Vientiane, the capital of Laos, is a fading one-time French colonial outpost on a spot where a bend in the Mekong River makes room for a large tear-shaped island directly opposite the centre-ville, which runs only far enough back from the riverbank to allow a few commercial streets. The new bridge to Thailand is a short distance way. Thai-style wats and other temples, minor and major, are everywhere.
At first the blackouts in Kathmandu are limited to six hours a week, so in my area we do without lights on Saturday and Sunday evenings. It’s not difficult—candles at dinner, quite charming at first—but then we jump to fifteen hours a week without power, then to thirty-six hours, all within ten days. The govern
When the celebrated English poet Rupert Brooke came to Canada on the train from New York in 1913, he had been warned that he would find “a country without a soul.” The gloomy streets of Montreal, overshadowed by churches and banks and heavy telephone wires, reminded him of the equally gloomy streets of Glasgow and Birmingham.
Several years ago Ian McKay, a Queen’s University history professor, published a book called The Quest of the Folk: Antimodernism and Cultural Selection in Twentieth-Century Nova Scotia (McGill-Queen’s University Press) in which he argued that the image many of us have of Nova Scotia as a tartan-wearing, bagpipe-squealing mini-Scotland is pretty much a fabrication.
Bologna, Italy, known as both “the Fat” and “the Red,” is a city to a make a bookish vacationer salivate. Less overrun by package tours than Rome, Florence or Venice, Bologna combines superb food with the wonderful bookstores that seem to be the inevitable companion of left-wing politics.
The theatre is plush, high-ranking and named after the Queen. I don’t know the name of the play but C does. C brings me to the theatre when I go. I undergo a pleasant transformation when I go to the theatre. I wear a tie, black shoes and a sports coat. At first it was difficult, “not my style.”
It started with a note I found tucked into an anthology of poems edited by Selden Rodman, a book I opened rarely, though there was a time when I was young I had read it so closely and so many times I had most of the poems memorized. The note lay in the spine of the book against a poem of Arthur Rimbaud's titled, I think, "The Twelve-Year-Old Poet." On it are four names printed out in my sure and youthful twenty-one-year-old hand: Baghdad, Koweit, Sakakah, Jaffa.
And then I remembered an important event. It happened at a funeral in St. Paul’s chapel for a twenty-four-year-old prostitute who had overdosed in her Gastown hotel room. The small chapel was half full, and very quiet. There were a couple of fresh flower arrangements in front of the cheap, closed coffin. Most of the congregation were other prostitutes dressed in their working clothes, and a few pimps. One woman apologized to Brother Tim for having nothing black to wear, except for lingerie and a leather miniskirt.
Among the people who live outside the Dominion building in downtown Vancouver, across the street from the cenotaph at Victory Square, is a woman who might be in her late forties and who occasionally turns up in a wedding dress. I’ve never seen her speak to anyone. She simply walks up and holds out her empty hand toward you.
Once while living in Burma (now Myanmar), Goran Simic and his brother, whose father was the Serbian ambassador, were stopped by rebels on their way to the international school in Yangon. They were hauled out of their diplomatic Mercedes limousine and forced at gunpoint to witness the beheading, at the side of the road, of a uniformed Myanmar government official.
I’m sorry, but you cannot mail any box with writing on it. I see. Perhaps you have a marker with which I can cross out the writing? No, we have no markers here. Perhaps you have some packing tape we can put over the writing? No, we have no packing tape here. How about some of that special blue-and-yellow postal service tape I see there? No, no señorita, you cannot put special blue-and-yellow postal service tape just anywhere.
During my thirty years living on the waterfront of British Columbia, I have always had some sort of container in which to sit on the water. My first boat was a ten-foot dinghy that my late husband John Daly, a commercial salmon troller, equipped with a small electric motor to surprise me. He had the bizarre idea that I, a sometime canoeist from Ohio, could manoeuvre a boat on my own around our capacious Pacific coast harbour. The electric engine would be ideal for me, he thought. No rope to pull to start it up! No gasoline tank on board!
