The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

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This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

If marriage was a television show, it might look something like this.

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Destroying books for the greater good.

Remembering Norbert Ruebsaat.

Losers: you have a lifetime to hunt.

"I never went looking for them."

Fill the room with a flock of moths.

Tell me again how long the trip is?

Any resemblances to persons living or dead are purely vindictive.

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Mastery of the self

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

A memoir of Loyie's youth spent at a Native residential school and his struggle to find a community.

Stephen Scobie's Gospel, A Poem had the invigorating effect of making me want to read poetry again: the book is a beautiful object and not at all precious, and the poetry, a visitation of the Gospels, is simply wonderful. You want to read it out loud

Grace Hartman: A Woman for Her Time by Susan Crean (New Star) is a biography, a political history and a page-turner of a story all in one. Hartman (1918-I993) went to work as a secretary for the Township of North York in the 1950s to help support her

One of the April New Yorkers contains a wonderful piece by Robert McCrum on Graham Greene's library, an archive to be coveted not for its size (a mere 3000 volumes) or its variety (from Planet of the Apes to Sanctum Jesu Christi Evangelium, a gift fr

People who travel in India and return always sound amazed in retrospect at what they survived. In Golden Goa (ECW Press), Grant Buday makes the trip three times, cranky at what he has to endure on buses and trains—one of which is wrecked—but impresse

Re-entering the fray is a true original, Sheri-D Wilson, "action poet extraordinaire," whose work lurks on a jazzy playground of sex, glamour and intrigue—the frenzied visions of a James Bond girl. Her latest poetry collection cheekily entitled Girl'

The great Canadian road movie is finally on DVD. If you missed Goin’ Down the Road when it came out in 1970 and then disappeared, apparently forever, you can see it now for the first time, having heard about it all your life from friends who are more

Newly collected stories and memoirs from the great Mavis Gallant.

Is it true that Gilbert Sorrentino has written a brilliant novel called Gold Fools (Green Integer), a story of grizzly prospectors and leathery cowpokes, entirely in questions?

What is there to say about Glenn Gould that hasn’t already been said? Anyone who is interested in the subject is already familiar with the many mythologies surrounding this gangly, pill-popping agoraphobe who wore winter coats year-round and played t

Fuzzy Heads are Better (106 Press) is a small, thick zine with a lovely woodblock print on the cover. Patti Young Kim subscribes to the punk DIY ethic of zine making, including found photos, recipes, receipts.

Girl Culture (Chronicle/Raincoast) is a coffee table book that is both attractive and disturbing. Lauren Greenfield’s photographs document how American girls relate to fashion, culture and their bodies as they grow up in the most superficial society

Ghost Hotel is the new mystery by Jackie Manthorne (gynergy books), first of what will be a series, and it features "Harriet Hubbley: down-to-earth dyke from Montreal." This story is a great window into the lesbian lifestyle, but not a really satisfy

Recently I was thinking about the difference between Brecht's poetics and Rilke's. Brecht seems to be entirely ironic.... This conundrum came back to me when I read George Stanley's Gentle Northern Summer (New Star), which is a beautiful and powerful

I enjoyed Killer Angels so much that I pursued my Civil War studies by renting a video of Gettysburg, the made-for-TV movie based on the book. The movie clocks in at somewhere close to four hours, and you have to put up with a lot of famous American

The question that pops to mind as you read Ghosts: True Tales of Eerie Encounters (TouchWood) is, “Why does British Columbia house so many spooks?” Robert Belyk does not provide a specific answer, but he does say that ghosts are likelier to manifest

In late May 2003 the American Institute of Graphic Arts (AIGA) hosted a discussion forum called Hell No: Designers and the War, featuring the design historian Steven Heller, the design icon Milton Glaser (perhaps most known for the “I Love NY” symbol

For hard-core Blade Runner fans, or anyone interested in the filmmaking process, Paul M. Sammon's book Future Noir, The Making of Blade Runner (Harper Prism) is required reading.

What happens when you insert the word Geist into a World Wide Web search engine? Well, there's a brief pause and then Zzzt!

Marlene Nourbese Philip achieved an inadvertent kind of fame as the woman June Callwood told to fuck off at a writers' conference some time ago. Her new book Frontiers: Essays and Writings on Racism and Culture (Mercury), makes it easy to see why.

From Bruised Fell by Jane Finlay-Young (Viking) is a dark and unrelenting story of two sisters whose lives are dominated by their crazy mother, who abandoned them years ago but who still haunts their thoughts. The older sister, Missy, narrates the st

When I finally got around to reading Postwar, I was amused to discover that Detective Chief Inspector Alan Banks was reading it too. This is the first time I have found myself reading the same book as a character in a novel.

