Stephen Osborne's broken cellphone leads him to Schopenhauer, the Titanic publishing industry and historical Phantom Rides.

Jan Feduck faces Frenchish food, vomit and guys from Ontario when her ferry from the Magdalen Islands is caught in a hurricane.

“Don’t try to make anything happen,” the calm voice said. Dylan Gyles visits a sensory deprivation float tank.

Stephen Osborne attends a gallery opening for Elisapee Ishulutaq, an 89-year-old Inuit artist who has been making prints in Pangnirtung, Nunavut for 40 years.

Stephen Osborne discovers that some of the most startling papers in the city archives are the letters and diaries of the first archivist himself.

A young Canadian man visits family in Pakistan to settle a generational feud.

Does a house that has been home to four generations of one family still hold their electricity?

Opa, you know that sometimes people say things, well, indirectly? They don’t say everything that they mean?

At the Jubilee Cinema, the manager carries an imitation pistol in the John Dillinger style.

A Vancouver rock band made up of musicians, photographers and at one time, a prominent sci-fi writer.

Shared family memories of burnt baked goods.

A new pet kitten becomes part of the family.

The Calgary floods left behind a stew of knee-deep mud, and waterlogged piles of couches, fridges, books, toys, artworks, chairs, carpet, drywall...

That dreamlike quality causes rational minds to dismiss the moment as “only a coincidence.”

Headlines featuring crack-smoking mayors and election fraudsters.

Rick laughed. I walked away. I was irritated at Henry, at Lee for getting stoned and being paranoid and leaving without saying goodbye, at Rick, at everyone.

Two women on motorcycles: one in the dead zone of Chernobyl, and the other in the cactus country of Kamloops.

The first time losing a game of Scrabble and the last time taking a train cross-country.

"One way or another we all write out of this place,” comments Patricia Young in Writing Life (McClelland & Stewart), edited by Constance Rooke, a collection of essays by fifty writers, most of them Canadian, about the process and perils of authorship

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An account of the circumstances surrounding seven literary honours bestowed on a writer.

A young man comes into possession of a 1957 Pontiac, modelled after one owned by a legendary pianist.

Shiny bras and worn-in sweaters—the clothes do make the woman.

You had to sleep in it and fall in love in it.

A writer talks about personal health issues and their connection to his family history.

In 1946, a young bride writes home about her month-long sea voyage to her new home on Baffin Island.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

Another elegant Archipelago production is Posthumous Papers of a Living Author by the Austrian modernist Robert Musil.

When I finally got around to reading Postwar, I was amused to discover that Detective Chief Inspector Alan Banks was reading it too. This is the first time I have found myself reading the same book as a character in a novel.

In his series of books called Preposterous Fables for Unusual Children (Bayeux Arts), Judd Palmer revisits traditional tales and rewrites them with unlikely heroes and peculiar details.

Although I am not a woman, did not grow up in the late '6os just a few blocks up from the infamous Haight-Ashbury in San Francisco and am not the child of enlightened parents who strove against mainstream American materialism, I jumped two-footed int

I had fun in the gifted class in elementary school because my parents never pressured me to become a sensation in spelling, or science—or, like Maya, the ethereal figure in Nancy Huston’s tense novel Prodigy (McArthur), a brilliant ten-year-old piani

A list of overused book review terms from achingly beautiful to woefully inadequate.

Marc Diamond's new novel, Property (Coach House), belongs to the tour-de force class, and will appeal most to those who appreciate ts-d-f: the whole thing is three paragraphs long: a real typesetter's nightmare. The first paragraph occupies 123 pages

In Africa the AIDS/HIV pandemic is quickly, and not so quietly, killing two generations of Africans. Stephen Lewis’s book Race Against Time (Anansi) begins by introducing the eight Millennium Goals for Africa as established by the United Nations Mill

I read to put myself to sleep at night but Push (Knopf) by Sapphire had no soporific effect. Long after I turned out the light and rolled over on my side to sleep, I thought about Claireece Precious Jones, the hero of this bright red book.

Putrid Scum by Crad Kilodney (Charnel House) is one of those titles many of us would perhaps rather not have to ask for in the bookstore (we got our copy through an intermediary) even if we could (few bookstores carry him) but, being a Kilodney book,

Rainer Maria Rilke and Lou Andreas-Salomé: The Correspondence (Norton) collects all of the extant letters exchanged by Rilke and Andreas-Salomé , a patron and fellow author, and (as the jacket copy describes her) “a key fin de siècle intellectual” fi

A subtitle in search of a title: Racism in Canada (Fifth House). Where are the marketing people with nerves of steel, when we need them?

When the Vancouver Public Library workers went on strike, I read more of Raymond Chandler’s Philip Marlowe than I had intended.

