The fish is a suspended phantom, its magenta skeleton an exquisite, vibrant exhibit of what lies beneath

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A wildland fighter witnesses an old burn's second act

Memories sneak up, tiptoe quiet as a cat. Boom like a slapshot

The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

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This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

If marriage was a television show, it might look something like this.

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Destroying books for the greater good.

Remembering Norbert Ruebsaat.

Losers: you have a lifetime to hunt.

"I never went looking for them."

“The first time I met him, he caused me to float to the ceiling"

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Mastery of the self

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

I was eager to read Stephen Miller’s The Woman in the Yard (Picador) because I had enjoyed Miller’s previous mystery novel, Wastefall. His publisher did not respond to my requests for a review copy, but fortunately Miller is a neighbour of mine and w

Sex, drugs and rock ’n’ roll seem a little boring when compared to Lydia Kwa’s concoction of sex, bisexuality, homosexuality, tortured spirits, innocence, desire, betrayal, greed and love in her second novel, The Walking Boy (Key Porter). Kwa deftly

I really want to love Kathryn Bigelow films. She’s a talented director and has never failed to take on challenging projects. She’s a talented director and has never failed to take on challenging projects. My problem with her directing is that she is

I’ve read The Wide World Dreaming by JoAnne Soper-Cook (Breakwater) twice now and I’m still surprised by how good it is. It’s written by a woman from St. John’s, Newfoundland, and published by a company there that needs to learn more about good layou

The Wigmaker, C.E. Coughlan’s new book (Smart Cookie Publishing, webspotter.com/smartcookie), is a collection of fourteen short stories, some of which have previously appeared in Geist and other literary magazines.

Greg Gatenby must be stopped. A couple of years ago he edited a collection of remarks about Canada by various foreign writers. Now he has followed up with a second thick collection, The Very Richness of That Past: Canada Through the Eyes of Foreign W

The Way of a Boy is Ernest Hillen's story about his life in a Japanese prison camp in Java during World War Two. Hillen was only a boy at the time—he spent ages seven to eleven in the camp—and instead of looking back from the vantage point of adultho

A thin little book, The Voice Imitator (University of Chicago Press) by Thomas Bernhard, translated by Kenneth J. Northcott, made me laugh out loud in the dark as I sat propped up in bed, my reading light clipped to the back cover, while everyone els

Kris Rothstein reviews The Virgin Spy by Krista Bridges (Douglas & McIntyre).

Mr. Ryder, the storyteller in Kazuo Ishiguro's The Unconsoled (Knopf), speaks so sincerely, humbly and clearly in the first person that we hear his voice inside ourselves; this inspires trust.

Kris Rothstein reviews The Waterproof Bible by Andy Kaufman (Random House).

The Utne Reader served us coffee aficionados a treat this month, by devoting the November/December issue to a study of the enigmatic bean. Of the nine pieces included in the "Coffee Madness" section, Mark Schapiro's "Muddy Waters" is the most enlight

The Understanding by Jane Barker Wright (Porcupine’s Quill) offers one of the most convincing fictionalizations of seventies hippie culture I’ve ever read. The novel is the story of the bohemian Whitechapel clan; artsy Solly and Isobel and their broo

Why don't we hear more about the books of Mary Meigs, who is one of the great prose writers of our time? On her last tour she appeared in Vancouver for a single reading in a bookstore and then she was gone, uninterviewed and unsung. Did this happen i

The Three-Day Novel, which turns nineteen on Labour Day [1996], remains one of Canada's few contributions to the world of literary form. (Milton Acorn's jack-pine sonnet is the only other one I can think of at the moment.) Writing a novel in three da

The Story of Dunbar: Voices of a Vancouver Neighbourhood (Ronsdale Press), edited by Peggy Schofield, feels a bit like a family album.

