My god, I think as I wait my turn in the wash­room of the Hotel Vancouver, all of these peo­ple look just like Carol Shields.

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We did what we weren’t supposed to do. We paid a local man to take us horseback riding. He was walking up and down the beach, waving papers and shouting, “Horses!” We signalled for him to come over, and we negotiated a price.

I haven’t been in Jerusalem for sixteen years and the first thing my friend shows me is the wall that separates them from the Palestinians.

The main reason that I open up my doors to people on the street is so that they would have a place to sort of come home.

Only when I settle down in the back seat of the cab do I notice that on the dashboard there are several stickers with the letter U, the sign of Ustashe. During the Second World War, Ustashe was the ruling party in the Independent State of Croatia.

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At the end of the Electrolux era, a veteran salesman closes his store to start a new job at Future Shop.

We look back and so much of the past seems to portend what would come later. The man in the seat in front of me on the Greyhound bus was returning to Edmonton from his annual vacation in Las Vegas, where in the off-season you can get a cheap room wit

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The Borderland Foundation documents borderland culture from its headquarters in the Jewish ghost town of Sejny, Poland.

Reporting on the Michael Jackson trial from a Best Value Inn in Santa Maria, California.

How do you have a good time in Warsaw? Sing Neil Diamond songs in a karaoke bar.

Ayurveda massage will leave you feeling like the bones have been secretly extracted from your body.

When I am dying, it would be comforting tobe told that I had been the human equivalent of a good dog. Loving,compassionate, faithful, understanding, dignified, but also goofy, curious,fun, protective, a friend. Let’s leave out obedience.

The next performer, Coco, a six-year-old Belgian shepherd, stood on his back legs and hopped alongside a woman wearing white go-go boots who jiggled her hips in time to “ymca.” Coco weaved between her legs, rolled across her feet, lay on his back and kicked his legs in the air. The woman’s brow was furrowed and sweat ran down her face. Coco bounded in front of her, then backed through her legs and sneezed twice. The judges looked at each other and one of them wrote somethingdown.

It’s dark when I get off the bus by the corner store. Not the best area of town. The only other person in sight is lying on the sidewalk.

When I met you, one floor up from the acute psychosis ward, you were wearing a paper shower cap and green pyjamas just like mine. You glared at me through the crowd because you thought I had your hoodie on. But we just had very similar hoodies.

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This was the first pub I entered when I finally said goodbye to vomiting on local beaches because I could drink legally. And it’s the first pub I’ve come to since I’ve been home. Now it’s Tuesday night, Karaoke Night.

It was at about this moment that I hit him in the face, which is something I’ve never done before. I don’t know what perfect form the punch took in my mind, but by the time the impulse had pushed its way through me, my hand had bent inward like an old person’s claw, or a doll’s hand—curved around but without a bottle to clutch.

Mr. C.F. Keiss, awealthy American visitor from Bucyrus, Ohio, met death with “tragic suddenness”under the wheels of the new City auto ambulance at the corner of Pender andGranville Streets yesterday afternoon.

When we hitchhiked back to Castle­gar it was dark and the lights on the car dashboards flickered and their glass reflected the faces of the men who’d picked us up and who, I imagined, knew everything there was to know about electricity.

Not long ago on a sticky Saturday night at a comedy club in Madison, Wisconsin, the funeral director with whom I was having a drink told me how long it takes for the formaldehyde to replace the blood in a dead person’s arteries. He drank a light beer

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At the Tim Hortons on Young Street in Halifax, a man clears his throat, a rough-looking older guy in the back corner, staring out the window. One knee, angled out from the table, jigs up and down; the rest of him is quite still. A sheet of notepaper

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One day a Swiss couple stopped in at the carpet shop, just as they had each year for the last ten years. Every spring they loaded up a cargo van with nets and jars and drove from their home in Switzerland to east Turkey, where they collected ­butterflies together. The man, Walter, had caught snakes in Africa and South America all his life and sold them to universities and private collectors, but that day he was turning seventy-five and, he said, it is not so wise at my age to play with snakes.

