Memories sneak up, tiptoe quiet as a cat. Boom like a slapshot

The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

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This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

If marriage was a television show, it might look something like this.

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Destroying books for the greater good.

Remembering Norbert Ruebsaat.

Losers: you have a lifetime to hunt.

"I never went looking for them."

Fill the room with a flock of moths.

Tell me again how long the trip is?

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Mastery of the self

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Those who have read Michael Ondaatje’s The English Patient (Vintage), and those who have seen the film version, will remember that the sole possession of the eponymous patient, Count László de Almásy, was a battered copy of Herodotus’s Histories, an

In an interview reported in The Life of Yousuf Karsh by Maria Tippett (Anansi), Karsh said that he strove to bring out “the strength and personality” of men and “the charm and beauty” of women—an aesthetic purpose that he never abandoned, and one tha

When I was an undergrad, I took a psychology class in which the professor described various types of creativity. One of them was the creative act of taking things already in existence and reorganizing, reordering, recreating them to make something ne

During a trip to Ireland last spring, I remembered Charles Foran's The Last House of Ulster: a Family in Belfast (HarperCollins), so when I got back to Canada I tracked it down at the library. It describes Foran's fourteen-year relationship with the

The Labradorians: Voices from the Land of Cain (Breakwater) is another big compilation (500 pages), this one made by Lynne Fitzhugh from the pages of Them Days, a quarterly journal of oral history that has been published in Happy Valley, near Goose B

There are few appearances by God in The Interpreter of Maladies (Mariner Books), a Pulitzer Prize-winning collection of short stories by Jhumpa Lahiri. Lahiri’s settings are both secular and multicultural, and the challenge facing her characters is t

I had fun in the gifted class in elementary school because my parents never pressured me to become a sensation in spelling, or science—or, like Maya, the ethereal figure in Nancy Huston’s tense novel Prodigy (McArthur), a brilliant ten-year-old piani

In my reading life I’ve been locked in YA (young adult) land ever since I found myself surrounded by a gaggle of teenage nieces at a family party. I tried the usual icebreakers about school and friends, but the conversation really got going when I as

Child-rearing manuals cropped up with a vengeance in the latter half of the twentieth century after Dr. Benjamin Spock produced Baby and Child Care—the all-time best-selling book in American history, second only to the Bible, despite advice such as “

One reality of modern publishing is that this season’s new books are next season’s remainders. This harsh fact is compounded by the inexorable disappearance of good used bookstores everywhere, with the result that many excellent books that have had t

Most of the interesting books to be found on the subject of home and place, where we live and how we relate to it, are American, but The Inner Green (Maa Press), is a collection of natural history and personal essays by K. Linda Kivi and Eileen Deleh

Monique Proulx’s long-awaited novel, The Heart is an Involuntary Muscle (Douglas & McIntyre), is the story of Florence, a web designer leading a safe virtual life. When she finds out that her father’s dying words feature prominently in a book being w

Until I found The Glenwood Treasure by Kim Moritsugu (Dundurn), I thought writers of adult books were ignoring one of the tried-and-true plots of children’s books: the joys and pitfalls of searching for treasure. Blithe is the quiet daughter of swank

Fitz Hugh Ludlow’s The Hasheesh Eater (Rutgers) was first published in 1857, and is now reprinted as another in Rutgers’ Subterranean Lives series. Described as “the first full-length example of American drug literature,” this account is closely mode

The Girl Wants To, edited by Lynn Crosbie (Coach House) overwhelms its readers with sheer volume. It contains everything from cartoons to photos, to articles and stories and poems, to exhibit documentation.

Sarah Maitland reviews The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer and Annie Barrows (Random House).

Another story about love between two misfits, The Glace Bay Miners' Museum (Breton Books) by Sheldon Currie, should have been called Margaret's Museum, like the highly praised movie that came out of it. If it hadn't been for our astute Geist intern,

At the 2005 Vancouver International Film Festival I watched The Harp, a short film that is written and produced by John Bolton, who used to share a music stand with my daughter in the local youth orchestra. John gave up playing the viola years ago, b

Patricia Robertson is not a prolific writer—The Goldfish Dancer (Biblioasis) is only her second collection in over a decade—but in this collection she offers stories that draw you in and make you forget about time: a rare gift.

Barbara Nickel's The Gladys Elegies (Coteau Books) was the deserving winner of this year's Pat Lowther Memorial Award for best book of poetry by a Canadian woman. Although there are many things I'd rather do than read sonnets, Nickel's subtle and del

The dust jacket of The Girl with the Botticelli Face (W. D. Valgardson, Douglas & McIntyre) promises an "explicit rendering of sexual politics," a dissection of "the nature of male rage" and even "one of the most hilarious scenes in CanLit." This rev

In his new book, The French Quarter (Macfarlane, Walter & Ross), Ron Graham sets out to illuminate French-English relations in Canada by exploring the French-Canadian side of his own family. Sounds promising, and sets us up brilliantly with a descrip

Some of the books that come in over the transom I scoop up for other members of my family. But somewhere between the office and home I often find myself sneaking a read. I took home The Garden Letters by Elspeth Bradbury and Judy Maddocks (Polestar)

Howard White is known to his readers as a wry chronicler of life in the bush and on the boats. But his new book of poems, The Ghost in the Gears (Harbour), reveals the heart of a true romantic beating beneath that lumpen exterior.

