For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

If marriage was a television show, it might look something like this.

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Remembering Norbert Ruebsaat.

Destroying books for the greater good.

Losers: you have a lifetime to hunt.

"I never went looking for them."

Tell me again how long the trip is?

Fill the room with a flock of moths.

Any resemblances to persons living or dead are purely vindictive.

The secret is in the velvet.

You can’t break eggs without making an omelette.

Out on the set, except for the fact that there is always someone to catch us if we stumble, or someone to set up folding chairs for us between scenes, we are beneficiaries of the semi that denies the passing of clock-time. There is nothing to remind

Our film is a semi-documentary. We are ourselves, up to a point; beyond this point is the "semi," a region with boundaries that become more or less imprecise, according to our view of them. In one sense, it is semi from beginning to end, for we would

Patty Osborne reviews a collection of journal entries, correspondence and other writings produced by Mary Meigs during the last years of her life.

Did that really happen? J. Jill Robinson initiates a midnight stand-off between the police and two drunk brothers in an RV Park in White Rock, B.C.

For four decades, Jay Powell and Vickie Jensen helped to revive forgotten languages for many Aboriginal groups along the coast of the Pacific Northwest. Read their story here.

The Bolshevists are coming! The Bolshevists are coming! Daniel Francis recounts Canada's close call with a revolution.

Stephen Henighan compares the chaotic sprawl of "Third World" societies to the degradation of Canada's political, social and physical landscape.

The poet John Glassco lived in disguise, masquerading as a member of the gentry while writing pornography and reinventing his past.

L.B. Foote fled Newfoundland to avoid life as a cod fisherman and became Winnipeg's best-known photographer, chronicling Boomtown's growth, energy and struggles.

Sarah Leavitt is more than just a clever cartoonist; she also paints pictures with her colourful prose.

The mother of the groom measures the distance between two weddings: twenty-six years, six thousand miles, and a donkey covered with flowers. It’s outtasight.

Last summer, during a visit to Vancouver, my nine-year-old son climbed the pediment of a cast-iron traffic-light standard and put his palm on the glowing hand that warns pedestrians to stay put. My mother pointed out afterwards that my photograph of the event contained its own French caption, in the word visible over his shoulder: main.

Dinner with James Reaney—poet, playwright, professor—who is mistaken by a pair of Irish ladies for “that decadent writer Mordecai Richler.”

A series of lucky events seemed to conspire to bring me to Stettler, Alberta, one day in June 1998. Jennifer, the woman who was in between being my roommate and my girlfriend, was at the Banff Centre and I was on my way there from Saskatoon, where we lived. She had left me fifty dollars for gas so I could pick her up after her workshop, and I had accepted, hoping that when the time came I wouldn’t need it and I could give it back. I did need it, of course. I had been waiting for a cheque to come from the Globe and Mail for one of a series of drawings I was doing for them, and when it was time to leave, the cheque still hadn’t arrived. So I set out from Saskatoon with just a tank of gas and the fifty dollars.

It started with a note I found tucked into an anthology of poems edited by Selden Rodman, a book I opened rarely, though there was a time when I was young I had read it so closely and so many times I had most of the poems memorized. The note lay in the spine of the book against a poem of Arthur Rimbaud's titled, I think, "The Twelve-Year-Old Poet." On it are four names printed out in my sure and youthful twenty-one-year-old hand: Baghdad, Koweit, Sakakah, Jaffa.

I answered the ad: SWM likes to dance. Called him up (said his name was Jay), suggested we meet at the local cafe Tuesday night, something different, a performance poet performing. Free coffee and cookies, the place rocking with middle-aged angst.

And then I remembered an important event. It happened at a funeral in St. Paul’s chapel for a twenty-four-year-old prostitute who had overdosed in her Gastown hotel room. The small chapel was half full, and very quiet. There were a couple of fresh flower arrangements in front of the cheap, closed coffin. Most of the congregation were other prostitutes dressed in their working clothes, and a few pimps. One woman apologized to Brother Tim for having nothing black to wear, except for lingerie and a leather miniskirt.

