For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

If marriage was a television show, it might look something like this.

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Remembering Norbert Ruebsaat.

Destroying books for the greater good.

Losers: you have a lifetime to hunt.

"I never went looking for them."

Tell me again how long the trip is?

Fill the room with a flock of moths.

Any resemblances to persons living or dead are purely vindictive.

The secret is in the velvet.

You can’t break eggs without making an omelette.

These stories and conversations took place in a Media and Communications Studies class at a Canadian college. Students come to the college from many countries, in the hope of enrolling eventually in a North American university.

A new anthology of reviews, interviews and commentary on Joni Mitchell's music reveals the star-making machinery.

I am sorry I caused you pain. But I thought it was okay.

The British called it the Great Game. The Russians called it Bolshoya Igra. The playing field was, and still is, Afghanistan.

Remembering her father's last days in a hospital in Wyoming, Connie Kuhns struggles with questions of mortality, memory and how to fulfill her father's dying wish.

Connie Kuhns' major profile of punk, politics and feminism in 1970s Canada: the Moral Lepers, the Dishrags and other revolutionary bands.

We don’t know why the budgie did it. He must have been unhappy. It can’t have been easy for him—pecking the bell, hanging about on the pole.

D.M. Fraser on the myth of cultural identity.

When you live in Saskatoon, you find yourself caring more about the details of grain farming then you did when you lived in Toronto or Windsor.

When Geist first approached me with the idea of speaking here, I made it known that of all the things I ever wanted to be when I grew up, being an after-dinner speaker was very low on the list.

It's human nature to jump to the wrong conclusion–and stick with it.

What is at the heart of this Edith Iglauer profile by Giller nominee Annabel Lyon? Hint: Ice Road Truckers.

Stephen Smith investigates the hockey lives of Barthes, Faulkner, Hemingway, which were marked by dismissal, befuddlement and scorn.

"Leading Men” is taken from a work-in-progress, Cinéma-Verité and the Collected Works of Ronald Reagan: A History of Propaganda in Motion Pictures.

Tom Thomson, godfather of the Group of Seven, drowned in an Ontario lake under mysterious circumstances, and ever since, his reputation has been the stuff of legend.

Compared to today's vile heros, Ned Kelly-the Australian outlaw who wrote the angry, articulate Jerilderie letter in 1879-seems as innocent as an ogre-slaughtering hero of fairy tales.

Femme girls get free Slurpees, but boyish ladies get free cavity searches at the border.

Hal Niedzviecki com­mem­o­rates his Jewish grand­fa­ther—a heavy drinker, a bad driver and a Polish refugee.

World War I, Canada’s “war of independence,” marked a turning point for a young colony wanting to prove itself as a self-reliant nation, but at what cost.

On the merry-go-round, you just shouted out a des­ti­na­tion and all the kids pushed until every­one agreed we’d arrived.

A flower child looks back, to the time between Motown and acid rock.

Derek Matthews has to be the ugliest boy in the class but I like him. I’ve liked every boy except Barry Pumphrey now. Barry Pumphrey likes me.

On a rainy night in October 1970, I crossed paths with Canada's most elusive poet.

The summer issue of the Ryerson Review of Journalism provides a glimpse into the state of narrative writing in North America. A great many stories in its pages open with reporters reporting on themselves: “I’m standing at reception in the X hotel”; “

In Saugus to the Sea by Bill Brown (Smart Cookie Publishing), the narrator thinks about many things: underground irrigation systems, fire roads, the white plastic reflectors between freeway lanes, the sparkles embedded in the pavement of Hollywood Bo

A perfect book to keep beside the toilet, The Brick Reader (Coach House) is a collection of essays, interviews and reviews from Brick, the literary mag. There is something here for everyone interested in good writing, including two pieces by John Ber

The subjects—the ordinary Americans of small towns and cities, factories, sidewalks, parks and backyards—inhabit a territory that seems somewhere outside of time.

