I can’t blame youfor claiming this place as your ownpersonal theme park. For you,there is only summer when every curvein the road brings a new photograph—red cliffs climbing out of the sea, field upon fieldof white blossoms, a wharf where boatschristened The Maggie-Mae and Aurora Dawndepart for the fishing grounds.
After dinner I retired with my newly acquired copy of a twenty-six-year old book, Caldecott & Co.: Notes on Books & Pictures (Farrar, Straus & Giroux), essays by Maurice Sendak, author and illustrator of In the Night Kitchen, Where the Wild Things Ar
Michael Posner's Canadian Dreams: The Making and Marketing of Independent Films (D&M) is a passionate and at times hair-raising account of what's right and what's wrong with Canadian moviemaking. Posner follows the making and marketing of ten very di
On the same day that a parliamentary committee scolded the governor general for profligate spending by slashing her annual budget by ten percent, a book that purports to give the full story about life at Rideau Hall arrived on my desk. Working on the
Eventually Lucille Johnstone told her story to Paul E. Levy, who made it into a book, River Queen: The Amazing Story of Tugboat Titan Lucille Johnstone (Harbour), an absorbing read even for people who think they’re not interested in reading about bus
On my summer holiday I immersed myself in World War I, thanks to a friend who loaned me all three parts of Pat Barker's trilogy: Regeneration, The Eye in the Door and The Ghost Road (Plume/Penguin). This is a large and important work conveniently pac
Since the Canadian withdrawal from the North American ballistic missile defence treaty, you might think you don’t need to read Mel Hurtig’s ominously titled Rushing to Armageddon: The Shocking Truth About Canada, Missile Defence, and Star Wars (McCle
Notman's department store approach to photography is carried on in this century in the work of Courtney Milne, whose recent Sacred Places in North America, subtitled A Journey into the Medicine Wheel (Stewart, Tabori & Chang), represents the fruit of
The photographs in Saqiyuq: Stories from the Lives of Three Inuit Women (McGill-Queens), are plentiful but wretchedly printed, which is a sadness because this book of stories is so good that you want to return to the photographs again and again to se