Greyhound sketches, including one Vitruvian bus driver.

The driver said, “Are you fit to travel, sir?” and the crack smoker said, “Are any of us fit to travel?"

How did the 99 B-Line bus route come to be the locus of the most heartless transit rides in Greater Vancouver?

Stephen Osborne discusses the past, present and future of literary magazines in Canada.

Possum-style or straight up dirty.

Michal Kozlowski reports on the state of publishing: s'mores, Titantic metaphors, Celtic jigs, steak canapés and mechanical bull riding.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

The Tyndale New Testament of 1526 is now available in a life-sized edition from Oxford. This was the first pocket-sized popular bible; it could be easily hidden from the thought police of the time, who were eager to burn any copies of the book they c

I never expected to find two new zines about geeky gay girls. Sarah Dermer, author of the Toronto zine True Confessions of a Big Geek, should really get together with Joy, who publishes Super Geek Girl in Portland.

The latest book from Canada's Angry Young Playwright Brad Fraser includes a reprint of his infamous Unidentified Human Remains and the True Nature of Love alongside the screenplay of his recently produced film version Love and Human Remains (NeWest).

Unfamiliar Weather (The Muses’ Company) is a first book of poems by Chris Hutchinson, who isn’t so tempered in his questions but plunges into them head-first and thirsty. These poems are afflicted by rain and sometimes flooded.

Mandelbrot reviews Vancouver Special by Charles Demers (Arsenal Pulp).

Books these days, like TV miniseries and major sporting events, come with their own parallel narratives, human interest stories designed to get the consumer's attention. Stephen Hawking's medical condition helped turn his difficult philosophical trea

The first volume of Urban Coyote, which appeared last year (Lost Moose), was subtitled A Yukon Anthology; the second volume, just released, is subtitled New Territory and only in the cover blurb do we understand it to be a “second Yukon anthology.” O

The language on the dust jacket and in the reviews of Vernon God Little by DBC Pierre (Faber & Faber) is of the “biting satire,” “hilarious romp” variety, but I was not amused.

Venice and the Islamic World, 828—1797, edited by Stefano Carboni (Yale University) provides a comprehensive overview of Venice’s artistic heritage, shown within the context of nine centuries of commerce between La Serenissima and the Islamic empires

My recent foray into Oscar-, bafta- and every-other-award-nominated films has left me with “movie glow,” that special feeling you have after watching a particularly good film. You are giddy. You can fly. The dvds that I picked up were Volver (Pedro A

Visible Worlds (HarperCollins), by Marilyn Bowering, starts out in Winnipeg, which probably has a lot in common with Windsor. But the story is too out of this world to be contained there.

I’ve always had mixed feelings about Stuart McLean’s Vinyl Café show on CBC Radio One. Sometimes it seems a bit twee or corny, but if I’m driving around town on a Sunday I’ll always tune in because I know that somewhere along the way, Stuart McLean w

In 2003 Douglas Bruce rode the subway to Coney Island, having forgotten where he was going and who he was. His friend Rupert Murray was one of many directors interested in bringing this story of complete amnesia to the screen, and Murray’s Unknown Wh

The new line of books about film and filmmaking from Wallflower Press in London (available from Columbia University Press here) is a real achievement.

Pushkin is one of those admirable small presses with an eclectic list that suggests the proprietors are interested in more than the bottom line; Paul Morand’s Venices, translated by Euan Cameron, would be a perfect choice for reading on the Lido.

A few weeks ago when I was knocked flat with the flu and afflicted with squinty, puffy eyes and a foggy brain, I looked for light, fun books that wouldn’t put too much of a strain on my system, and I found them in a far-east drama, a tale of reincarn

A book that I have been recommending to all of my friends is Waiting for Time by Bernice Morgan (Breakwater). This is the story of Mary Bundle, who was sent from a workhouse in England to St. John's, Newfoundland and eventually made her way to an iso

The Voice Literary Supplement for October was full of special treats, not the least of which was a profile of Marguerite Young, author of Miss MacIntosh, My Darling, a novel that I remembered from the seventies but had never read.

A few years ago I drove my son to the waterfront village of Port Alice on the northwest coast of Vancouver Island to take up his summer job as an engineer in the local pulp mill. We had settled him into his new digs and I was preparing to return to V

Voyageurs by Margaret Elphinstone took me back in time even further, to Upper Canada in the early 1800s, when Toronto was known as York, and Yonge Street stretched north past the last farm in Upper Canada into Mississauga Indian country. Into this ru

The Canadian publisher Drawn & Quarterly has launched Walt and Skeezix: 1921 & 1922, the first in a series that collects Frank King’s seminal Gasoline Alley strips. While these books are fitting testaments to King’s incredible illustrative talents,

Remember Robert Crumb, the American comics artist who created Mr. Natural some twenty-five years ago, and got a whole generation to Keep On Truckin'? In the 1980s Crumb edited a comics anthology called Weirdo, which published work by Gilbert Shelton,