>After filming Elliot Lovett, an American G.I., for a study of soldiers and their music, the Australian documentary filmmaker George Gittoes followed Lovett back to his home in the Brown Sub ghetto in Miami. The neighbourhood he found there was every

The Canadian director Gary Burns’s take on the urban and suburban condition has always been fictional, until now. Burns teams up with Jim Brown to tackle life in the cul de sac in Radiant City, a film that combines commentary on design, culture and p

We get a lot of mail at the Geist offices, much of it from people who "read the mag from cover to cover!!" But some Geist readers pay closer attention than others. One such sharp-eyed fan wrote recently to ask: "Just what is a 'techno-otipimist' (Num

A Gibsons, B.C. reader wrote in response to my review of Press Gang Publishers' catalogue (Geist 1), including that it was "not stapled, so recycle worry-free." She advises that recycling-wise, staples are much more acceptable than glue and are pulle

The French writer Julien Gracq, who will be ninety-seven this year, is a living link to the era of Louis Aragon and André Breton. Gracq has avoided the kind of recognition that most modern writers crave (he refused the Prix Goncourt in 1951), and his

Young James Laxer prayed for a normal life. He grew up in a committed Communist household, an experience he describes in Red Diaper Baby: A Boyhood in the Age of McCarthyism (Douglas & McIntyre).

Republic Pictures was an independent genre film studio active in the 1940s and ’50s, specializing in westerns and action-adventure serials—the movies kids went to see on Saturday afternoons. But while the movies the studio released were B films on fi

Fact and fiction are intermingled in this "novel" about growing up Mennonite in the Fraser Valley.

From my parents’ bed that night, Lévesque looked like a man—maybe the first man in CBC history—who had lost two countries at the same time.

The most comprehensive DVD (and the most fun) to hit my machine lately is the special edition release of Quentin Tarantino’s Reservoir Dogs. There are so many reasons to have this DVD in your library I hardly know where to start.

I got a copy of Restricted Entry, by Janine Fuller and Stuart Blackley (Press Gang) as part of the ticket price for a benefit for Little Sister's Bookstore & Art Emporium. For those two of you who don't already know, Little Sister's has taken the gov

Military coups, civil wars, and NAFTA are the cause of trilingual labels in Canadian big box stores.

A writer whose work is among the most important contributions to the literature of the Holocaust is forgotten by almost all.

During the 1950s the RCMP used a machine to identify federal employees who were homosexuals. The name of this bogus device? The "fruit machine," of course.

Richard Stursberg’s memoir of his years in CBC programming raises the question: How did someone with no sympathy for public broadcasting get the job in the first place?

Stephen Henighan argues that efficiency has become a core value that heightens social divisions.

In the world between here and there, what place does one call home?

Stephen Henighan remembers Mavis Gallant, the original nomad of Canadian literature, who wrote some of Canada's finest fiction at Pablo Picasso's café table in Paris.

Stephen Henighan investigates bus travel as one of Canada's last surviving democratic spaces.

Daniel Francis investigates the practice of visiting asylums and penitentiaries as entertainment in nineteenth-century Canada.

How much does a photograph really capture the essence of a person?

Daniel Francis explores the photographer as Vancouver's most interesting historian.

Alberto Manguel reflects on art as a witness to the human desire to be infinite and eternal.

As Canadian leaders look to emulate Asian nations, our government fails to see that the tigers' fatal flaw is the absence of democracy. Or, maybe they do see.

The Great White North gets rebranded and gains some military muscle: goodbye peacenik, hello soldier.

I’ve now read Comment parler des livres que l’on n’a pas lus? and I’m happy to say that I was right.

A French writer whose name I hadn’t heard before, Pierre Bayard, has written a book called Comment parler des livres que l’on n’a pas lus? published by Éditions de Minuit in a collection aptly titled Paradoxe. A number of critics in France have writt

In 2002, when my essay collection When Words Deny the World was published, people started behaving strangely. Ambitious young writers scurried out of sight when I entered a room, as though afraid that irate authors might banish them from Toronto for having spoken to me.

One of the indispensable figures of contemporary journalism is the cutting-edge cultural commentator. The columnist who offers sardonic insights into trends, fashions, television shows and publishing personalities has become an institution.

Since the Wall came down, East German socialists in Prenzlauer Berg are free to sip coffee and talk about art.

When the crash came, Canadians paid the price for the colonized mentalities of their investment advisors.

I met Alejandra Pizarnik in Buenos Aires, in 1967, five years before her death. I had asked her to contribute to an anthology of texts that purported to continue an interrupted story begun in Shakespeare’s The Winter’s Tale: “There was a man dwelt by a churchyard.” She agreed and wrote a haunting piece called “Los muertos y la lluvia,” “The dead and the rain.” The book was never published, but we became friends.

From the trench coat to the Hummer, what does the militarization of style say about us?

In 2007, when The Penguin Book of Canadian Short Stories was published, Urquhart sent me a copy. As I examined the table of contents, I felt a dull thunk in my chest.

When General James Wolfescampered up the steep path that carried him onto the Plains of Abraham andinto the pages of the history books, what was he thinking?