A wildland fighter witnesses an old burn's second act

Memories sneak up, tiptoe quiet as a cat. Boom like a slapshot

The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

‍

This invertebrate does not go looking for prey

‍

For the sake of the large romantic gesture

‍

Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

‍

No Skylab buzz in East Germany.

‍

Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

If marriage was a television show, it might look something like this.

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Destroying books for the greater good.

Remembering Norbert Ruebsaat.

Losers: you have a lifetime to hunt.

"I never went looking for them."

Fill the room with a flock of moths.

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

These stories and conversations took place in a Media and Communications Studies class at a Canadian college. Students come to the college from many countries, in the hope of enrolling eventually in a North American university.

A new anthology of reviews, interviews and commentary on Joni Mitchell's music reveals the star-making machinery.

I am sorry I caused you pain. But I thought it was okay.

The British called it the Great Game. The Russians called it Bolshoya Igra. The playing field was, and still is, Afghanistan.

Remembering her father's last days in a hospital in Wyoming, Connie Kuhns struggles with questions of mortality, memory and how to fulfill her father's dying wish.

Connie Kuhns' major profile of punk, politics and feminism in 1970s Canada: the Moral Lepers, the Dishrags and other revolutionary bands.

We don’t know why the budgie did it. He must have been unhappy. It can’t have been easy for him—pecking the bell, hanging about on the pole.

D.M. Fraser on the myth of cultural identity.

When you live in Saskatoon, you find yourself caring more about the details of grain farming then you did when you lived in Toronto or Windsor.

What is at the heart of this Edith Iglauer profile by Giller nominee Annabel Lyon? Hint: Ice Road Truckers.

It's human nature to jump to the wrong conclusion–and stick with it.

When Geist first approached me with the idea of speaking here, I made it known that of all the things I ever wanted to be when I grew up, being an after-dinner speaker was very low on the list.

Stephen Smith investigates the hockey lives of Barthes, Faulkner, Hemingway, which were marked by dismissal, befuddlement and scorn.

"Leading Men” is taken from a work-in-progress, Cinéma-Verité and the Collected Works of Ronald Reagan: A History of Propaganda in Motion Pictures.

Tom Thomson, godfather of the Group of Seven, drowned in an Ontario lake under mysterious circumstances, and ever since, his reputation has been the stuff of legend.

Compared to today's vile heros, Ned Kelly-the Australian outlaw who wrote the angry, articulate Jerilderie letter in 1879-seems as innocent as an ogre-slaughtering hero of fairy tales.

Femme girls get free Slurpees, but boyish ladies get free cavity searches at the border.

World War I, Canada’s “war of independence,” marked a turning point for a young colony wanting to prove itself as a self-reliant nation, but at what cost.

Hal Niedzviecki com­mem­o­rates his Jewish grand­fa­ther—a heavy drinker, a bad driver and a Polish refugee.

A flower child looks back, to the time between Motown and acid rock.

On the merry-go-round, you just shouted out a des­ti­na­tion and all the kids pushed until every­one agreed we’d arrived.

Review of "Memories: From Moscow to the Black Sea" by Teffi (trans. Robert Chandler).

Review of "Our Flag Means Death" created by David Jenkins on HBO Max.

Review of No Fun (the band) and reissued music by Atomic Werewolf Records.

Review of "Godzilla Minus One" directed by Takashi Yamazaki.

Review of "Canzone di Guerra: New Battle Songs" by Daša Drndić, trans. by Celia Hawkesworth.

Review of "The Midnight Bargain" by C.L. Polk

Review of "The Invention of the Other" directed by Bruno Jorge (2022).

Review of "A Primer for Forgetting: Getting Past the Past" by Lewis Hyde.

Review of "Orwell: The New Life" by D.J. Taylor.

Review of "Iron Curtain Journals," "South American Journals" and "Fall of America Journals" by Allen Ginsberg.

Review of "Antkind" by Charlie Kaufman.

Review of "A Guest in the House" by Emily Carroll.

Review of "The Last Grain Race" by Eric Newby.

Review of "The Man in the Red Coat" by Julian Barnes.

Review of "Rubymusic" by Connie Kuhns.

Review of "A Russian Sister" by Caroline Adderson.

Review of the Netflix series "Rabo de Peixe" (2023) created by Augusto de Fraga.

Review of "My Grandfather’s Knife: Hidden Stories from the Second World War" by Joseph Pearson

Review of "Mercy Gene" by JD Derbyshire.

Review of "Underland" by Robert Macfarlane.

Review of "Tracking Giants: Big Trees, Tiny Triumphs, and Misadventures in the Forest" by Amanda Lewis.

Review of "Solito: A Memoir" by Javier Zamora

Review of "Turn Every Page" directed by Lizzie Gottlieb

Review of "Holden After & Before: Love Letter for a Son Lost to Overdose" by Tara McGuire.

Memories lie because they build on memories. I think that I remember something, but in fact I remember remembering it, and so on through countless layers of memory. Every memory is a mise en abyme.

Begging the question of what can be defined as “form.”

The crowds learned that they could not act effectively in the present without confronting the past, specifically the historical treatment of indigenous people.

On the screen, only the image—not the word—can become the world.

It all started with a zesty little book about getting old.

Donald Creighton was a bigot and a curmudgeon, a cranky Tory with a chip on his shoulder. He was also the country’s leading historian, who changed the way that Canadians told their own story.

The novelist can often better define reality than the historian.

"We know that life-altering and possibly cataclysmic change is coming, and we continue to live as we have always done."

"Since the beginning of time (the telling of which is also a story), we have known that words are dangerous creatures."

Lacking in drama and embarrassingly undemocratic, Canada’s origins owe a lot to old-fashioned politics and not much to European battles or transcontinental railways.

"Authenticity is the essential quality of all travel literature, imaginary or real."

Alberto Manguel examines the rich symbology of the fist, a primal symbol of rebellion and grief, across cultures and history.

"Resistance to wars is as much a Canadian tradition as fighting them." Daniel Francis discusses alternative histories, anti-draft demonstrations and the divisive nature of war.

The writer who is loved by all, by definition, neglects literature’s prime responsibility: to offend.

Daniel Francis discusses Canada's failing mental health care system and its long history of mistreatment.

Aboriginal people are creating a new version of Canada, and non-Aboriginals can lend a hand or get out of the way—Daniel Francis on the new Canadian narrative.

Stephen Henighan asks: what if you don't have a tidy answer to "Where are you from?"

"Cross-country skiing offered me the reassurance sought by the immigrant who is excluded from his locality’s history: a viable alternate route to belonging."

European Jewish artisans on horseback in Argentina.

"Sometimes, in politics or history, certain words, certain names are sufficient unto themselves: it is as if there were names that once pronounced require no further telling."

"In the public eye, universities have never recovered from the antics of Donald Sutherland as Professor Jennings in the 1978 film Animal House."

Daniel Francis asks why a high-speed commuter route runs through Stanley Park, Vancouver's precious urban oasis.

"A library is never finished, only abandoned." Alberto Manguel on incompletion, voluntary interruption and the pleasure of the day before.

The assumption of mutual comprehensibility between speakers of Spanish and Portuguese creates a culture of mutual ignorance.