Evil is not darkness, I thought to myself. It’s noise.

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His look is self-concious, but well done.

Cylinders of oxy­gen rolled past like dolls, propped up in wire bas­kets. After the first few min­utes it all seemed normal.

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Stephen Osborne uncovers the genesis of the poppy and how it became evidence of horror, a token of remembrance and a promise of oblivion.

Last month I had lunch with a good friend who years ago had told me that her parents, who immigrated to Canada after the war, were Holocaust survivors. I asked my friend, whose name is Slava, to tell me again about her parents, who had lived in Vilna, the ancient Lituanian city of Europe known for three centuries as the “Jerusalem of the north.”

The police officer turned us back and told us to for

The last thing in the world I wanted was to be an exhibit, or worse.

Senior Editor Mary Schendlinger remembers her friend and Geist contributor Saeko Usukawa.

Thompson’s free-ranging narrative of the New World must be the only one in which the devil is defeated at checkers.

At home Frank and I are mutually sympathetic to the obligation to face one another and speak loudly; or, when we are away, to supply each other with new batteries when we forget them; but we have no defence against the independent wandering behaviour of our hearing aids. They are always someplace else. I probably have spent one percent of my life, close to a whole year, looking for the damned things.

After the fall of the Berlin Wall, Hakescher Markt became one of hippest neigh

A shuttle driver at LAX shares his idea for a Valentine’s Day gift.

He looked vaguely familiar— there was a sort of outline around his ­features that I almost recognized, a translucent and shifting visage, as of someone I once knew. He looked vaguely familiar— there was a sort of outline around his ­features that I al

The man who told me to sit here is wearing a blue uniform. He asks me questions. “You’re going to sacrifice your body just to save some money,” he jokes.

On a recent trip to Paris, I met a young woman from Japan. But this is not a story about a sudden love affair, which one might expect in Paris.

If Toronto were like Baghdad, thirty-nine res

Boyfriends are trouble, I said. He leaned over and gave me a high-five.

A eulogy delivered by email, from a woman living in Berlin to her lifelong friend in Vancouver.

Sometime in the late seventies Osborne and I walked down Spadina from Bloor to Front street, listening to Shein talk about the China Effect.

In multi-cultural Vancouver, strangers come together at a moment of crisis.

The organizers of tonight’s talk have branded it as a “raw exchange”—part of a series of uncensored literary gatherings around the city—and so they’ve invited three biting B.C. writers to get down to brass tacks for a group of strangers in the basement of the Vancouver Public Library. By some freak of programming, a punk-metal band is slaying the kids in the room down the hall tonight, which means every time a bookish-looking latecomer wades into our midst, a foul-sounding wave of hellish power chords does, too.

A question of some concern among my friends when we were growing up in the fifties and sixties was how old you had to be to go to war.

An intrepid Geist correspondent narrowly avoids being stabbed by a moose-antler letter opener in Whitehorse.

I started walking, seriously. It was the bone scan that got me going. The healthy solid green was spongy with rotting black holes.

My god, I think as I wait my turn in the wash­room of the Hotel Vancouver, all of these peo­ple look just like Carol Shields.

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Out on the set, except for the fact that there is always someone to catch us if we stumble, or someone to set up folding chairs for us between scenes, we are beneficiaries of the semi that denies the passing of clock-time. There is nothing to remind

Our film is a semi-documentary. We are ourselves, up to a point; beyond this point is the "semi," a region with boundaries that become more or less imprecise, according to our view of them. In one sense, it is semi from beginning to end, for we would

Patty Osborne reviews a collection of journal entries, correspondence and other writings produced by Mary Meigs during the last years of her life.

Did that really happen? J. Jill Robinson initiates a midnight stand-off between the police and two drunk brothers in an RV Park in White Rock, B.C.

For four decades, Jay Powell and Vickie Jensen helped to revive forgotten languages for many Aboriginal groups along the coast of the Pacific Northwest. Read their story here.

The Bolshevists are coming! The Bolshevists are coming! Daniel Francis recounts Canada's close call with a revolution.

Stephen Henighan compares the chaotic sprawl of "Third World" societies to the degradation of Canada's political, social and physical landscape.

The poet John Glassco lived in disguise, masquerading as a member of the gentry while writing pornography and reinventing his past.

L.B. Foote fled Newfoundland to avoid life as a cod fisherman and became Winnipeg's best-known photographer, chronicling Boomtown's growth, energy and struggles.

