After dinner I retired with my newly acquired copy of a twenty-six-year old book, Caldecott & Co.: Notes on Books & Pictures (Farrar, Straus & Giroux), essays by Maurice Sendak, author and illustrator of In the Night Kitchen, Where the Wild Things Ar
When I took a west coast vacation in Tofino last summer, I took along Justine Brown's All Possible Worlds: Utopian Experiments in British Columbia (New Star). This slim coffee table book chronicles the history of utopianism in the most western of Can
The title of Artists & Writers Colonies: Retreats, Residencies and Respites for the Creative Mind, by Gail Hellund Bowles (Blue Heron/Orca) just about says it. This is a well-conceived, well-organized and apparently well-researched list of getaways,
Last month I had lunch with a good friend who years ago had told me that her parents, who immigrated to Canada after the war, were Holocaust survivors. I asked my friend, whose name is Slava, to tell me again about her parents, who had lived in Vilna, the ancient Lituanian city of Europe known for three centuries as the “Jerusalem of the north.”
At home Frank and I are mutually sympathetic to the obligation to face one another and speak loudly; or, when we are away, to supply each other with new batteries when we forget them; but we have no defence against the independent wandering behaviour of our hearing aids. They are always someplace else. I probably have spent one percent of my life, close to a whole year, looking for the damned things.
The organizers of tonight’s talk have branded it as a “raw exchange”—part of a series of uncensored literary gatherings around the city—and so they’ve invited three biting B.C. writers to get down to brass tacks for a group of strangers in the basement of the Vancouver Public Library. By some freak of programming, a punk-metal band is slaying the kids in the room down the hall tonight, which means every time a bookish-looking latecomer wades into our midst, a foul-sounding wave of hellish power chords does, too.