The log jam is tall and wide and choosing wrong means we don’t make it home

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The fish is a suspended phantom, its magenta skeleton an exquisite, vibrant exhibit of what lies beneath

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A wildland fighter witnesses an old burn's second act

Memories sneak up, tiptoe quiet as a cat. Boom like a slapshot

The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

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This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

If marriage was a television show, it might look something like this.

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Destroying books for the greater good.

Remembering Norbert Ruebsaat.

Losers: you have a lifetime to hunt.

Violence could not reach them only when they were distant as the moon, not of this world

“The first time I met him, he caused me to float to the ceiling"

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Mastery of the self

Copies of Spycatcher by Peter Wright (General Publishing) are washing up in great numbers these days in the secondhand bookstores, and so may be had for a song. This book, the memoir of a British spy, is an unsettling testament to the power of fictio

When Rob and Sheila went away for the weekend, Rob was reading, but not enjoying, Spadework by Timothy Findley (HarperFlamingo). This was Rob’s first foray into Findley and he moaned and groaned about the silly plot filled with actor-worship, and the

Three-day novels tend to get off the ground quickly and move along at a good pace but then, understandably, founder near the end. Socket by David Zimmerman (Anvil), this year’s winner, is an exception: the story never lets up. The novel follows Ronal

Clumsy slang and fake angst are what Some Girls Do (do what?) by Teresa McWhirter (Polestar) is all about. While I enjoyed the buoyant conversational style and unconventional characters, I hated McWhirter’s self-conscious portrayal of the subculture

Songs of Aging Children, by Ken Klonsky (Arsenal Pulp Press) is a remarkable book of stories about troubled teenagers—people who too rarely find their way onto the centre stage of contemporary fiction. These are very good stories, well imagined and v

In Soucouyant by David Chariandy (Arsenal Pulp Press), a young man whose mother suffers from early-onset dementia pieces together what really happened back home in the Caribbean when she encountered a soucouyant, or evil spirit.

I like fiction when it gives me new ideas and I have to put the book down and pick up a dictionary or run something through Google—or when details I had never noticed before suddenly seem obvious. Sointula by Bill Gaston (Raincoast Books) is about a

The Canadian version of Waiting for Godot takes place on Christmas Eve in a tavern somewhere in north Ontario, in a movie called Solitaire. In this one the two guys are played by the barkeep and the patrons, who indulge themselves in not enough drink

Snow Man, the masterful new novel by David Albahari (Douglas & McIntyre), belongs precisely to such a narrative of the world; and its provenance is evident from the first sentence, which takes us up in a moment and sweeps us into the history of langu

The ending of J. M. Coetzee’s Slow Man (Secker & Warburg) is disappointing only because the rest of the novel is so good. The main character, Paul Rayment, suffers a crippling bike accident, becomes infatuated with his care nurse and declares his lov

In Slow Lightning by Mark Frutkin (Raincoast) we meet Sandro Cénovas, a student who is caught in the middle when civil war erupts in Spain. Threatened with arrest or conscription, Sandro flees Barcelona on a borrowed bicycle and heads for the coastal

The Winner of the 23rd International 3-Day Novel Writing Contest (a venerable institution) is Small Apartments (Anvil Press), written and pleasantly illustrated by Chris Millis, who lives in Saratoga Springs, New York, and has worked as a “sportswrit

In Smashed: Story of a Drunken Girlhood (Penguin), Koren Zailckas recounts her history of alcohol abuse and the years she lost. She took her first drink at age fourteen and she soon craved liquor and needed it for any kind of social interaction.

Two books full of ice and snow: Icefields (NeWest) by Thomas Wharton, and Smilla's Sense of Snow (Doubleday) by Peter Hoeg. Peter Hoeg's sense of snow is utterly convincing: his book had me shivering in August (I actually took to reading it under the

"A mild, or homeopathic, dose of the infinite is the crucial element in the aesthetic experience known as the sublime." A review of The Shell of the Tortoise.

