Not long ago, late on a Monday afternoon, a man with a camera clambered onto the railing of Lions Gate Bridge in Vancouver in order to get a clear view of the sunset he wanted to take a picture of, and, on stretching his upper body toward the scene t

‍

Vientiane, the capital of Laos, is a fading one-time French colonial outpost on a spot where a bend in the Mekong River makes room for a large tear-shaped island directly opposite the centre-ville, which runs only far enough back from the riverbank to allow a few commercial streets. The new bridge to Thailand is a short distance way. Thai-style wats and other temples, minor and major, are everywhere.

At first the blackouts in Kathmandu are limited to six hours a week, so in my area we do without lights on Saturday and Sunday evenings. It’s not difficult—candles at dinner, quite charming at first—but then we jump to fifteen hours a week without power, then to thirty-six hours, all within ten days. The govern

When the celebrated English poet Rupert Brooke came to Canada on the train from New York in 1913, he had been warned that he would find “a country without a soul.” The gloomy streets of Montreal, overshadowed by churches and banks and heavy telephone wires, reminded him of the equally gloomy streets of Glasgow and Birmingham.

It took me three tries to get into the States, and even then I had to fake the papers. They wanted to know that I was going to come back to Canada—that I wasn’t going to stay down there.

In September 2001 I had spent a week in Istanbul foraging for remains of Byzantium when I learned from the young, personable and exceedingly neat hotel receptionist, Taner, that his hometown, Iznik, south of Istanbul, was known as Nicaea to the Byzan

‍

Among the people who live outside the Dominion building in downtown Vancouver, across the street from the cenotaph at Victory Square, is a woman who might be in her late forties and who occasionally turns up in a wedding dress. I’ve never seen her speak to anyone. She simply walks up and holds out her empty hand toward you.

I’m sorry, but you cannot mail any box with writing on it. I see. Perhaps you have a marker with which I can cross out the writing? No, we have no markers here. Perhaps you have some packing tape we can put over the writing? No, we have no packing tape here. How about some of that special blue-and-yellow postal service tape I see there? No, no señorita, you cannot put special blue-and-yellow postal service tape just anywhere.

Will independence bring Godzilla back into my dreams?

Allen Ginsberg is speaking into a tape recorder hanging from the rear-view mirror of my mother’s Volvo, composing a poem with the attitude of one accustomed to the gratitude of posterity.

During the hiatus, a man in a black suit appeared in the Geist Gallery in Toronto and identified himself as a builder of ornithopters, or perhaps he said he was a promoter of ornithopters (this was during the hiatus, when nothing was clear; in any event his field was ornithoptery). I couldn’t remember what an ornithopter was but I could see one in my mind: the question was, what did an ornithopter do? The ornithopter man was accompanied by a well-dressed woman who never stopped smiling.

The Strongest Man in the World liked to set his folding lawn chair out on the asphalt next to his gold Cadillac and stretch out in the sun with dark glasses on his nose and a two-litre carton of milk in one hand.

On the last day of October in Toronto a man in an art gallery said: “Showers should be coming in around 4 pm. They don’t always get it down to the hour like that.”

One day in Vancouver in the late seventies, Pierre Berton and John Diefenbaker appeared at the same time in the book department at Eaton’s department store to sign copies of their new books, which had just been released by rival publishers.

We were setting fires in a dry gulch in the hills at the edge of town, with crumpled sagebrush and bits of tumbleweed and no paper for kindling, and we had to start our own fire with a single match the way they did in the Cub Scout troop that met Thursday nights in the basement of St. Paul’s Anglican church on Battle Street.

When Malcolm Lowry’s shack on the beach at Dollarton, B.C., burned to the ground in 1944, he and his wife Marjorie were able to save the manuscript of only one of the novels that he was working on at the time. A few months later the same manuscript had to be rescued again when the house that friends found for them in Oakville, Ontario, also burned to the ground.

A friend who was thinking of moving back home to Calgary picked up a newspaper in the corner grocery near her place in Vancouver and there was a photograph on the front page of a man in a cowboy hat surrounded by a herd of cattle.

A friend in Whitehorse who was preparing to paddle down the Yukon River with seven other women in a big canoe wrote to say that she was feeling uneasy about paddling in the stern, especially, as she put it in her own words, “when the river gets big after Minto.”