Once while living in Burma (now Myanmar), Goran Simic and his brother, whose father was the Serbian ambassador, were stopped by rebels on their way to the international school in Yangon. They were hauled out of their diplomatic Mercedes limousine and forced at gunpoint to witness the beheading, at the side of the road, of a uniformed Myanmar government official.

During my thirty years living on the waterfront of British Columbia, I have always had some sort of container in which to sit on the water. My first boat was a ten-foot dinghy that my late husband John Daly, a commercial salmon troller, equipped with a small electric motor to surprise me. He had the bizarre idea that I, a sometime canoeist from Ohio, could manoeuvre a boat on my own around our capacious Pacific coast harbour. The electric engine would be ideal for me, he thought. No rope to pull to start it up! No gasoline tank on board!

Mary Meigs and her friend Lise Weil, editor of Beyond Recall, met regularly to do freewriting together. For each exercise they chose a line or phrase from the work of a poet they both admired; then, inspired by that "prompt," both women wrote for five or ten minutes, recording whatever came to mind (and hand).

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

A first-hand account of Greenpeace's first expedition to stop U.S. underwater nuclear testing on September 15, 1971.

The Tyndale New Testament of 1526 is now available in a life-sized edition from Oxford. This was the first pocket-sized popular bible; it could be easily hidden from the thought police of the time, who were eager to burn any copies of the book they c

I never expected to find two new zines about geeky gay girls. Sarah Dermer, author of the Toronto zine True Confessions of a Big Geek, should really get together with Joy, who publishes Super Geek Girl in Portland.

The latest book from Canada's Angry Young Playwright Brad Fraser includes a reprint of his infamous Unidentified Human Remains and the True Nature of Love alongside the screenplay of his recently produced film version Love and Human Remains (NeWest).

Unfamiliar Weather (The Muses’ Company) is a first book of poems by Chris Hutchinson, who isn’t so tempered in his questions but plunges into them head-first and thirsty. These poems are afflicted by rain and sometimes flooded.

Mandelbrot reviews Vancouver Special by Charles Demers (Arsenal Pulp).

Books these days, like TV miniseries and major sporting events, come with their own parallel narratives, human interest stories designed to get the consumer's attention. Stephen Hawking's medical condition helped turn his difficult philosophical trea

The first volume of Urban Coyote, which appeared last year (Lost Moose), was subtitled A Yukon Anthology; the second volume, just released, is subtitled New Territory and only in the cover blurb do we understand it to be a “second Yukon anthology.” O

The language on the dust jacket and in the reviews of Vernon God Little by DBC Pierre (Faber & Faber) is of the “biting satire,” “hilarious romp” variety, but I was not amused.

Venice and the Islamic World, 828—1797, edited by Stefano Carboni (Yale University) provides a comprehensive overview of Venice’s artistic heritage, shown within the context of nine centuries of commerce between La Serenissima and the Islamic empires

My recent foray into Oscar-, bafta- and every-other-award-nominated films has left me with “movie glow,” that special feeling you have after watching a particularly good film. You are giddy. You can fly. The dvds that I picked up were Volver (Pedro A

Visible Worlds (HarperCollins), by Marilyn Bowering, starts out in Winnipeg, which probably has a lot in common with Windsor. But the story is too out of this world to be contained there.

I’ve always had mixed feelings about Stuart McLean’s Vinyl Café show on CBC Radio One. Sometimes it seems a bit twee or corny, but if I’m driving around town on a Sunday I’ll always tune in because I know that somewhere along the way, Stuart McLean w

In 2003 Douglas Bruce rode the subway to Coney Island, having forgotten where he was going and who he was. His friend Rupert Murray was one of many directors interested in bringing this story of complete amnesia to the screen, and Murray’s Unknown Wh

The new line of books about film and filmmaking from Wallflower Press in London (available from Columbia University Press here) is a real achievement.

