For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

If marriage was a television show, it might look something like this.

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Remembering Norbert Ruebsaat.

Destroying books for the greater good.

Losers: you have a lifetime to hunt.

"I never went looking for them."

Tell me again how long the trip is?

Fill the room with a flock of moths.

Any resemblances to persons living or dead are purely vindictive.

The secret is in the velvet.

You can’t break eggs without making an omelette.

These stories and conversations took place in a Media and Communications Studies class at a Canadian college. Students come to the college from many countries, in the hope of enrolling eventually in a North American university.

A new anthology of reviews, interviews and commentary on Joni Mitchell's music reveals the star-making machinery.

I am sorry I caused you pain. But I thought it was okay.

The British called it the Great Game. The Russians called it Bolshoya Igra. The playing field was, and still is, Afghanistan.

Remembering her father's last days in a hospital in Wyoming, Connie Kuhns struggles with questions of mortality, memory and how to fulfill her father's dying wish.

Connie Kuhns' major profile of punk, politics and feminism in 1970s Canada: the Moral Lepers, the Dishrags and other revolutionary bands.

We don’t know why the budgie did it. He must have been unhappy. It can’t have been easy for him—pecking the bell, hanging about on the pole.

D.M. Fraser on the myth of cultural identity.

When you live in Saskatoon, you find yourself caring more about the details of grain farming then you did when you lived in Toronto or Windsor.

When Geist first approached me with the idea of speaking here, I made it known that of all the things I ever wanted to be when I grew up, being an after-dinner speaker was very low on the list.

It's human nature to jump to the wrong conclusion–and stick with it.

What is at the heart of this Edith Iglauer profile by Giller nominee Annabel Lyon? Hint: Ice Road Truckers.

Stephen Smith investigates the hockey lives of Barthes, Faulkner, Hemingway, which were marked by dismissal, befuddlement and scorn.

"Leading Men” is taken from a work-in-progress, Cinéma-Verité and the Collected Works of Ronald Reagan: A History of Propaganda in Motion Pictures.

Tom Thomson, godfather of the Group of Seven, drowned in an Ontario lake under mysterious circumstances, and ever since, his reputation has been the stuff of legend.

Compared to today's vile heros, Ned Kelly-the Australian outlaw who wrote the angry, articulate Jerilderie letter in 1879-seems as innocent as an ogre-slaughtering hero of fairy tales.

Femme girls get free Slurpees, but boyish ladies get free cavity searches at the border.

Hal Niedzviecki com­mem­o­rates his Jewish grand­fa­ther—a heavy drinker, a bad driver and a Polish refugee.

World War I, Canada’s “war of independence,” marked a turning point for a young colony wanting to prove itself as a self-reliant nation, but at what cost.

On the merry-go-round, you just shouted out a des­ti­na­tion and all the kids pushed until every­one agreed we’d arrived.

A flower child looks back, to the time between Motown and acid rock.

Derek Matthews has to be the ugliest boy in the class but I like him. I’ve liked every boy except Barry Pumphrey now. Barry Pumphrey likes me.

On a rainy night in October 1970, I crossed paths with Canada's most elusive poet.

When We Were Orphans by Kazuo Ishiguro (Knopf Canada) fell as if by magic into my lap and I read it relentlessly for two days, almost without sleeping, eating, bathing or responding to my partner and daughter. Like all great works of imagination, thi

A curious inscription in a copy of a book called Fir-Flower Tablets: Poems from the Chinese inspired Peter Sanger to write White Salt Mountain (Gaspereau Press), a book that weaves together stories and facts about the life of Florence Ayscough, a lar

When the Spirits Dance (Theytus) by Larry Loyie with Constance Brissenden, the second book in a series of stories from Loyie’s childhood, paints a gentle picture of life in a First Nations community in northern Alberta during World War II.

My deadline for finishing Wilderness Beginnings by Rose Hertel Falkenhagen (Caitlin Press) was December 21 because that’s when my partner David finished an out-of-town job. I’m a sucker for books about homesteading, especially homesteading in the nor

Wish Book (Gutter Press) by Derek McCormack. McCormack looks to the past to shatter the placid show window that the future promises us.

The action in Whole New Thing, a film from Nova Scotia, is also precipitated by self-involved parents. Thirteen-year-old Emerson lives in a remote cabin, where he writes novels, takes saunas and gives massages to his parents’ friends.

Richard Ford (who I always think is John Ford) writes stories in the third person which read like stories in the first person, and I wanted to find out how and why he did this. I read the first story in his book Women With Men (Little, Brown) in Aust

Food and eating are essential parts of our lives but they are seldom given serious thought.

Sabine Rose, the heroine of Witch Ball by Linda Joy Singleton (Llewellyn), is a psychic. She hides her powers from her popular friends and dreamy boyfriend by day and consults with her spirit guide by night.

