Notman's department store approach to photography is carried on in this century in the work of Courtney Milne, whose recent Sacred Places in North America, subtitled A Journey into the Medicine Wheel (Stewart, Tabori & Chang), represents the fruit of
PhotoGraphic Encounters: The Edges and Edginess of Reading Prose Pictures and Visual Fictions (University of Alberta Press and the Kamloops Art Gallery) contains much promise of “edginess” and “subversion,” once the great virtues of the postmodern ag
Jerry Wasserman has assembled the original text and two translations in Spectacle of Empire: Marc Lescarbot’s Theatre of Neptune in New France (Talon Books), a useful and amusing book filled with fascinating little-known facts. The colony at Port Roy
Photographer Ross C. Kelly takes repeated images of cityscapes over a period of time in order to create collages.
The photographer’s darkroom, with its iconic red light, has long been favoured by makers of thrillers and mystery movies.
One of the first pleasures of taking pictures is finding out what something looks like when it gets into a photograph. This is often what motivates young photographers, who are always surprised (sometimes delighted and sometimes horrified) by what th
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