The simple love of dogs.

This year for Halloween, we creep back into the archives and Stephen Osborne digs deep into his family's history at the Salem witch trials.

Theft, death and don't-mess-with-me expressions—unlocking the family portrait.

Salmon runs, voodoo juice and chewing the fat in Mission.

Salmon runs, voodoo juice and chewing the fat in Mission.

“Want to marry me? My wife she burned me. She just burned me, you know. Now I’m going to court to burn her back.”

Respected journalist, Geist contributor and maker of olive sandwiches.

Edith Iglauer invites Pierre Trudeau over for dinner and gets Barbra Streisand as a bonus.

Compassionate, good truck driver, likes kids, likes ice cream—the makings of a no-fail ice cream dude.

In 1989, when Harold and Barbara Morgan opened the Museum of Exotic World in the front rooms of Harold’s commercial painting business in Vancouver, they had been travelling the world every winter for forty-five years and had accumulated many souvenir

Randy Fred receives his first traditional Nuu-chah-nulth name.

Notes from the Governor General’s Literary Awards.

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Han Fusen navigates multiculturalism and kookoo sabzi from inside a Persian grocery store.

Jill Mandrake on the surprising effect of peanut brittle.

Rice, tea and a trillion dollars of spirit money.

The secret heart of Albania is imbued with compassion and a desire to help those in need

Scenic views, fresh muffins and drunk passengers—three days and four nights aboard the Canadian from Vancouver to Toronto.

What was a lone hen doing in the yard, a few feet from a busy city street?

In Peterborough, Pastor Billy cures arthritis, back pain, bone spurs, lymphoma, stage four liver cancer, sleep apnea and atrial fibrillation

From morning to night, there's always someone coming in for smokes and a chat.

The Museum of Communism is easy to find thanks to the museum’s adver­tis­ing slo­gan: We’re above McDonald’s.

Before I opened for Joyce Carol Oates at her reading at Harbourfront in Toronto, we had dinner: Oates and her husband, Raymond Smith; the organizer, Greg Gatenby; and me.

Who knew my dad's old pen was a famous Parker 51 Vacumatic?

Veronique Darwin revisits her childhood journal, from hearing ghosts in kindergarten to staring at hotties in grade seven.

“Never write a line you don’t mean,” said Carver. “And don’t ever imag

Out on the set, except for the fact that there is always someone to catch us if we stumble, or someone to set up folding chairs for us between scenes, we are beneficiaries of the semi that denies the passing of clock-time. There is nothing to remind

Our film is a semi-documentary. We are ourselves, up to a point; beyond this point is the "semi," a region with boundaries that become more or less imprecise, according to our view of them. In one sense, it is semi from beginning to end, for we would

Patty Osborne reviews a collection of journal entries, correspondence and other writings produced by Mary Meigs during the last years of her life.

Did that really happen? J. Jill Robinson initiates a midnight stand-off between the police and two drunk brothers in an RV Park in White Rock, B.C.

For four decades, Jay Powell and Vickie Jensen helped to revive forgotten languages for many Aboriginal groups along the coast of the Pacific Northwest. Read their story here.

The Bolshevists are coming! The Bolshevists are coming! Daniel Francis recounts Canada's close call with a revolution.

Stephen Henighan compares the chaotic sprawl of "Third World" societies to the degradation of Canada's political, social and physical landscape.

The poet John Glassco lived in disguise, masquerading as a member of the gentry while writing pornography and reinventing his past.

L.B. Foote fled Newfoundland to avoid life as a cod fisherman and became Winnipeg's best-known photographer, chronicling Boomtown's growth, energy and struggles.

Sarah Leavitt is more than just a clever cartoonist; she also paints pictures with her colourful prose.

The mother of the groom measures the distance between two weddings: twenty-six years, six thousand miles, and a donkey covered with flowers. It’s outtasight.

Last summer, during a visit to Vancouver, my nine-year-old son climbed the pediment of a cast-iron traffic-light standard and put his palm on the glowing hand that warns pedestrians to stay put. My mother pointed out afterwards that my photograph of the event contained its own French caption, in the word visible over his shoulder: main.

Dinner with James Reaney—poet, playwright, professor—who is mistaken by a pair of Irish ladies for “that decadent writer Mordecai Richler.”

