The new line of books about film and filmmaking from Wallflower Press in London (available from Columbia University Press here) is a real achievement. A Critical Guide to Contemporary North American Directors, with a whopping 535 beautifully designed
Any author who can attract a crowd to listen to explanations of changes in plate tectonics theory over several decades deserves applause, and the best-selling author Simon Winchester did just that, in a conversation with Hal Wake at the 18th Annual V
Months ago someone walked off with our review copy of that Noam Chomsky book that was on the bestseller list earlier this year: Chronicles of Dissent: Conversations with Noam Chomsky, 1984-1991 (New Star). Well, it finally came back, just in time for
Last summer, during a visit to Vancouver, my nine-year-old son climbed the pediment of a cast-iron traffic-light standard and put his palm on the glowing hand that warns pedestrians to stay put. My mother pointed out afterwards that my photograph of the event contained its own French caption, in the word visible over his shoulder: main.
I met Alejandra Pizarnik in Buenos Aires, in 1967, five years before her death. I had asked her to contribute to an anthology of texts that purported to continue an interrupted story begun in Shakespeare’s The Winter’s Tale: “There was a man dwelt by a churchyard.” She agreed and wrote a haunting piece called “Los muertos y la lluvia,” “The dead and the rain.” The book was never published, but we became friends.
The next performer, Coco, a six-year-old Belgian shepherd, stood on his back legs and hopped alongside a woman wearing white go-go boots who jiggled her hips in time to “ymca.” Coco weaved between her legs, rolled across her feet, lay on his back and kicked his legs in the air. The woman’s brow was furrowed and sweat ran down her face. Coco bounded in front of her, then backed through her legs and sneezed twice. The judges looked at each other and one of them wrote somethingdown.