Miriam Katin was a small child when she and her mother escaped Nazi-occupied Budapest by faking their deaths and walking into the Hungarian countryside. At sixty-three, Katin has finally told her story, in straightforward, unsentimental prose and lov

Junior reviewer Cassia Streb (grade seven) sends the following note on White Jade Tiger (Orca Books) by Julie Lawson: "White Jade Tiger is about a girl who goes back in time to 1881 when the Chinese were brought over to Victoria to build the CPR rail

Mordecai Richler, in a withering put-down, once dismissed the novelist Hugh Garner as “a good speller.” In the summer of 2003, grinding through 160 Canadian books as a jury member for the Governor General’s Literary Award for Fiction in English, I learned that for many contemporary Canadian writers, Garner’s level of dubious distinction remains out of reach.

A city is an atmosphere defined by a history. A great city's streets may reflect its past, but only art makes a city's history, like its distinctive mood, present to the world.

It is not only the children of British mothers who have lost one of their nationalities; Great Britain, too, has lost a part of itself

In a letter of 350 words, published in Geist 65, Michael Redhill calls me a racist once and implies that I am a racist on at least four other occasions. Redhill’s repetition of the ultimate insult of the postmodern era offers a fascinating, if depressing, window into how certain Canadian writers betray their responsibility to the society they live in.

Dear George Szanto, I write in answer to your letter describing your difficulties in finding a publisher for your new novel.

"There are people," Chateaubriand comments, "who, in the midst of the collapse of empires, visit fountains and gardens"

The epic genre suffers from disregard. To the Iliad, our new century has preferred the Odyssey: the encumbered return of the warrior matters more to us than his laborious swordplay.

The federal government recently announced it is reviewing the CBC’s mandate. This review is the latest chapter in a long story of questioning the value of the CBC since its inception seventy years ago. Clearly there are politics involved here; the CBC is an easy target for attack by parties of all stripes.

Auvers-sur-Oise is a town of ghosts. Among the summer tourists and art-loving pilgrims who visit Auvers from all over the world, drift flocks of long-dead artists with folding easels and boxes of paints, who a century ago would disembark every week at the small railway station.

For reasons I can't make out, organizers of congresses and literary get-togethers throughout the world appear to have been inspired by a common theme: America. In Germany, in Spain, in France, in Holland, writers are being asked to talk about this faraway place that is either an overwhelming country or an underdeveloped continent.

There are two big trees in my garden under which, when friends are visiting, we sit and talk, sometimes during the day, but usually at night. Especially at night, when talk seems less inhibited, wider-ranging, strangely more stimulating.

Cyril Connolly’s writings have been republished, as The Selected Works (Picador, 2002). I remember reading his work in my late adolescence and wondering how someone could write like that, in fragments and half-formed ideas, allowing his thoughts (and the reader’s) to go in a thousand directions at the same time, and yet lend his texts an overwhelming feeling of cohesiveness.

One of the pleasures of reading for no particular reason is coming across hidden stories, involuntary essays, samples of what someone once called “found literature”—as opposed, I imagine, to the literature that states its official identity on the cover. Leafing through a book on Samuel de Champlain, I came across, of all things, a detective story.

When I was in school in Argentina, Europe (our notion of Europe) was a vast and powerful conglomerate of culture and wisdom. From there, from across the Atlantic, came the history to which, magister dixit, we owed our existence; from there came the writers whose literature we read, the musicians whose music we listened to, the filmmakers whose films we watched.

Many years ago my father-in-law, who had been a British prisoner of war in Japan, gave me a small pocket anthology, The Knapsack, edited by the undeservedly forgotten Herbert Read. The book (which I have since passed on to my daughter) had been put together for the Ministry of War to be given to its soldiers: its proclaimed intention was "to celebrate the genius of Mars." Surprisingly, however, the general tone of the anthology was above all elegiac.

A few years after Kafka’s death, Milena, the woman he had loved so dearly, was taken away by the Nazis and sent to a concentration camp. Suddenly life seemed to have become its reverse: not death, which is a conclusion, but a mad and meaningless state of brutal suffering, brought on through no visible fault and serving no visible end. To attempt to survive this nightmare, a friend of Milena devised a method: she would resort to the books she had read, stored in her memory.

“Get it right,” Rob Allen told me. “You have no idea how few novels you will actually write in your life”

Six days before the Passover festival in Bethany, the sisters Martha and Mary gave a dinner in honour of Jesus who (the gospels tell us) had raised their brother from the dead. Martha worked in the kitchen while Mary sat herself down at the feet of their guest, to listen to his words. Overwhelmed by the many tasks to be done, Martha asked her sister to come and help her. “Martha, Martha,” said Jesus. “You fret and fuss about many things, but only one thing is necessary. The part Mary has chosen is the best, and it will not be taken from her.”