A series of lucky events seemed to conspire to bring me to Stettler, Alberta, one day in June 1998. Jennifer, the woman who was in between being my roommate and my girlfriend, was at the Banff Centre and I was on my way there from Saskatoon, where we lived. She had left me fifty dollars for gas so I could pick her up after her workshop, and I had accepted, hoping that when the time came I wouldn’t need it and I could give it back. I did need it, of course. I had been waiting for a cheque to come from the Globe and Mail for one of a series of drawings I was doing for them, and when it was time to leave, the cheque still hadn’t arrived. So I set out from Saskatoon with just a tank of gas and the fifty dollars.

It started with a note I found tucked into an anthology of poems edited by Selden Rodman, a book I opened rarely, though there was a time when I was young I had read it so closely and so many times I had most of the poems memorized. The note lay in the spine of the book against a poem of Arthur Rimbaud's titled, I think, "The Twelve-Year-Old Poet." On it are four names printed out in my sure and youthful twenty-one-year-old hand: Baghdad, Koweit, Sakakah, Jaffa.

I answered the ad: SWM likes to dance. Called him up (said his name was Jay), suggested we meet at the local cafe Tuesday night, something different, a performance poet performing. Free coffee and cookies, the place rocking with middle-aged angst.

And then I remembered an important event. It happened at a funeral in St. Paul’s chapel for a twenty-four-year-old prostitute who had overdosed in her Gastown hotel room. The small chapel was half full, and very quiet. There were a couple of fresh flower arrangements in front of the cheap, closed coffin. Most of the congregation were other prostitutes dressed in their working clothes, and a few pimps. One woman apologized to Brother Tim for having nothing black to wear, except for lingerie and a leather miniskirt.

Once while living in Burma (now Myanmar), Goran Simic and his brother, whose father was the Serbian ambassador, were stopped by rebels on their way to the international school in Yangon. They were hauled out of their diplomatic Mercedes limousine and forced at gunpoint to witness the beheading, at the side of the road, of a uniformed Myanmar government official.

During my thirty years living on the waterfront of British Columbia, I have always had some sort of container in which to sit on the water. My first boat was a ten-foot dinghy that my late husband John Daly, a commercial salmon troller, equipped with a small electric motor to surprise me. He had the bizarre idea that I, a sometime canoeist from Ohio, could manoeuvre a boat on my own around our capacious Pacific coast harbour. The electric engine would be ideal for me, he thought. No rope to pull to start it up! No gasoline tank on board!

Mary Meigs and her friend Lise Weil, editor of Beyond Recall, met regularly to do freewriting together. For each exercise they chose a line or phrase from the work of a poet they both admired; then, inspired by that "prompt," both women wrote for five or ten minutes, recording whatever came to mind (and hand).

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

A first-hand account of Greenpeace's first expedition to stop U.S. underwater nuclear testing on September 15, 1971.

Sarah Waters’s novel pulls the reader into the gritty, dangerous world of mid-nineteenth-century London, where the petty thieves are known as fingersmiths.

Barbara Olson, author of The Final Days: The Last, Desperate Abuses of Power by the Clinton White House (Regnery), died aboard Flight 77 when it hit the Pentagon on September 11, 2001. Unfortunately, therefore, she does not have to account for the no

Flesh and Bone (with Meg Ryan, James Caan and that handsome guy whose name I keep forgetting) had been sitting for months in New Arrivals at the local video purveyor's and no one ever seemed to pick it up. Feeling more than usually desperate last wee

Now that Buffy is over, Whedon has but one TV program to work on: Angel. Which is all the more sad because he had created the best thing to hit television in years: Firefly. That show starred Nathan Fillion (born in Edmonton) as Captain Malcolm Reyno

Two recent books nicely illustrate, for me, the disturbing state of contemporary publishing. The first book, Hemingway: The Toronto Years (Doubleday) by William Burrill, a Toronto journalist, is a handsome example of the book-making art.... The secon

When Thoreau remarked that most of us lead lives of quiet desperation, he must have been reading David Adams Richards. For Those Who Hunt the Wounded Down (McClelland & Stewart) is Richards' latest novel, continuing his examination of life as it is l

For Men Who Dream of Lolita (Coteau Books) is Kim Morrissey's retelling of Nabokov's story from Lolita's point of view in a series of linked poems.

Forbidden Lie$ tells the story of Norma Khouri, who shot to fame when her book, Forbidden Love, became a bestseller. The book claimed to tell the story of Khouri’s best friend, who was murdered by her own family because she dated a man of a different

For Myles Hildyard, a British aristocrat, the Second World War was an adventure like no other. He joined a local military unit in the late 1930s and saw action throughout the entire war, stationed in the Middle East, North Africa, Crete and western E

Orhan Pamuk’s Istanbul: Memories and the City, translated by Maureen Freely (Knopf), presents Istanbul as a palimpsest in which can be read the fading traces of empires Christian and Muslim, of childhood, and of a European gaze that once contemplated

In Geist No. 1, I reviewed a handful of Canadian publishers’ catalogues.