A man I haven’t thought of for nearly thirty years became a smoker of five-cent cigars during the war, and when the war was over he became a despiser of nincompoops and began taking his whisky from a pocket flask engraved with a tiny laurel wreath.

My friend Eric moved to Los Angeles five years ago to become a rock star, only to learn that drummers and bass players in L.A. are unreliable, that nobody in L.A. goes to see live music and that the chicks in L.A. are all crazy. Once he got to wait at a stoplight behind Patricia Arquette, once Britney Spears came into the gym where he worked and one time a bouncer let him into a club ahead of Fabio, and none of these things made him famous.

Not long ago I was having dinner at a small cottage beside a lake in central British Columbia hundreds of kilometres north of Vancouver. Among the guests seated around the table was Elio, a neighbour from down the shore. As we talked he mentioned tha

‍

The first time I met Andy Warhol he was wearing a black sweater and pants; the second time he was wearing white tie and tails (it was at Lincoln Center). The third time I met him, at Arthur, the disco opened in the sixties by Sibyl Burton, he was wearing a jersey made of silver mail.

In early March 2003, when I arrived in Taiwan to teach English, I took to the streets of Taoyuan County to take some photographs. I was looking for anything—signs, market scenes, strange faces, cityscapes, bus stations, barber shops—but all I could see was dogs. These dogs were not pets, though they may once have been. They were strays—dogs that lived on their own.

Twenty-five years ago in Vancouver, an underground publishing house threw a party in a mansion in a wealthy neighbourhood of curving streets with no sidewalks, to celebrate a new book.

Who today remembers the man who carried Einstein’s head in a box through the streets of Vancouver? We remember clearly the box (dark wood, varnished, the door on brass hinges: what about the latch?) with Einstein’s head in it, a plaster model (was it plastic, perhaps? modelling clay? plasticine?)

Out on the set, except for the fact that there is always someone to catch us if we stumble, or someone to set up folding chairs for us between scenes, we are beneficiaries of the semi that denies the passing of clock-time. There is nothing to remind

Our film is a semi-documentary. We are ourselves, up to a point; beyond this point is the "semi," a region with boundaries that become more or less imprecise, according to our view of them. In one sense, it is semi from beginning to end, for we would

Patty Osborne reviews a collection of journal entries, correspondence and other writings produced by Mary Meigs during the last years of her life.

Did that really happen? J. Jill Robinson initiates a midnight stand-off between the police and two drunk brothers in an RV Park in White Rock, B.C.

For four decades, Jay Powell and Vickie Jensen helped to revive forgotten languages for many Aboriginal groups along the coast of the Pacific Northwest. Read their story here.

The Bolshevists are coming! The Bolshevists are coming! Daniel Francis recounts Canada's close call with a revolution.

Stephen Henighan compares the chaotic sprawl of "Third World" societies to the degradation of Canada's political, social and physical landscape.

The poet John Glassco lived in disguise, masquerading as a member of the gentry while writing pornography and reinventing his past.

L.B. Foote fled Newfoundland to avoid life as a cod fisherman and became Winnipeg's best-known photographer, chronicling Boomtown's growth, energy and struggles.

Sarah Leavitt is more than just a clever cartoonist; she also paints pictures with her colourful prose.

The mother of the groom measures the distance between two weddings: twenty-six years, six thousand miles, and a donkey covered with flowers. It’s outtasight.

Last summer, during a visit to Vancouver, my nine-year-old son climbed the pediment of a cast-iron traffic-light standard and put his palm on the glowing hand that warns pedestrians to stay put. My mother pointed out afterwards that my photograph of the event contained its own French caption, in the word visible over his shoulder: main.

Dinner with James Reaney—poet, playwright, professor—who is mistaken by a pair of Irish ladies for “that decadent writer Mordecai Richler.”

A series of lucky events seemed to conspire to bring me to Stettler, Alberta, one day in June 1998. Jennifer, the woman who was in between being my roommate and my girlfriend, was at the Banff Centre and I was on my way there from Saskatoon, where we lived. She had left me fifty dollars for gas so I could pick her up after her workshop, and I had accepted, hoping that when the time came I wouldn’t need it and I could give it back. I did need it, of course. I had been waiting for a cheque to come from the Globe and Mail for one of a series of drawings I was doing for them, and when it was time to leave, the cheque still hadn’t arrived. So I set out from Saskatoon with just a tank of gas and the fifty dollars.