Slow Dance (Knopf) by Bonnie Sherr Klein also kept me from sleeping, mostly because I couldn’t put it down. When I saw Klein’s photo on the cover I realized I’d seen her around at literary events and I was interested in this tall, self-confident woma

Cathleen With’s book of short stories, Skids (Arsenal Pulp Press), takes a closer look at the human beings who inhabit this community and other communities like it.

If you haven't read a book with a horse sex scene before, Theresa Kishkan's Sisters of Grass (Goose Lane) is one place to start. The story reconstructs the life of Margaret Stuart, a young woman living in the Nicola Valley of B.C. at the turn of the

Must the deconstructionists have every last word?—not any more: Signs of the Times by David Lehman (Poseidon) is out in paperback and worth even penny. Here at last, a work that makes sense of the gobbledygook (by identifying it as gobbledygook), the

Joyce Nelson's new book, Sign Crimes/Road Kill (Between the Lines), is her long-awaited collection of thirty essays written over the last ten years. This is an important and eminently useful book: mediascape, mindscape, landscape: Nelson keeps her ey

A new collection of essays from John McPhee, staff writer at the New Yorker.

Marina Roy is the author of Sign After the X (Advance/Artspeak), an entertaining and pretentious volume devoted to the twenty-fourth letter of the alphabet.

Shooting Water by Devyani Saltzman, daughter of the filmmaker Deepa Mehta (Key Porter), is a story about politics, love and the making of Mehta’s film Water. Saltzman’s parents divorced when she was eleven, and she chose to live with her father, a de

Mark Leiren-Young's Shylock (Anvil) is similar to The Noam Chomsky Lectures. In this one-man drama, Jon Davies, a Jewish actor who portrays Shylock in a cancelled production of The Merchant of Venice, is accused of betraying his fellow Jews and being

Memories lie because they build on memories. I think that I remember something, but in fact I remember remembering it, and so on through countless layers of memory. Every memory is a mise en abyme.

Begging the question of what can be defined as “form.”

The crowds learned that they could not act effectively in the present without confronting the past, specifically the historical treatment of indigenous people.

On the screen, only the image—not the word—can become the world.

It all started with a zesty little book about getting old.

Donald Creighton was a bigot and a curmudgeon, a cranky Tory with a chip on his shoulder. He was also the country’s leading historian, who changed the way that Canadians told their own story.

The novelist can often better define reality than the historian.

"We know that life-altering and possibly cataclysmic change is coming, and we continue to live as we have always done."

"Since the beginning of time (the telling of which is also a story), we have known that words are dangerous creatures."

Lacking in drama and embarrassingly undemocratic, Canada’s origins owe a lot to old-fashioned politics and not much to European battles or transcontinental railways.

"Authenticity is the essential quality of all travel literature, imaginary or real."

Alberto Manguel examines the rich symbology of the fist, a primal symbol of rebellion and grief, across cultures and history.

"Resistance to wars is as much a Canadian tradition as fighting them." Daniel Francis discusses alternative histories, anti-draft demonstrations and the divisive nature of war.

The writer who is loved by all, by definition, neglects literature’s prime responsibility: to offend.

Daniel Francis discusses Canada's failing mental health care system and its long history of mistreatment.

Aboriginal people are creating a new version of Canada, and non-Aboriginals can lend a hand or get out of the way—Daniel Francis on the new Canadian narrative.

Stephen Henighan asks: what if you don't have a tidy answer to "Where are you from?"

"Cross-country skiing offered me the reassurance sought by the immigrant who is excluded from his locality’s history: a viable alternate route to belonging."

European Jewish artisans on horseback in Argentina.

"Sometimes, in politics or history, certain words, certain names are sufficient unto themselves: it is as if there were names that once pronounced require no further telling."

"In the public eye, universities have never recovered from the antics of Donald Sutherland as Professor Jennings in the 1978 film Animal House."

Daniel Francis asks why a high-speed commuter route runs through Stanley Park, Vancouver's precious urban oasis.

"A library is never finished, only abandoned." Alberto Manguel on incompletion, voluntary interruption and the pleasure of the day before.

The assumption of mutual comprehensibility between speakers of Spanish and Portuguese creates a culture of mutual ignorance.