I can’t blame youfor claiming this place as your ownpersonal theme park. For you,there is only summer when every curvein the road brings a new photograph—red cliffs climbing out of the sea, field upon fieldof white blossoms, a wharf where boatschristened The Maggie-Mae and Aurora Dawndepart for the fishing grounds.
After dinner I retired with my newly acquired copy of a twenty-six-year old book, Caldecott & Co.: Notes on Books & Pictures (Farrar, Straus & Giroux), essays by Maurice Sendak, author and illustrator of In the Night Kitchen, Where the Wild Things Ar
Michael Posner's Canadian Dreams: The Making and Marketing of Independent Films (D&M) is a passionate and at times hair-raising account of what's right and what's wrong with Canadian moviemaking. Posner follows the making and marketing of ten very di
On the same day that a parliamentary committee scolded the governor general for profligate spending by slashing her annual budget by ten percent, a book that purports to give the full story about life at Rideau Hall arrived on my desk. Working on the
Yiddish is a language of survival. Although spoken by only five percent of the world's population, it's one of the seven most widespread languages, spoken in every corner of the globe. In Outwitting History: The Amazing Adventures of a Man Who Rescue
This review was accepted for publication by the Vancouver Sun in January 2000, and then rejected by editors who found it "too one-sided and unfair to the bank." This is the first financial book review to be published in Geist, and is offered here in
PhotoGraphic Encounters: The Edges and Edginess of Reading Prose Pictures and Visual Fictions (University of Alberta Press and the Kamloops Art Gallery) contains much promise of “edginess” and “subversion,” once the great virtues of the postmodern ag