Evil is not darkness, I thought to myself. It’s noise.

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His look is self-concious, but well done.

Cylinders of oxy­gen rolled past like dolls, propped up in wire bas­kets. After the first few min­utes it all seemed normal.

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Stephen Osborne uncovers the genesis of the poppy and how it became evidence of horror, a token of remembrance and a promise of oblivion.

Last month I had lunch with a good friend who years ago had told me that her parents, who immigrated to Canada after the war, were Holocaust survivors. I asked my friend, whose name is Slava, to tell me again about her parents, who had lived in Vilna, the ancient Lituanian city of Europe known for three centuries as the “Jerusalem of the north.”

The police officer turned us back and told us to for

The last thing in the world I wanted was to be an exhibit, or worse.

Senior Editor Mary Schendlinger remembers her friend and Geist contributor Saeko Usukawa.

Thompson’s free-ranging narrative of the New World must be the only one in which the devil is defeated at checkers.

At home Frank and I are mutually sympathetic to the obligation to face one another and speak loudly; or, when we are away, to supply each other with new batteries when we forget them; but we have no defence against the independent wandering behaviour of our hearing aids. They are always someplace else. I probably have spent one percent of my life, close to a whole year, looking for the damned things.

After the fall of the Berlin Wall, Hakescher Markt became one of hippest neigh

A shuttle driver at LAX shares his idea for a Valentine’s Day gift.

He looked vaguely familiar— there was a sort of outline around his ­features that I almost recognized, a translucent and shifting visage, as of someone I once knew. He looked vaguely familiar— there was a sort of outline around his ­features that I al

The man who told me to sit here is wearing a blue uniform. He asks me questions. “You’re going to sacrifice your body just to save some money,” he jokes.

On a recent trip to Paris, I met a young woman from Japan. But this is not a story about a sudden love affair, which one might expect in Paris.

If Toronto were like Baghdad, thirty-nine res

Boyfriends are trouble, I said. He leaned over and gave me a high-five.

A eulogy delivered by email, from a woman living in Berlin to her lifelong friend in Vancouver.

Sometime in the late seventies Osborne and I walked down Spadina from Bloor to Front street, listening to Shein talk about the China Effect.

In multi-cultural Vancouver, strangers come together at a moment of crisis.

The organizers of tonight’s talk have branded it as a “raw exchange”—part of a series of uncensored literary gatherings around the city—and so they’ve invited three biting B.C. writers to get down to brass tacks for a group of strangers in the basement of the Vancouver Public Library. By some freak of programming, a punk-metal band is slaying the kids in the room down the hall tonight, which means every time a bookish-looking latecomer wades into our midst, a foul-sounding wave of hellish power chords does, too.

A question of some concern among my friends when we were growing up in the fifties and sixties was how old you had to be to go to war.

An intrepid Geist correspondent narrowly avoids being stabbed by a moose-antler letter opener in Whitehorse.

I started walking, seriously. It was the bone scan that got me going. The healthy solid green was spongy with rotting black holes.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

After dinner I retired with my newly acquired copy of a twenty-six-year old book, Caldecott & Co.: Notes on Books & Pictures (Farrar, Straus & Giroux), essays by Maurice Sendak, author and illustrator of In the Night Kitchen, Where the Wild Things Ar

Tight, pithy, replete with thinly veiled autobiographical details of a childhood in Quebec and an adult life spent as an ex-pat writer in, of all places, Cornwall, the stories were short enough that I could read two or three on a twenty-minute bus ri

Bust magazine is dedicated to giving voice to the generation of women caught between Cosmo and Sassy. It is also font-crazy and printed on smudgy newsprint.

Caesarea (ECW Press) by Tony Burgess. There's no better place to spend New Year's Eve than Caesarea, a small town on the shore of menacing Lake Scugog, a place to forget your troubles, relax, do a little fishing, settle into your lawn chair on the ou

According to Hollywood legend, it was Harry Houdini who gave Buster Keaton the name “Buster” after watching the young Keaton tumble down a flight of stairs. This myth is debunked in Marion Meade’s biography Buster Keaton: Cut to the Chase (Da Capo P

The storyteller's verve in Can You Wave Bye Bye Baby? (McClelland & Stewart), by the Montreal writer Elyse Gasco, speaks volumes in which time and place hardly matter. Gasco writes in the second person in four of the seven short stories; in one of th

When W. G. Sebald died in an automobile accident in December 2001, just four of his books were available in English translation. Those four books had earned him considerable praise (Michael Ondaatje called him “the most interesting and ambitious writ

The storyteller's verve in Can You Wave Bye Bye Baby? (McClelland & Stewart), by the Montreal writer Elyse Gasco, speaks volumes in which time and place hardly matter. Gasco writes in the second person in four of the seven short stories; in one of th

Another oddly-shaped book protruding from the shelf at the library the other day was Canada's Gigantic (Summerhill), a collection of photographs by Henri Robideau, a Gianthropologist photographer who searches out Giant Things in the Canadian landscap

As the century turns, generational retrospectives are cropping up everywhere—a look back requires only file footage, the cut and paste. Recent books documenting Canadian life in the 1950s include Canada in the Fifties (Viking), selections from the ar

The boreal forest is the mysterious place most of us are aware of only to the extent that we know we don’t want to get lost in it: the deep unconscious of a nation (Champlain called it the land God gave to Cain).