I don’t take public transit very often, which is a failing—not just environmentally, but also personally, because sometimes that forced contact with the rest of the populated world can be profound. In Japan, many years ago, I was trapped in the small space between train cars by a crowd of schoolboys; my claustrophobia reached such a level that one leg began to judder up and down like the needle on a sewing machine, and the only thing that prevented me from climbing out over the tops of my fellow passengers’ heads was the gaze of a man about a foot away who conveyed calm to me by keeping his eyes trained on mine.

A group of university exchange students from France at the next table watch the entire interaction as if they were on a field trip for Lessons in North American Social Behaviour. They discuss the annoying aspects of the life they’re having here. Quebec is more American than they expected, they say. You can’t smoke in restaurants. The Québécois accent is drôle.

The National calls from the cbc in Toronto. They want me to be their “eyes on the ground.” I try not to laugh—I’m a part-time poet who lives in the suburbs. The woman on the phone asks what it’s like to live in a city in a forest. Does she mean here? In Toronto, she explains, that’s how they described it to her. She must be picturing deep woods with houses and corner stores tucked in among the paths, and roads more like wagon trails. When I drive past Winners and Costco I don’t think “forest.” No, I tell her, Prince George is a lot like the outskirts of Guelph. She falls silent and I amend it: Prince George is like Edmonton but planned by drunken loggers. She seems to like that better, so I carry on: it’s like living in a logging camp but with easier access to big box stores. What about the trees, she asks. Oh, they’re fine, I say, just shorter and mostly gone.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

Few people have been disappointed by Monopoly, the real estate free-for-all that has been entertaining people all over the world since the 1930s, sometimes for weeks at a time. The love of this game inspired one player, a journalist named Tim Moore,

Critical theory is not known to zing and hum with the menacing eloquence of Dashiell Hammett, but Double Cross: the Hollywood Films of Douglas Gordon (Art Gallery of York University/ The Power Plan) by Philip Monk, comes close.

The protagonist of Doctor Bloom’s Story by Don Coles (Vintage) is embarrassingly tall, in his mid-50s, Dutch, likes to read good books, and I suspect that he’s handsome in the way that tall Dutchmen are supposed to be handsome. He writes, too, recrea

In 1945 Molly Lamb Bobak became Canada's first female war artist, but it took her three years of army life to win that appointment. During those years she kept a unique diary in the form of a handwritten newsletter, as she traveled back and forth acr

Many of the stories presented in Drawn & Quarterly Volume 5 have an unselfconsciously literary feel that is foreign to the North American scene.

Drawn & Quarterly, an almost quarterly periodical published in Montreal, is the classiest comics anthology on the market. Each issue has knockout stories, rich-but-never-slick art work, and generous design, paper and printing.

Anyone who has lived in Vancouver for any length of time has watched whole neighbourhoods of gleaming condominiums rise up; no one can quite remember what was there before. Lance Berelowitz, an urban planner, tackles this collective civic amnesia in

Dreaming Home, an anthology selected by Bethany Gibson (paper-plates), is another little book stuffed full of great stories—eight of them, all by emerging writers. My favourites were "Personal Effects" by Judith Kalman, about a father leaving his hom

Roger Dunsmore is the author of Earth’s Mind, a collection of essays published last year by the University of New Mexico Press, and he is an old friend of mine. I met him thirty years ago in Europe when he had just finished reading Black Elk Speaks,

Earth and Ashes by Atiq Rahimi, translated by Erdag M. Goknar (Harcourt) is a powerful story wrapped up in a perfect little hardcover book (4' x 7") that contains only 81 pages.

In May I picked up An Easy Day for a Lady by Gillian Linscott (St. Martin's Press), from the mystery shelves at the local library.

I found more history—this time to do with food—in Eve Johnson’s Eating My Words (Whitecap), a collection of essays originally written for the Vancouver Sun. Not all of them are historical, but my favourite ones are, including the history of real food

Michael Hayward reviews Eat, Memory: Great Writers at the Table (Norton).