It started with a note I found tucked into an anthology of poems edited by Selden Rodman, a book I opened rarely, though there was a time when I was young I had read it so closely and so many times I had most of the poems memorized. The note lay in the spine of the book against a poem of Arthur Rimbaud's titled, I think, "The Twelve-Year-Old Poet." On it are four names printed out in my sure and youthful twenty-one-year-old hand: Baghdad, Koweit, Sakakah, Jaffa.

I answered the ad: SWM likes to dance. Called him up (said his name was Jay), suggested we meet at the local cafe Tuesday night, something different, a performance poet performing. Free coffee and cookies, the place rocking with middle-aged angst.

And then I remembered an important event. It happened at a funeral in St. Paul’s chapel for a twenty-four-year-old prostitute who had overdosed in her Gastown hotel room. The small chapel was half full, and very quiet. There were a couple of fresh flower arrangements in front of the cheap, closed coffin. Most of the congregation were other prostitutes dressed in their working clothes, and a few pimps. One woman apologized to Brother Tim for having nothing black to wear, except for lingerie and a leather miniskirt.

Once while living in Burma (now Myanmar), Goran Simic and his brother, whose father was the Serbian ambassador, were stopped by rebels on their way to the international school in Yangon. They were hauled out of their diplomatic Mercedes limousine and forced at gunpoint to witness the beheading, at the side of the road, of a uniformed Myanmar government official.

During my thirty years living on the waterfront of British Columbia, I have always had some sort of container in which to sit on the water. My first boat was a ten-foot dinghy that my late husband John Daly, a commercial salmon troller, equipped with a small electric motor to surprise me. He had the bizarre idea that I, a sometime canoeist from Ohio, could manoeuvre a boat on my own around our capacious Pacific coast harbour. The electric engine would be ideal for me, he thought. No rope to pull to start it up! No gasoline tank on board!

Mary Meigs and her friend Lise Weil, editor of Beyond Recall, met regularly to do freewriting together. For each exercise they chose a line or phrase from the work of a poet they both admired; then, inspired by that "prompt," both women wrote for five or ten minutes, recording whatever came to mind (and hand).

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

A first-hand account of Greenpeace's first expedition to stop U.S. underwater nuclear testing on September 15, 1971.

At the 2005 Vancouver International Film Festival I watched The Harp, a short film that is written and produced by John Bolton, who used to share a music stand with my daughter in the local youth orchestra. John gave up playing the viola years ago, b

Another story about love between two misfits, The Glace Bay Miners' Museum (Breton Books) by Sheldon Currie, should have been called Margaret's Museum, like the highly praised movie that came out of it. If it hadn't been for our astute Geist intern,

Sarah Maitland reviews The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer and Annie Barrows (Random House).

The Girl Wants To, edited by Lynn Crosbie (Coach House) overwhelms its readers with sheer volume. It contains everything from cartoons to photos, to articles and stories and poems, to exhibit documentation.

Fitz Hugh Ludlow’s The Hasheesh Eater (Rutgers) was first published in 1857, and is now reprinted as another in Rutgers’ Subterranean Lives series. Described as “the first full-length example of American drug literature,” this account is closely mode

Until I found The Glenwood Treasure by Kim Moritsugu (Dundurn), I thought writers of adult books were ignoring one of the tried-and-true plots of children’s books: the joys and pitfalls of searching for treasure. Blithe is the quiet daughter of swank

Monique Proulx’s long-awaited novel, The Heart is an Involuntary Muscle (Douglas & McIntyre), is the story of Florence, a web designer leading a safe virtual life. When she finds out that her father’s dying words feature prominently in a book being w

Most of the interesting books to be found on the subject of home and place, where we live and how we relate to it, are American, but The Inner Green (Maa Press), is a collection of natural history and personal essays by K. Linda Kivi and Eileen Deleh

One reality of modern publishing is that this season’s new books are next season’s remainders. This harsh fact is compounded by the inexorable disappearance of good used bookstores everywhere, with the result that many excellent books that have had t

Child-rearing manuals cropped up with a vengeance in the latter half of the twentieth century after Dr. Benjamin Spock produced Baby and Child Care—the all-time best-selling book in American history, second only to the Bible, despite advice such as “

In my reading life I’ve been locked in YA (young adult) land ever since I found myself surrounded by a gaggle of teenage nieces at a family party. I tried the usual icebreakers about school and friends, but the conversation really got going when I as