Dr. Portillo, a Mexican physician, lives with her husband and son in a balcony-festooned six-bedroom house in a gated suburb. The adobe walls that enclose the garden, the coloured tiles embedded in the walls and the servants’ garden house are all typical of the home of a prosperous Mexican family. The multi-generational collection of relatives who occupy the spare bedrooms also reflect Mexican tradition. Dr. Portillo receives her patients in an office located in a tower in the northern Mexican city of Tijuana; since many of the patients are American, much of her working day takes place in English. When she goes home at night, she relaxes by speaking to her husband and son in Spanish. Her son, however, often responds in English because Dr. Portillo’s typical Mexican home is located in suburban California.

The Group of Seven “vision” is an inadequate way to describe an urban, multiracial, industrial society like Canada, and pretty much always was.

Lonely Planet readers no longer travel in Bolivia or Thailand, but within the elastic, infinitely portable boundaries of the Lonely Planet nation.

In Bangkok as in major centres all over Asia, there is life everywhere, on every street, in every shop and at all hours.

In Chicago, where he settled, William Henry Jackson, British settler, transformed himself into Honoré Jaxon, Métis freedom fighter. He identified so closely with the Métis struggle for justice that he became one of them. He had no trouble convincing others that he was a Native and probably had no trouble convincing himself either.

When a poet friend was found dead after two days because of the do not disturb sign he had hung outside his hotel room, Darwish swore never again to hang the sign or lock his door. “When death comes,” he said, “I want to be disturbed.”

The top-selling American novel of the nineteenth century was Lew Wallace’s Ben-Hur: A Tale of the Christ. The phrase “the Christ” reminds us that the second word originally meant something along the lines of “the person who has been anointed.” By the twentieth century, the article had been dropped, making “Christ” sound like the family name of Sometime Carpenter Jesus, offspring of Joe and Mary Christ, brother of Jim Christ who keeps cropping up in the New Testament. But a couple of generations after Jesus lost His definite article, His spokesmen on Earth were still “the Reverend” So-and-so or even “the Reverend Doctor” until the editors of Time and their kind followed Samson’s example and warning: metaphor ends in 25 metres—smote them with the jawbone of an ass.

The movie Wordplay, directed by Patrick Creadon (IFC Films, available on DVD), takes us into the arcana of crossword fanatics, who call themselves puzzle heads. Once a year they come from all over the U.S. to sit at long tables in a room at the Marri

Art museums and geographical exp

Bologna, Italy, known as both “the Fat” and “the Red,” is a city to a make a bookish vacationer salivate. Less overrun by package tours than Rome, Florence or Venice, Bologna combines superb food with the wonderful bookstores that seem to be the inevitable companion of left-wing politics.

Several years ago Ian McKay, a Queen’s University history professor, published a book called The Quest of the Folk: Antimodernism and Cultural Selection in Twentieth-Century Nova Scotia (McGill-Queen’s University Press) in which he argued that the image many of us have of Nova Scotia as a tartan-wearing, bagpipe-squealing mini-Scotland is pretty much a fabrication.

The theatre is plush, high-ranking and named after the Queen. I don’t know the name of the play but C does. C brings me to the theatre when I go. I undergo a pleas­ant transformation when I go to the theatre. I wear a tie, black shoes and a sports coat. At first it was difficult, “not my style.”

In 1971 I went to work as a reporter at the Ottawa Journal. The newspaper depended for much of its copy on a roster of freelancers who would get their assignments by phone and drop by the office to deliver their articles. One of these contributors was D’Arcy Marsh.

In the sun-streaked barroom of the Irma Hotel on the main street of Cody, Wyoming, late one afternoon in June, I made a big mistake. “What’s on tap?” I asked.

Immediately after the New Year, both my daughters became victims of the First Great Snowfall of 1999.

I first tried to read J. M. Coetzee in 1994, when I was twenty-three. I failed.

A city is an atmosphere defined by a history. A great city's streets may reflect its past, but only art makes a city's history, like its distinctive mood, present to the world.

Mordecai Richler, in a withering put-down, once dismissed the novelist Hugh Garner as “a good speller.” In the summer of 2003, grinding through 160 Canadian books as a jury member for the Governor General’s Literary Award for Fiction in English, I learned that for many contemporary Canadian writers, Garner’s level of dubious distinction remains out of reach.

Cakchiquel, the third most widely spoken of Guatemala’s twenty Mayan languages, is understood by more than 400,000 people. It is blessed with a larger population base than most Native American languages but is cursed by its location.

The Giller Prize is the most conspicuous example of corporate suffocation of the public institutions that built our literary culture. True, the Giller hasn’t done as much damage as the throttling of the book market by the Chapters-Indigo chain.

As Canada is one of the world's most urbanized countries, a reader knowing nothing of contemporary Canadian writing might expect to find a surfeit of urban novels in our bookstores. Yet novels explicitly set in Canadian cities form a mere sliver of our novelistic production.

In 1982 I had my first argument with an American about Saddam Hussein. As an undergraduate at an American liberal arts college where everyone read the New York Times, I supplemented my reading by browsing the British papers.

During the power cut that paralyzed Ontario in August 2003, the residents of my townhouse condominium complex began talking to each other. It was an event that took me by surprise.

In 1999, when I returned to Canada from London, England, to teach Spanish at the University of Guelph, I was handed an introductory Spanish textbook and told that two-thirds of my teaching load was basic language instruction. The textbook was American.