After all the presents were open, and while the library was still closed, I borrowed the book my daughter had just finished reading. Stormy Applause: Making Music in a Worker’s State (Northeastern University Press) was written by Rostislav Dubinsky,

A few weeks ago when I was knocked flat with the flu and afflicted with squinty, puffy eyes and a foggy brain, I looked for light, fun books that wouldn’t put too much of a strain on my system, and I found them in a far-east drama, a tale of reincarn

The Captain Is Out to Lunch and the Sailors Have Taken Over the Ship is the latest of Charles Bukowski's posthumously published books, of which there are at least five in the world (and possibly still more to come from the estimable Black Sparrow Pre

The Complaints Department by Susan Haley (Gaspereau Press) has a green cover, but the story is all about having the blues. It takes place in Prohibition Creek, N.W.T., where people say you can’t do anything about “residential school, fur prices, the

A review of The Complete New Yorker, a vast treatise on writing and reading, editing and publishing in the twentieth century.

Lily Gontard Reviews The China Fantasy by James Mann (Penguin).

I almost didn’t read Luanne Armstrong’s book The Colour of Water (Caitlin) because the cover put me off, but when I was reminded of how much I had enjoyed an earlier Armstrong book, Annie, I gave the new one a chance. The Colour of Water covers four

Child-rearing manuals cropped up with a vengeance in the latter half of the twentieth century after Dr. Benjamin Spock produced Baby and Child Care—the all-time best-selling book in American history, second only to the Bible, despite advice such as “

An unnamed cellist plays Tomaso Albinoni’s Adagio for twenty-two consecutive days in a bomb crater.

Geist readers who take in the Globe and Mail will have seen a sobering feature not long ago reporting the jailing, flogging and even murdering of cartoonists who dare to satirize the governments of various countries, official religions, prominent cit

In his book of poetry, The Cold Panes of Surfaces (Nightwood), Chris Banks takes the incidental moments of our lives and raises them, with stunningly precise language, to the level of the divine. In lines like these: “Today, field crickets with hum-b

The Complete Peanuts: Volume 1, 1950 to 1952 by Charles M. Schulz (Fantagraphics) is the first in a series of deluxe hardback editions in which every single Peanuts comic strip will be reprinted, in order.

Receiving books for Christmas raises the question: What possible reason did anyone have to give me this? ... This year it was my uncle's turn: why exactly did he send me a copy of The Criminal Prosecution and Capital Punishment of Animals: The Lost H

Alexander Wilson, in his book The Cult of Nature (Between the Lines), makes the following remark in passing on page 25: By the late nineteenth century, almost half of North Americans lived in cities. It was not until then—the moment that in the Unite

Pocket Canon #4, The Complete Life of Harmon du Prés, is a masterpiece of meandering nostalgia. An unnamed narrator reminisces about youthful encounters with Harmon in sometimes baffling vignettes, constructing a mysterious tale that is anything but

Michael Hayward reviews The Curious Case of Benjamin Button, directed by David Fincher (Criterion).

You'll need more than one cross-town bus ride to polish off The Decline and Fall of the Roman Empire by Edward Gibbon (as abridged for Dell). But this book remains pre-eminently a great read, and it's rife with graceful periods and rolling paragraphs

Several journeys go on in the three parts of The Dark Room by Rachel Seiffert (Knopf). First we meet Helmut, a young man who doesn’t go far from Berlin but spends many hours on the platform of his local train station watching his city empty of people

The Dam Busters (Anchor Bay dvd), Michael Anderson’s 1955 movie version of the attacks, is still considered a classic war movie, and despite special effects that look tame when compared to modern cgi sequences, the pacing of the film and the power of

John Huston's final film, of the James Joyce short story from "Dubliners", was a worthy capstone to his career of nearly fifty years.

Mordecai Richler, in a withering put-down, once dismissed the novelist Hugh Garner as “a good speller.” In the summer of 2003, grinding through 160 Canadian books as a jury member for the Governor General’s Literary Award for Fiction in English, I learned that for many contemporary Canadian writers, Garner’s level of dubious distinction remains out of reach.