The show, called Canada in the Rough, is sponsored by companies that sell firearms, ammunition, trucks, outdoor gear and crossbows, and it includes a Rough Cooking segment (caribou stew with prunes and dried apricots served over couscous) and a Rough

Michael Posner's Canadian Dreams: The Making and Marketing of Independent Films (D&M) is a passionate and at times hair-raising account of what's right and what's wrong with Canadian moviemaking. Posner follows the making and marketing of ten very di

Somewhat more put-downable is Canadian Literary Power by Frank Davey (NeWest Press), which took me a week to read. This is a book filled with Serious Thinking, so of course it's slow, and I'm still not sure how much of it I can agree with.

On the same day that a parliamentary committee scolded the governor general for profligate spending by slashing her annual budget by ten percent, a book that purports to give the full story about life at Rideau Hall arrived on my desk. Working on the

There is something unexplained about Germaine Warkentin's Canadian Exploration Literature: An Anthology (Oxford). This book is a collection of lengthy extracts from the written accounts of two dozen well-known explorers, starting with Pierre Radisson

Curmudgeons of a more bibliophiliac bent should be subscribing to Canadian Notes and Queries, a fascinating magazine of little-known facts of interest that Doug Fetherling took over a few years ago with the intention of broadening its range and its r

Attention-grabbing fact: ninety-nine percent of “serious” writing about “popular” music is one hundred percent useless. One reason for this is an ingrained belief that the social significance of the entertainment industry is more interesting than any

The opening pages of Cape Breton Road by D. R. MacDonald (Harcourt) are as good as it gets: a brilliant evocation of person and place. But soon after that, things began to settle down into mere realism, and then I had to put the book aside when I hit

Barbara Stewart reviews Captain Alex MacLean by Don MacGillivray (UBC Press).

Jacques Rivette’s 1974 film Celine and Julie Go Boating (British Film Institute dvd) is set in a Paris that is half Wonderland, half real, a Paris in which events unfold according to the same dream-like logic that astonished Alice, and that entrances

I thought Cat Book by Emily Eve Weinstein (Beau Soleil) would be a collection of too cute stories about people and their cats, but I soon learned not to be fooled by the easy beauty of Weinstein’s cat paintings, which dot the pages, or by the text it

Gregory Scofield's new book of poems is Native Canadiana (Polestar) and it's very good. So is Lola Lemire Tostevin's latest collection, Cartouches (Talonbooks), which came out last year and which we've been meaning to mention here ever since, along w

The cover blurb on Certifiable, a collection of short stories by David McGimpsey (Insomniac), describes it as “funny and twisted stories of American culture.” Topics range from the biological makeup of the McDonald’s character Grimace to fragmented l

Memories lie because they build on memories. I think that I remember something, but in fact I remember remembering it, and so on through countless layers of memory. Every memory is a mise en abyme.

Begging the question of what can be defined as “form.”

The crowds learned that they could not act effectively in the present without confronting the past, specifically the historical treatment of indigenous people.

On the screen, only the image—not the word—can become the world.

It all started with a zesty little book about getting old.

Donald Creighton was a bigot and a curmudgeon, a cranky Tory with a chip on his shoulder. He was also the country’s leading historian, who changed the way that Canadians told their own story.

The novelist can often better define reality than the historian.

"We know that life-altering and possibly cataclysmic change is coming, and we continue to live as we have always done."

"Since the beginning of time (the telling of which is also a story), we have known that words are dangerous creatures."

Lacking in drama and embarrassingly undemocratic, Canada’s origins owe a lot to old-fashioned politics and not much to European battles or transcontinental railways.

"Authenticity is the essential quality of all travel literature, imaginary or real."

Alberto Manguel examines the rich symbology of the fist, a primal symbol of rebellion and grief, across cultures and history.

"Cross-country skiing offered me the reassurance sought by the immigrant who is excluded from his locality’s history: a viable alternate route to belonging."

Stephen Henighan asks: what if you don't have a tidy answer to "Where are you from?"

Aboriginal people are creating a new version of Canada, and non-Aboriginals can lend a hand or get out of the way—Daniel Francis on the new Canadian narrative.

Daniel Francis discusses Canada's failing mental health care system and its long history of mistreatment.

The writer who is loved by all, by definition, neglects literature’s prime responsibility: to offend.

"Resistance to wars is as much a Canadian tradition as fighting them." Daniel Francis discusses alternative histories, anti-draft demonstrations and the divisive nature of war.

"Sometimes, in politics or history, certain words, certain names are sufficient unto themselves: it is as if there were names that once pronounced require no further telling."

European Jewish artisans on horseback in Argentina.

"In the public eye, universities have never recovered from the antics of Donald Sutherland as Professor Jennings in the 1978 film Animal House."

Daniel Francis asks why a high-speed commuter route runs through Stanley Park, Vancouver's precious urban oasis.

"A library is never finished, only abandoned." Alberto Manguel on incompletion, voluntary interruption and the pleasure of the day before.

The assumption of mutual comprehensibility between speakers of Spanish and Portuguese creates a culture of mutual ignorance.