Forever is a Dutch film made by the experienced documentarian Heddy Honigmann. Its subject is Père-Lachaise cemetery in Paris but its scope includes life and death, history and memory, art and beauty.

In the note accompanying Geist's copy of jacks: a gothic gospel (Livres DC Books), the book's author Anne Stone recommends it for review, or for "hanging out on a coffee table as an orange object." And, although it is a lovely orange object, jacks is

In Jeannie and the Gentle Giants by Luanne Armstrong (Ronsdale), Jeannie is a young city girl who ends up in a foster home in the countryside near Kelowna, B.C., and the gentle giants are two enormous work horses named Sally and Sebastien who help Je

The two actors shared the portrayal of Jesus as well as playing the other characters, including Mary Magdalene, John the Baptist, Elvis and the three wise men—with a versatility and energy that contributed to a unique and very funny show.

Mandelbrot reviews Jeff Wall: The Complete Edition (Phaidon).

On February 22, 2007, the folk singer-songwriter Josh Ritter stepped on stage at the Vancouver East Cultural Centre, played three songs and said little more than “I’m excited to be here.” Uh-oh, I thought. After a few songs he absorbed the warm glow

Many of the poems in Sharon McCartney’s second book, Karenin Sings the Blues, have won national competitions and been published in literary magazines, and so set the standard and tone for the rest of this fine collection. The book is presented in thr

Long before Patti Smith became “the Godmother of Punk” she was a not- atypical teenager of the 1960s, living with her parents in suburban New Jersey.

Justa by Bridget Moran is another great book—this time I'm typesetting it, and I almost never read books that I typeset But I found myself reading sections while waiting for other sections to print, and I could tell it was going to be a good one. Jus

Mairowitz and Crumb’s Kafka, meanwhile, opens with a horrifying drawing of one of Franz K’s many grisly fantasies of his own death—a pork butcher’s cleaver hacking off neat slices from his head.

Thematic convergence was far from my mind when Frank Davey's nearly-instant book, Karla's Web: A Cultural Investigation of the Mahaffy-French Murders (Viking), appeared in the office. For one thing, it came in a wrapper announcing it to be a copy of

The new Karl Marx biography by Francis Wheen (4th Estate) fails to illuminate a man who was loved by his family and revered by his followers; instead we are given a hazy sketch of a petulant, perhaps incompetent man of few skills and little disciplin

In the local secondhand a few weeks ago, a copy of Killshot by Elmore Leonard, and this sentence on the first page: It was time to get away from here, leave Toronto and the Waverly Hotel for good and he wouldn't drink so much and be sick in the morni

Phrase books are tools of cultural globalization—but they are also among its casualties.

When building a nation, cultural riches can be lost.

Coming to harbour in a new world.

Science and the arts fulfil their functions to help us survive through the imagination.

In a world dominated by heroes, difference is not tolerated.

Dividing and conquering local populations confines them to manageable administrative units.

“Have patience” and “Tomorrow” are two inseparable locutions in the Portuguese tongue.

For a brief period the band CANO gave shape to the dream of a bilingual Canadian culture.

Lisa Bird-Wilson on UNDRIP, reconciliation, and the anxiety felt by Indigenous people in Canada.

"The hemispheric context reveals the roots of the residential school system...Destroying Indigenous cultures was a positivist policy from Patagonia to Dawson City."

What we do when we absorb words from a screen—and we haven’t yet evolved a verb for it—is not reading.

Libraries are not only essential in educating the soul, but in forming the identity of a society.

Our society is formed on the assumption of a healthy immune system.

What we can—and can’t—learn from the plague

Dogged dedication grants a reader vicarious immortality.

The woman who called herself Tatiana Aarons gave me an address that led to a vacant lot.

On March 5, 2006, a group of people gathered in a small Ontario city in the expectation of having books signed by an author who was not present.

The newspaper wars aren’t what they used to be.

A package-deal paradise reputation curtails gringo knowledge of Dominican life.

What can the Brothers Grimm teach us about the state of our economic system? Everything.

Faith seems to shiver when confronted by art.

Must artists declare their moral integrity?

Without air travel, family networks might have dissolved long ago.

There’s something not quite right about the grid on which the game is played.