I had fun in the gifted class in elementary school because my parents never pressured me to become a sensation in spelling, or science—or, like Maya, the ethereal figure in Nancy Huston’s tense novel Prodigy (McArthur), a brilliant ten-year-old piani

There are few appearances by God in The Interpreter of Maladies (Mariner Books), a Pulitzer Prize-winning collection of short stories by Jhumpa Lahiri. Lahiri’s settings are both secular and multicultural, and the challenge facing her characters is t

The Labradorians: Voices from the Land of Cain (Breakwater) is another big compilation (500 pages), this one made by Lynne Fitzhugh from the pages of Them Days, a quarterly journal of oral history that has been published in Happy Valley, near Goose B

During a trip to Ireland last spring, I remembered Charles Foran's The Last House of Ulster: a Family in Belfast (HarperCollins), so when I got back to Canada I tracked it down at the library. It describes Foran's fourteen-year relationship with the

When I was an undergrad, I took a psychology class in which the professor described various types of creativity. One of them was the creative act of taking things already in existence and reorganizing, reordering, recreating them to make something ne

In an interview reported in The Life of Yousuf Karsh by Maria Tippett (Anansi), Karsh said that he strove to bring out “the strength and personality” of men and “the charm and beauty” of women—an aesthetic purpose that he never abandoned, and one tha

Those who have read Michael Ondaatje’s The English Patient (Vintage), and those who have seen the film version, will remember that the sole possession of the eponymous patient, Count László de Almásy, was a battered copy of Herodotus’s Histories, an

The Holy Forest by Robin Blaser (Coach House) is not a book about ecology, although it does remind us of the concept of the sacred grove, which is central to aboriginal belief systems in which language and knowledge are said to come from certain land

For Christmas I asked for The Life of Margaret Laurence by James King (Knopf) because I had read the reviews and articles that were published upon the book's release, and they piqued my interest in a literary icon whose life story I had always believ

On the eighth night of the Vancouver Queer Film Festival, my girlfriend and I and about 175 other people crowded into the Vancity Theatre to see The Love That Won’t Shut Up, the first production in the Out on Screen Film and Video Society’s Queer His

The Man Who Killed Houdini by Don Bell (Véhicule Press) is the story of J. Gordon Whitehead, who, as the accepted story goes, was chatting with Houdini in Montreal, along with three McGill students, when he unexpectedly punched Houdini in the stomach

In The Living Unknown Soldier (Henry Holt), the French historian Jean-Yves Le Naour tells the story of “Anthelme Mangin,” an amnesiac discovered wandering on the train-station platform in Lyon in February 1918. He was assumed to be a prisoner of war

The current film festival season features two movies written by Geist correspondents Tom Walmsley and Peg Thompson.... Peg Thompson's movie we have seen: it's called The Lotus-Eaters, and it's set in the sixties on one of the Gulf Islands of BC, in

Phrase books are tools of cultural globalization—but they are also among its casualties.

When building a nation, cultural riches can be lost.

Coming to harbour in a new world.

Science and the arts fulfil their functions to help us survive through the imagination.

In a world dominated by heroes, difference is not tolerated.

Dividing and conquering local populations confines them to manageable administrative units.

“Have patience” and “Tomorrow” are two inseparable locutions in the Portuguese tongue.

For a brief period the band CANO gave shape to the dream of a bilingual Canadian culture.

Lisa Bird-Wilson on UNDRIP, reconciliation, and the anxiety felt by Indigenous people in Canada.

"The hemispheric context reveals the roots of the residential school system...Destroying Indigenous cultures was a positivist policy from Patagonia to Dawson City."

What we do when we absorb words from a screen—and we haven’t yet evolved a verb for it—is not reading.

Libraries are not only essential in educating the soul, but in forming the identity of a society.

Our society is formed on the assumption of a healthy immune system.

What we can—and can’t—learn from the plague

Dogged dedication grants a reader vicarious immortality.

The woman who called herself Tatiana Aarons gave me an address that led to a vacant lot.

On March 5, 2006, a group of people gathered in a small Ontario city in the expectation of having books signed by an author who was not present.

The newspaper wars aren’t what they used to be.

A package-deal paradise reputation curtails gringo knowledge of Dominican life.

What can the Brothers Grimm teach us about the state of our economic system? Everything.

Faith seems to shiver when confronted by art.

Must artists declare their moral integrity?

Without air travel, family networks might have dissolved long ago.

There’s something not quite right about the grid on which the game is played.