Every aspect of a book—the page dimensions, paper type, font, length of text line, space between text lines, margin sizes and so on—is the result of a designer’s decision. When these decisions are well made, then reading a book’s text is like reading
Child-rearing manuals cropped up with a vengeance in the latter half of the twentieth century after Dr. Benjamin Spock produced Baby and Child Care—the all-time best-selling book in American history, second only to the Bible, despite advice such as “
Everyday Stalinism—certainly a tide to conjure with—by Sheila Fitz-Patrick (Oxford) is subtitled Ordinary Life in Extraordinary Times: Soviet Russia in the 1930s, and is proof that under certain circumstances the everyday is never normal. This is a h
Only now, eighty years after the war, are we given the explanation of that process of transformation, in the pages of Death So Noble: Memory, Meaning, and the First World War, by Jonathan F. Vance (UBC Press). Vance tells the story of a tiny country
Steve Mann, a professor at the University of Toronto, is the subject of Cyberman (2001), a fascinating film by Peter Lynch. He is also a cyborg, a concept he explains in Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Compute