Pushkin is one of those admirable small presses with an eclectic list that suggests the proprietors are interested in more than the bottom line; Paul Morand’s Venices, translated by Euan Cameron, would be a perfect choice for reading on the Lido.

A few weeks ago when I was knocked flat with the flu and afflicted with squinty, puffy eyes and a foggy brain, I looked for light, fun books that wouldn’t put too much of a strain on my system, and I found them in a far-east drama, a tale of reincarn

A book that I have been recommending to all of my friends is Waiting for Time by Bernice Morgan (Breakwater). This is the story of Mary Bundle, who was sent from a workhouse in England to St. John's, Newfoundland and eventually made her way to an iso

The Voice Literary Supplement for October was full of special treats, not the least of which was a profile of Marguerite Young, author of Miss MacIntosh, My Darling, a novel that I remembered from the seventies but had never read.

A few years ago I drove my son to the waterfront village of Port Alice on the northwest coast of Vancouver Island to take up his summer job as an engineer in the local pulp mill. We had settled him into his new digs and I was preparing to return to V

Voyageurs by Margaret Elphinstone took me back in time even further, to Upper Canada in the early 1800s, when Toronto was known as York, and Yonge Street stretched north past the last farm in Upper Canada into Mississauga Indian country. Into this ru

The Canadian publisher Drawn & Quarterly has launched Walt and Skeezix: 1921 & 1922, the first in a series that collects Frank King’s seminal Gasoline Alley strips. While these books are fitting testaments to King’s incredible illustrative talents,

Remember Robert Crumb, the American comics artist who created Mr. Natural some twenty-five years ago, and got a whole generation to Keep On Truckin'? In the 1980s Crumb edited a comics anthology called Weirdo, which published work by Gilbert Shelton,

Miriam Katin was a small child when she and her mother escaped Nazi-occupied Budapest by faking their deaths and walking into the Hungarian countryside. At sixty-three, Katin has finally told her story, in straightforward, unsentimental prose and lov

Junior reviewer Cassia Streb (grade seven) sends the following note on White Jade Tiger (Orca Books) by Julie Lawson: "White Jade Tiger is about a girl who goes back in time to 1881 when the Chinese were brought over to Victoria to build the CPR rail

Dr. Portillo, a Mexican physician, lives with her husband and son in a balcony-festooned six-bedroom house in a gated suburb. The adobe walls that enclose the garden, the coloured tiles embedded in the walls and the servants’ garden house are all typical of the home of a prosperous Mexican family. The multi-generational collection of relatives who occupy the spare bedrooms also reflect Mexican tradition. Dr. Portillo receives her patients in an office located in a tower in the northern Mexican city of Tijuana; since many of the patients are American, much of her working day takes place in English. When she goes home at night, she relaxes by speaking to her husband and son in Spanish. Her son, however, often responds in English because Dr. Portillo’s typical Mexican home is located in suburban California.

The Group of Seven “vision” is an inadequate way to describe an urban, multiracial, industrial society like Canada, and pretty much always was.

In Bangkok as in major centres all over Asia, there is life everywhere, on every street, in every shop and at all hours.

Lonely Planet readers no longer travel in Bolivia or Thailand, but within the elastic, infinitely portable boundaries of the Lonely Planet nation.

In Chicago, where he settled, William Henry Jackson, British settler, transformed himself into Honoré Jaxon, Métis freedom fighter. He identified so closely with the Métis struggle for justice that he became one of them. He had no trouble convincing others that he was a Native and probably had no trouble convincing himself either.

When a poet friend was found dead after two days because of the do not disturb sign he had hung outside his hotel room, Darwish swore never again to hang the sign or lock his door. “When death comes,” he said, “I want to be disturbed.”