Two days later I took Wayman’s workshop, Catching Fire, which was guaranteed to inspire us to get writing. He told us, among other things, that once we became writers we would no longer read for pure pleasure because we would always be analyzing what

A friend told me recently that women who write write like they are weaving and men who write write like they are having sex. Women bring together strands of things, she said, and connect them. Men focus relentlessly on a particular end, with an urgen

It’s much more fun to read this first-hand account of the war and its aftermath observed from ground level than a professional historian’s account, written decades after the fact.

Word of Mouth (Thistledown) is M.A.C. Farrant's fourth collection of fiction and is in two parts: stories about Sybilla, a nineteen-year-old mother struggling to survive in suburban Vancouver Island, stretching welfare cheques and coping with pervert

I’ve always resisted Sarah McLachlan, even when my heart and my ears wanted to give in to her songs. They seemed too middle-of-the-road, too angel-filled, too soft and girly, too Canadian. Then today I’m sitting at my desk on West 43rd Street in Manh

As the film begins, the main character, Zia, is listening to a Tom Waits record and cleaning his room in preparation for suicide. Too bad he misses a spot; the last thing he sees before he dies on the bathroom floor is a dust bunny in the corner. So

You’ll Be Okay offers a feminine perspective on the Beat Generation from the wife of one of its most celebrated authors.

Last fall, production for the film X-Men 2 set up in Vancouver, and as we await the theatrical release of the movie, the studio has issued a new DVD version of the first film. X-Men 1.5 (20th Century Fox) includes a new cut of the original film (whic

Daniel Zomparelli reviews Yesno by Dennis Lee (Anansi).

In late May 2003 the American Institute of Graphic Arts (AIGA) hosted a discussion forum called Hell No: Designers and the War, featuring the design historian Steven Heller, the design icon Milton Glaser (perhaps most known for the “I Love NY” symbol

As a teen I was never happier than when in cahoots with my best friend, passing silly notes, talking obsessively on the phone, pouring out heartache, even fighting. I expected You Be Me: Friendship in the Lives of Teen Girls (Annick Press), edited by

Yishu: Journal of Contemporary Chinese Art is a new quarterly published in Taiwan and Canada by the anonymously named Art and Collection Group Ltd., which turns out to be an ambitious group of editors, writers, curators and artists in several countri

For six years while Pagan Kennedy was an "out of whack, directionless woman trying to muddle through her late twenties," she wrote, drew and published a zine called Pagan's Head, which was all about her. In 'Zine (St. Martin's Griffin), all issues of

Kris: In the not-too-distant future, American refugees stream into Canada, populating shelters and dilapidated warehouses. Racial tension, skittish police, a powerful elevator operators’ union and flying teens are all factors in the skewed reality of

Portland is a great destination for fans of the independent presses. During a recent two-day trip, I selected a few must-have zines and chapbooks from a huge selection.

Memories lie because they build on memories. I think that I remember something, but in fact I remember remembering it, and so on through countless layers of memory. Every memory is a mise en abyme.

Begging the question of what can be defined as “form.”

The crowds learned that they could not act effectively in the present without confronting the past, specifically the historical treatment of indigenous people.

On the screen, only the image—not the word—can become the world.

It all started with a zesty little book about getting old.

Donald Creighton was a bigot and a curmudgeon, a cranky Tory with a chip on his shoulder. He was also the country’s leading historian, who changed the way that Canadians told their own story.

The novelist can often better define reality than the historian.

"We know that life-altering and possibly cataclysmic change is coming, and we continue to live as we have always done."

"Since the beginning of time (the telling of which is also a story), we have known that words are dangerous creatures."

Lacking in drama and embarrassingly undemocratic, Canada’s origins owe a lot to old-fashioned politics and not much to European battles or transcontinental railways.

"Authenticity is the essential quality of all travel literature, imaginary or real."

Alberto Manguel examines the rich symbology of the fist, a primal symbol of rebellion and grief, across cultures and history.

"Cross-country skiing offered me the reassurance sought by the immigrant who is excluded from his locality’s history: a viable alternate route to belonging."

Stephen Henighan asks: what if you don't have a tidy answer to "Where are you from?"

Aboriginal people are creating a new version of Canada, and non-Aboriginals can lend a hand or get out of the way—Daniel Francis on the new Canadian narrative.

Daniel Francis discusses Canada's failing mental health care system and its long history of mistreatment.

The writer who is loved by all, by definition, neglects literature’s prime responsibility: to offend.

"Resistance to wars is as much a Canadian tradition as fighting them." Daniel Francis discusses alternative histories, anti-draft demonstrations and the divisive nature of war.

"Sometimes, in politics or history, certain words, certain names are sufficient unto themselves: it is as if there were names that once pronounced require no further telling."

European Jewish artisans on horseback in Argentina.

"In the public eye, universities have never recovered from the antics of Donald Sutherland as Professor Jennings in the 1978 film Animal House."

Daniel Francis asks why a high-speed commuter route runs through Stanley Park, Vancouver's precious urban oasis.

"A library is never finished, only abandoned." Alberto Manguel on incompletion, voluntary interruption and the pleasure of the day before.

The assumption of mutual comprehensibility between speakers of Spanish and Portuguese creates a culture of mutual ignorance.