During the hiatus, a man in a black suit appeared in the Geist Gallery in Toronto and identified himself as a builder of ornithopters, or perhaps he said he was a promoter of ornithopters (this was during the hiatus, when nothing was clear; in any event his field was ornithoptery). I couldn’t remember what an ornithopter was but I could see one in my mind: the question was, what did an ornithopter do? The ornithopter man was accompanied by a well-dressed woman who never stopped smiling.
Last summer, during a visit to Vancouver, my nine-year-old son climbed the pediment of a cast-iron traffic-light standard and put his palm on the glowing hand that warns pedestrians to stay put. My mother pointed out afterwards that my photograph of the event contained its own French caption, in the word visible over his shoulder: main.
A series of lucky events seemed to conspire to bring me to Stettler, Alberta, one day in June 1998. Jennifer, the woman who was in between being my roommate and my girlfriend, was at the Banff Centre and I was on my way there from Saskatoon, where we lived. She had left me fifty dollars for gas so I could pick her up after her workshop, and I had accepted, hoping that when the time came I wouldn’t need it and I could give it back. I did need it, of course. I had been waiting for a cheque to come from the Globe and Mail for one of a series of drawings I was doing for them, and when it was time to leave, the cheque still hadn’t arrived. So I set out from Saskatoon with just a tank of gas and the fifty dollars.
It started with a note I found tucked into an anthology of poems edited by Selden Rodman, a book I opened rarely, though there was a time when I was young I had read it so closely and so many times I had most of the poems memorized. The note lay in the spine of the book against a poem of Arthur Rimbaud's titled, I think, "The Twelve-Year-Old Poet." On it are four names printed out in my sure and youthful twenty-one-year-old hand: Baghdad, Koweit, Sakakah, Jaffa.
And then I remembered an important event. It happened at a funeral in St. Paul’s chapel for a twenty-four-year-old prostitute who had overdosed in her Gastown hotel room. The small chapel was half full, and very quiet. There were a couple of fresh flower arrangements in front of the cheap, closed coffin. Most of the congregation were other prostitutes dressed in their working clothes, and a few pimps. One woman apologized to Brother Tim for having nothing black to wear, except for lingerie and a leather miniskirt.
Once while living in Burma (now Myanmar), Goran Simic and his brother, whose father was the Serbian ambassador, were stopped by rebels on their way to the international school in Yangon. They were hauled out of their diplomatic Mercedes limousine and forced at gunpoint to witness the beheading, at the side of the road, of a uniformed Myanmar government official.
During my thirty years living on the waterfront of British Columbia, I have always had some sort of container in which to sit on the water. My first boat was a ten-foot dinghy that my late husband John Daly, a commercial salmon troller, equipped with a small electric motor to surprise me. He had the bizarre idea that I, a sometime canoeist from Ohio, could manoeuvre a boat on my own around our capacious Pacific coast harbour. The electric engine would be ideal for me, he thought. No rope to pull to start it up! No gasoline tank on board!
Mary Meigs and her friend Lise Weil, editor of Beyond Recall, met regularly to do freewriting together. For each exercise they chose a line or phrase from the work of a poet they both admired; then, inspired by that "prompt," both women wrote for five or ten minutes, recording whatever came to mind (and hand).
When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.
The Pleasure of the Crown: Anthropology, Law and First Nations by Dara Culhane (Talonbooks) is the book for anyone who wants to understand the Delga-muukw decision—how it happened, what it means and why the Supreme Court ruling last December has frea
In Ian McKay's book about Nova Scotia, The Quest of the Folk: Antimodernism and Cultural Selection in Twentieth-Century Nova Scotia (McGill-Queen's), post-modern theory collides head-on with Canadian social history, leaving sacred cows splattered all