A city is an atmosphere defined by a history. A great city's streets may reflect its past, but only art makes a city's history, like its distinctive mood, present to the world.

It is not only the children of British mothers who have lost one of their nationalities; Great Britain, too, has lost a part of itself

In a letter of 350 words, published in Geist 65, Michael Redhill calls me a racist once and implies that I am a racist on at least four other occasions. Redhill’s repetition of the ultimate insult of the postmodern era offers a fascinating, if depressing, window into how certain Canadian writers betray their responsibility to the society they live in.

Dear George Szanto, I write in answer to your letter describing your difficulties in finding a publisher for your new novel.

"There are people," Chateaubriand comments, "who, in the midst of the collapse of empires, visit fountains and gardens"

The epic genre suffers from disregard. To the Iliad, our new century has preferred the Odyssey: the encumbered return of the warrior matters more to us than his laborious swordplay.

The federal government recently announced it is reviewing the CBC’s mandate. This review is the latest chapter in a long story of questioning the value of the CBC since its inception seventy years ago. Clearly there are politics involved here; the CBC is an easy target for attack by parties of all stripes.

Auvers-sur-Oise is a town of ghosts. Among the summer tourists and art-loving pilgrims who visit Auvers from all over the world, drift flocks of long-dead artists with folding easels and boxes of paints, who a century ago would disembark every week at the small railway station.

For reasons I can't make out, organizers of congresses and literary get-togethers throughout the world appear to have been inspired by a common theme: America. In Germany, in Spain, in France, in Holland, writers are being asked to talk about this faraway place that is either an overwhelming country or an underdeveloped continent.

There are two big trees in my garden under which, when friends are visiting, we sit and talk, sometimes during the day, but usually at night. Especially at night, when talk seems less inhibited, wider-ranging, strangely more stimulating.

Cyril Connolly’s writings have been republished, as The Selected Works (Picador, 2002). I remember reading his work in my late adolescence and wondering how someone could write like that, in fragments and half-formed ideas, allowing his thoughts (and the reader’s) to go in a thousand directions at the same time, and yet lend his texts an overwhelming feeling of cohesiveness.

One of the pleasures of reading for no particular reason is coming across hidden stories, involuntary essays, samples of what someone once called “found literature”—as opposed, I imagine, to the literature that states its official identity on the cover. Leafing through a book on Samuel de Champlain, I came across, of all things, a detective story.

When I was in school in Argentina, Europe (our notion of Europe) was a vast and powerful conglomerate of culture and wisdom. From there, from across the Atlantic, came the history to which, magister dixit, we owed our existence; from there came the writers whose literature we read, the musicians whose music we listened to, the filmmakers whose films we watched.

Many years ago my father-in-law, who had been a British prisoner of war in Japan, gave me a small pocket anthology, The Knapsack, edited by the undeservedly forgotten Herbert Read. The book (which I have since passed on to my daughter) had been put together for the Ministry of War to be given to its soldiers: its proclaimed intention was "to celebrate the genius of Mars." Surprisingly, however, the general tone of the anthology was above all elegiac.

A few years after Kafka’s death, Milena, the woman he had loved so dearly, was taken away by the Nazis and sent to a concentration camp. Suddenly life seemed to have become its reverse: not death, which is a conclusion, but a mad and meaningless state of brutal suffering, brought on through no visible fault and serving no visible end. To attempt to survive this nightmare, a friend of Milena devised a method: she would resort to the books she had read, stored in her memory.

“Get it right,” Rob Allen told me. “You have no idea how few novels you will actually write in your life”

Six days before the Passover festival in Bethany, the sisters Martha and Mary gave a dinner in honour of Jesus who (the gospels tell us) had raised their brother from the dead. Martha worked in the kitchen while Mary sat herself down at the feet of their guest, to listen to his words. Overwhelmed by the many tasks to be done, Martha asked her sister to come and help her. “Martha, Martha,” said Jesus. “You fret and fuss about many things, but only one thing is necessary. The part Mary has chosen is the best, and it will not be taken from her.”