Sarah Leavitt is more than just a clever cartoonist; she also paints pictures with her colourful prose.

The mother of the groom measures the distance between two weddings: twenty-six years, six thousand miles, and a donkey covered with flowers. It’s outtasight.

Last summer, during a visit to Vancouver, my nine-year-old son climbed the pediment of a cast-iron traffic-light standard and put his palm on the glowing hand that warns pedestrians to stay put. My mother pointed out afterwards that my photograph of the event contained its own French caption, in the word visible over his shoulder: main.

Dinner with James Reaney—poet, playwright, professor—who is mistaken by a pair of Irish ladies for “that decadent writer Mordecai Richler.”

A series of lucky events seemed to conspire to bring me to Stettler, Alberta, one day in June 1998. Jennifer, the woman who was in between being my roommate and my girlfriend, was at the Banff Centre and I was on my way there from Saskatoon, where we lived. She had left me fifty dollars for gas so I could pick her up after her workshop, and I had accepted, hoping that when the time came I wouldn’t need it and I could give it back. I did need it, of course. I had been waiting for a cheque to come from the Globe and Mail for one of a series of drawings I was doing for them, and when it was time to leave, the cheque still hadn’t arrived. So I set out from Saskatoon with just a tank of gas and the fifty dollars.

It started with a note I found tucked into an anthology of poems edited by Selden Rodman, a book I opened rarely, though there was a time when I was young I had read it so closely and so many times I had most of the poems memorized. The note lay in the spine of the book against a poem of Arthur Rimbaud's titled, I think, "The Twelve-Year-Old Poet." On it are four names printed out in my sure and youthful twenty-one-year-old hand: Baghdad, Koweit, Sakakah, Jaffa.

I answered the ad: SWM likes to dance. Called him up (said his name was Jay), suggested we meet at the local cafe Tuesday night, something different, a performance poet performing. Free coffee and cookies, the place rocking with middle-aged angst.

And then I remembered an important event. It happened at a funeral in St. Paul’s chapel for a twenty-four-year-old prostitute who had overdosed in her Gastown hotel room. The small chapel was half full, and very quiet. There were a couple of fresh flower arrangements in front of the cheap, closed coffin. Most of the congregation were other prostitutes dressed in their working clothes, and a few pimps. One woman apologized to Brother Tim for having nothing black to wear, except for lingerie and a leather miniskirt.

Once while living in Burma (now Myanmar), Goran Simic and his brother, whose father was the Serbian ambassador, were stopped by rebels on their way to the international school in Yangon. They were hauled out of their diplomatic Mercedes limousine and forced at gunpoint to witness the beheading, at the side of the road, of a uniformed Myanmar government official.

During my thirty years living on the waterfront of British Columbia, I have always had some sort of container in which to sit on the water. My first boat was a ten-foot dinghy that my late husband John Daly, a commercial salmon troller, equipped with a small electric motor to surprise me. He had the bizarre idea that I, a sometime canoeist from Ohio, could manoeuvre a boat on my own around our capacious Pacific coast harbour. The electric engine would be ideal for me, he thought. No rope to pull to start it up! No gasoline tank on board!

Mary Meigs and her friend Lise Weil, editor of Beyond Recall, met regularly to do freewriting together. For each exercise they chose a line or phrase from the work of a poet they both admired; then, inspired by that "prompt," both women wrote for five or ten minutes, recording whatever came to mind (and hand).

When I lived in Ottawa in the 1970s, I used to enjoy passing lazy afternoons at the National Gallery looking at the pictures. I remember how surprised I was when I first encountered the Group of Seven collection. These paintings were completely familiar—I’d seen them in schoolbooks and on calendars, posters, t-shirts, everywhere—yet at the same time they were completely unexpected.

A first-hand account of Greenpeace's first expedition to stop U.S. underwater nuclear testing on September 15, 1971.

Luanne Armstrong reviews "three of the better books of short stories to come out in 2001"—Kingdom of Monkeys, Simple Recipes and Sputnik Diner.

In Stickboy, Shane Koyczan asks: what happens when the bullied begins to bully back? Reviewed by Michal Kozlowski.

Kris Rothstein reviews Souvenir of Canada, which appeared at the 2005 Vancouver International Film Festival, and Douglas Coupland's role in it and appearance at the festival.

Neil MacDonald reviews Streeters, a compilation of Rick Mercer's solo rants and raves from 22 Minutes, covering everything from Mike Harris in a Speedo to "Canuba," a sovereignty association between Canada and Cuba.