The Story of My Face by Kathy Page (Weidenfeld & Nicolson) is about pictures that we don’t want to see or are forbidden to see. The face of Natalie, the main character, was badly scarred in a childhood accident; as an adult she returns to the small t

Every aspect of a book—the page dimensions, paper type, font, length of text line, space between text lines, margin sizes and so on—is the result of a designer’s decision. When these decisions are well made, then reading a book’s text is like reading

Fifteen-year-old Tracey Berkowitz is on a bus, naked except for a shower curtain. How did she get there? Which pieces of her life story as a misfit are reality and which are fantasy? Director Bruce McDonald tackles these questions by fracturing the s

The Tender Bar, the first book by J.R. Moehringer (Hyperion), a Pulitzer Prize-winning journalist, could be subtitled “The Secret Hearts of Dysfunctional Men.” In his memoir of growing up “fatherless” in Manhasset, Long Island, Moehringer recounts hi

In The Stowaway, a novel by Robert Hough (Vintage Canada), the stowaway is Romanian, the crew is Filipino, the officers are Taiwanese and the ship is the Maersk Dubai. When the real Maersk Dubai landed at Halifax Harbour in 1996, its officers were ar

For many years, the poet, linguist and typographer Robert Bringhurst has immersed himself in studying the Aboriginal cultures and languages of the Pacific northwest coast, studies that culminated in his acclaimed Masterworks of the Classical Haida My

My local library has introduced a program called Speed Reads. In the interests of increasing the circulation of the most popular books, a patron may borrow a best-seller for just a week, and very steep fines are imposed for late returns. Under these

Tim Winton’s elegiac collection of seventeen linked short stories, The Turning (HarperCollins), explores the frailty and foibles of human existence, the power and pain of memory and the mighty wildness of western Australia. Characters reappear in lar

Memories lie because they build on memories. I think that I remember something, but in fact I remember remembering it, and so on through countless layers of memory. Every memory is a mise en abyme.

Begging the question of what can be defined as “form.”

The crowds learned that they could not act effectively in the present without confronting the past, specifically the historical treatment of indigenous people.

On the screen, only the image—not the word—can become the world.

It all started with a zesty little book about getting old.

Donald Creighton was a bigot and a curmudgeon, a cranky Tory with a chip on his shoulder. He was also the country’s leading historian, who changed the way that Canadians told their own story.

The novelist can often better define reality than the historian.

"We know that life-altering and possibly cataclysmic change is coming, and we continue to live as we have always done."

"Since the beginning of time (the telling of which is also a story), we have known that words are dangerous creatures."

Lacking in drama and embarrassingly undemocratic, Canada’s origins owe a lot to old-fashioned politics and not much to European battles or transcontinental railways.

"Authenticity is the essential quality of all travel literature, imaginary or real."

Alberto Manguel examines the rich symbology of the fist, a primal symbol of rebellion and grief, across cultures and history.

"Resistance to wars is as much a Canadian tradition as fighting them." Daniel Francis discusses alternative histories, anti-draft demonstrations and the divisive nature of war.

The writer who is loved by all, by definition, neglects literature’s prime responsibility: to offend.

Daniel Francis discusses Canada's failing mental health care system and its long history of mistreatment.

Aboriginal people are creating a new version of Canada, and non-Aboriginals can lend a hand or get out of the way—Daniel Francis on the new Canadian narrative.

Stephen Henighan asks: what if you don't have a tidy answer to "Where are you from?"

"Cross-country skiing offered me the reassurance sought by the immigrant who is excluded from his locality’s history: a viable alternate route to belonging."

European Jewish artisans on horseback in Argentina.

"Sometimes, in politics or history, certain words, certain names are sufficient unto themselves: it is as if there were names that once pronounced require no further telling."

"In the public eye, universities have never recovered from the antics of Donald Sutherland as Professor Jennings in the 1978 film Animal House."

Daniel Francis asks why a high-speed commuter route runs through Stanley Park, Vancouver's precious urban oasis.

"A library is never finished, only abandoned." Alberto Manguel on incompletion, voluntary interruption and the pleasure of the day before.

The assumption of mutual comprehensibility between speakers of Spanish and Portuguese creates a culture of mutual ignorance.