Friends I Never Knew by Tanya Lester (gynergy) is an ambitious but less successful first work of fiction. The premise is challenging: a burnt-out feminist organizer, recuperating abroad, pays homage to four women friends and colleagues by trying to w

In Frontier Spirit: The Brave Women of the Klondike by Jennifer Duncan (Anchor Canada), we meet women who escaped the prison of propriety and domesticity by joining the Gold Rush to the Yukon.

Over dinner, I asked the Québécoise writer Sylvie Desrosiers, the author of successful novels for both adults and younger readers, whether her books had been translated into English. “Non, pas en anglais,” she said.

Last summer, in anticipation of the opening round of the World Cup of soccer, the largely immigrant population of the narrow side street in Lisbon where I was renting an apartment draped their windows with flags. The green and red of Portugal predominated, but the blue planet on a gold-and-green background of Brazil also hung from some windows.

It is not only the children of British mothers who have lost one of their nationalities; Great Britain, too, has lost a part of itself

In a letter of 350 words, published in Geist 65, Michael Redhill calls me a racist once and implies that I am a racist on at least four other occasions. Redhill’s repetition of the ultimate insult of the postmodern era offers a fascinating, if depressing, window into how certain Canadian writers betray their responsibility to the society they live in.

"There are people," Chateaubriand comments, "who, in the midst of the collapse of empires, visit fountains and gardens"

Dear George Szanto, I write in answer to your letter describing your difficulties in finding a publisher for your new novel.

A few years after Kafka’s death, Milena, the woman he had loved so dearly, was taken away by the Nazis and sent to a concentration camp. Suddenly life seemed to have become its reverse: not death, which is a conclusion, but a mad and meaningless state of brutal suffering, brought on through no visible fault and serving no visible end. To attempt to survive this nightmare, a friend of Milena devised a method: she would resort to the books she had read, stored in her memory.

Many years ago my father-in-law, who had been a British prisoner of war in Japan, gave me a small pocket anthology, The Knapsack, edited by the undeservedly forgotten Herbert Read. The book (which I have since passed on to my daughter) had been put together for the Ministry of War to be given to its soldiers: its proclaimed intention was "to celebrate the genius of Mars." Surprisingly, however, the general tone of the anthology was above all elegiac.

When I was in school in Argentina, Europe (our notion of Europe) was a vast and powerful conglomerate of culture and wisdom. From there, from across the Atlantic, came the history to which, magister dixit, we owed our existence; from there came the writers whose literature we read, the musicians whose music we listened to, the filmmakers whose films we watched.

One of the pleasures of reading for no particular reason is coming across hidden stories, involuntary essays, samples of what someone once called “found literature”—as opposed, I imagine, to the literature that states its official identity on the cover. Leafing through a book on Samuel de Champlain, I came across, of all things, a detective story.

Cyril Connolly’s writings have been republished, as The Selected Works (Picador, 2002). I remember reading his work in my late adolescence and wondering how someone could write like that, in fragments and half-formed ideas, allowing his thoughts (and the reader’s) to go in a thousand directions at the same time, and yet lend his texts an overwhelming feeling of cohesiveness.

There are two big trees in my garden under which, when friends are visiting, we sit and talk, sometimes during the day, but usually at night. Especially at night, when talk seems less inhibited, wider-ranging, strangely more stimulating.

For reasons I can't make out, organizers of congresses and literary get-togethers throughout the world appear to have been inspired by a common theme: America. In Germany, in Spain, in France, in Holland, writers are being asked to talk about this faraway place that is either an overwhelming country or an underdeveloped continent.

Auvers-sur-Oise is a town of ghosts. Among the summer tourists and art-loving pilgrims who visit Auvers from all over the world, drift flocks of long-dead artists with folding easels and boxes of paints, who a century ago would disembark every week at the small railway station.

The federal government recently announced it is reviewing the CBC’s mandate. This review is the latest chapter in a long story of questioning the value of the CBC since its inception seventy years ago. Clearly there are politics involved here; the CBC is an easy target for attack by parties of all stripes.

The epic genre suffers from disregard. To the Iliad, our new century has preferred the Odyssey: the encumbered return of the warrior matters more to us than his laborious swordplay.

“Get it right,” Rob Allen told me. “You have no idea how few novels you will actually write in your life”

Six days before the Passover festival in Bethany, the sisters Martha and Mary gave a dinner in honour of Jesus who (the gospels tell us) had raised their brother from the dead. Martha worked in the kitchen while Mary sat herself down at the feet of their guest, to listen to his words. Overwhelmed by the many tasks to be done, Martha asked her sister to come and help her. “Martha, Martha,” said Jesus. “You fret and fuss about many things, but only one thing is necessary. The part Mary has chosen is the best, and it will not be taken from her.”