The top-selling American novel of the nineteenth century was Lew Wallace’s Ben-Hur: A Tale of the Christ. The phrase “the Christ” reminds us that the second word originally meant something along the lines of “the person who has been anointed.” By the twentieth century, the article had been dropped, making “Christ” sound like the family name of Sometime Carpenter Jesus, offspring of Joe and Mary Christ, brother of Jim Christ who keeps cropping up in the New Testament. But a couple of generations after Jesus lost His definite article, His spokesmen on Earth were still “the Reverend” So-and-so or even “the Reverend Doctor” until the editors of Time and their kind followed Samson’s example and warning: metaphor ends in 25 metres—smote them with the jawbone of an ass.

The movie Wordplay, directed by Patrick Creadon (IFC Films, available on DVD), takes us into the arcana of crossword fanatics, who call themselves puzzle heads. Once a year they come from all over the U.S. to sit at long tables in a room at the Marri

Several years ago Ian McKay, a Queen’s University history professor, published a book called The Quest of the Folk: Antimodernism and Cultural Selection in Twentieth-Century Nova Scotia (McGill-Queen’s University Press) in which he argued that the image many of us have of Nova Scotia as a tartan-wearing, bagpipe-squealing mini-Scotland is pretty much a fabrication.

Bologna, Italy, known as both “the Fat” and “the Red,” is a city to a make a bookish vacationer salivate. Less overrun by package tours than Rome, Florence or Venice, Bologna combines superb food with the wonderful bookstores that seem to be the inevitable companion of left-wing politics.

Art museums and geographical exp

The theatre is plush, high-ranking and named after the Queen. I don’t know the name of the play but C does. C brings me to the theatre when I go. I undergo a pleas­ant transformation when I go to the theatre. I wear a tie, black shoes and a sports coat. At first it was difficult, “not my style.”

In 1971 I went to work as a reporter at the Ottawa Journal. The newspaper depended for much of its copy on a roster of freelancers who would get their assignments by phone and drop by the office to deliver their articles. One of these contributors was D’Arcy Marsh.

In the sun-streaked barroom of the Irma Hotel on the main street of Cody, Wyoming, late one afternoon in June, I made a big mistake. “What’s on tap?” I asked.

Immediately after the New Year, both my daughters became victims of the First Great Snowfall of 1999.

I first tried to read J. M. Coetzee in 1994, when I was twenty-three. I failed.

Last summer, in anticipation of the opening round of the World Cup of soccer, the largely immigrant population of the narrow side street in Lisbon where I was renting an apartment draped their windows with flags. The green and red of Portugal predominated, but the blue planet on a gold-and-green background of Brazil also hung from some windows.

Over dinner, I asked the Québécoise writer Sylvie Desrosiers, the author of successful novels for both adults and younger readers, whether her books had been translated into English. “Non, pas en anglais,” she said.

In 1999, when I returned to Canada from London, England, to teach Spanish at the University of Guelph, I was handed an introductory Spanish textbook and told that two-thirds of my teaching load was basic language instruction. The textbook was American.

During the power cut that paralyzed Ontario in August 2003, the residents of my townhouse condominium complex began talking to each other. It was an event that took me by surprise.

In 1982 I had my first argument with an American about Saddam Hussein. As an undergraduate at an American liberal arts college where everyone read the New York Times, I supplemented my reading by browsing the British papers.

As Canada is one of the world's most urbanized countries, a reader knowing nothing of contemporary Canadian writing might expect to find a surfeit of urban novels in our bookstores. Yet novels explicitly set in Canadian cities form a mere sliver of our novelistic production.

The Giller Prize is the most conspicuous example of corporate suffocation of the public institutions that built our literary culture. True, the Giller hasn’t done as much damage as the throttling of the book market by the Chapters-Indigo chain.

Cakchiquel, the third most widely spoken of Guatemala’s twenty Mayan languages, is understood by more than 400,000 people. It is blessed with a larger population base than most Native American languages but is cursed by its location.