Gimli back my eighty minutes!

The Mike Wallace interview is reprinted in its entirety in Empty Phantoms (Thunder’s Mouth Press), an exhaustive collection of “nearly all known printed, recorded, and filmed interviews” with Kerouac: by Ben Hecht on his Chicago radio show in 1958, b

A fast-paced seafaring adventure from my father’s bookshelf, in which a wealthy Londoner on a religious mission to Tasmania falls in with a crew of Manxmen smuggling tobacco, liquor and French porn.

The frontispiece of Eunoia by Christian Bök (Coach House) is a drawing of a cone, a line, a sphere and a paraboloid, all nestled inside a cylinder. This complicated arrangement of lines and points illustrates perfectly how my mind worked while I was

When Julia Kwan’s grandmother died, her parents said the grandmother had been reincarnated as a goldfish. The report from Sunday school was quite different: Grandma had gone to hell. Eve and the Fire Horse is Kwan’s story of a young Chinese-Canadian

In Coetzee’s most recent book, Elizabeth Costello, the main character—“she, Elizabeth Costello”—wonders if she is “a light spirit,” and I like this idea. Elizabeth Costello is not called a novel either, although on the dust jacket Coetzee is describe

The story of Esther Brandeau, the first Jew to set foot in New France, could have been a dull historical re-creation, but Esther, by Sharon E. McKay (Penguin), is an action-packed story about a feisty, unusual and believable heroine.

An established experimental poet—the kind that comes with a beard and a fear of proper capitalization—was heard recently to denounce video art as “arty farty stuff.” As a writer and sometime video artist myself, I like to think of the two disciplines

If a poem is going to grab you, it has to do it right away, as Lorna Crozier's poems do. Here are a few openers from her new book, Everything Arrives at the Light (McClelland & Stewart): "He had a good wife, he said, / she did not complete his senten

Everyday Stalinism—certainly a tide to conjure with—by Sheila Fitz-Patrick (Oxford) is subtitled Ordinary Life in Extraordinary Times: Soviet Russia in the 1930s, and is proof that under certain circumstances the everyday is never normal. This is a h

The near future of Jim Munroe’s Everyone in Silico (No Media Kings) reads like Naomi Klein’s (No Logo) idea of hell. Ads pop up everywhere and chase you down the street, and they can only be turned off by the very rich.

Phrase books are tools of cultural globalization—but they are also among its casualties.

When building a nation, cultural riches can be lost.

Coming to harbour in a new world.

Science and the arts fulfil their functions to help us survive through the imagination.

In a world dominated by heroes, difference is not tolerated.

Dividing and conquering local populations confines them to manageable administrative units.

“Have patience” and “Tomorrow” are two inseparable locutions in the Portuguese tongue.

For a brief period the band CANO gave shape to the dream of a bilingual Canadian culture.

Lisa Bird-Wilson on UNDRIP, reconciliation, and the anxiety felt by Indigenous people in Canada.

"The hemispheric context reveals the roots of the residential school system...Destroying Indigenous cultures was a positivist policy from Patagonia to Dawson City."

What we do when we absorb words from a screen—and we haven’t yet evolved a verb for it—is not reading.

Libraries are not only essential in educating the soul, but in forming the identity of a society.

Our society is formed on the assumption of a healthy immune system.

What we can—and can’t—learn from the plague

Dogged dedication grants a reader vicarious immortality.

The woman who called herself Tatiana Aarons gave me an address that led to a vacant lot.

On March 5, 2006, a group of people gathered in a small Ontario city in the expectation of having books signed by an author who was not present.

The newspaper wars aren’t what they used to be.

A package-deal paradise reputation curtails gringo knowledge of Dominican life.

What can the Brothers Grimm teach us about the state of our economic system? Everything.

Faith seems to shiver when confronted by art.

Must artists declare their moral integrity?

Without air travel, family networks might have dissolved long ago.

There’s something not quite right about the grid on which the game is played.