Carra Noelle Simpson reviews Teacher Man and Half Nelson, two works on life in the inner-city high schools of New York.

"Old New Yorker writers never die, they just keep being republished in shiny new editions." Michael Hayward reviews collections of New Yorker pieces.

Melissa Edwards finds three references to Sisyphus in three different publications—all in the same day.

Holly Doyle reviews Colin Cotterill’s novel Thirty-three Teeth, featuring Dr. Siri Paiboun, the seventy-two-year-old coroner of Laos.

Joseph Boyden shows a darker side of First Nations life—darker, but not dark enough to stop one from reading it. Reviewed by Patty Osborne.

Kelsea O'Connor reviews Let's Pretend This Never Happened by Jenny Lawson, a lighthearted look at the embarrassing moments in the author's life.

As a mother-to-be, Gillian Jerome cynically reviewed eight books on child care to glean what it means to be a mother in the twenty-first century.

Hal Niedzviecki says White Lung by Grant Buday is the comic novel that should have been given to delegates at the WTO in Seattle.

Rhonda Waterfall reviews The Pharmacist's Mate by Amy Fusselman, just under 100 pages of minimalist prose called "a brief miracle of a book."

In The Lynching of Louie Sam, two teenage boys watched as another—an Aboriginal named Louie Sam—was hanged by a group of men who rode on horseback. Reviewed by Patty Osborne.

During a trip to Portland, Lara Jenny picks a few must-have zines and chapbooks from the city's huge collection of independent presses.

Daniel Francis reviews the Pulitzer Prize-winning novel Killer Angels by Michael Shaara, a minute-by-minute reimagining of the Battle of Gettysburg.

Jim Christy muses on 121 items accumulated over 40 years of travel in Sweet Assorted: 121 Takes From a Tin Box, reviewed by Michael Hayward.

Susan Juby's teen novel Miss Smithers—the story of an eccentric but charming girl entering a beauty pageant in a small BC town—is reviewed by Kris Rothstein.

Vicki Jensen says Eden Robinson’s novel Blood Sports forces readers to confront exactly what we’d prefer to avoid—the raw world of junkies, crazies and twisted souls.

Joanne Arnott "writes with great effort, feeling her way toward expression and sense without giving her life away as if it were in the "miscellaneous" box at a garage sale." Review by Joelle Hann.

Allison Lawlor reviews an author reading of Bread and Salt by Renee Rodin.

Jill Mandrake reviews George Bowering's Caprice, "a poetic eulogy for a shrinking literary landscape."

Helen Godolphin reviews Lynda Barry's Cruddy, a novel deep within its own whacked-out world.

Patty Osborne reviews Eating Apples, an addictive collection of personal essays that gives glimpses into the lives of women.

Phrase books are tools of cultural globalization—but they are also among its casualties.

When building a nation, cultural riches can be lost.

Coming to harbour in a new world.

Science and the arts fulfil their functions to help us survive through the imagination.

In a world dominated by heroes, difference is not tolerated.

Dividing and conquering local populations confines them to manageable administrative units.

“Have patience” and “Tomorrow” are two inseparable locutions in the Portuguese tongue.

For a brief period the band CANO gave shape to the dream of a bilingual Canadian culture.

Lisa Bird-Wilson on UNDRIP, reconciliation, and the anxiety felt by Indigenous people in Canada.

"The hemispheric context reveals the roots of the residential school system...Destroying Indigenous cultures was a positivist policy from Patagonia to Dawson City."

What we do when we absorb words from a screen—and we haven’t yet evolved a verb for it—is not reading.

Libraries are not only essential in educating the soul, but in forming the identity of a society.

Our society is formed on the assumption of a healthy immune system.

What we can—and can’t—learn from the plague

Dogged dedication grants a reader vicarious immortality.

The woman who called herself Tatiana Aarons gave me an address that led to a vacant lot.

On March 5, 2006, a group of people gathered in a small Ontario city in the expectation of having books signed by an author who was not present.

The newspaper wars aren’t what they used to be.

A package-deal paradise reputation curtails gringo knowledge of Dominican life.

What can the Brothers Grimm teach us about the state of our economic system? Everything.

Faith seems to shiver when confronted by art.

Must artists declare their moral integrity?

Without air travel, family networks might have dissolved long ago.

There’s something not quite right about the grid on which the game is played.