Evil is not darkness, I thought to myself. It’s noise.

‍

His look is self-concious, but well done.

Cylinders of oxy­gen rolled past like dolls, propped up in wire bas­kets. After the first few min­utes it all seemed normal.

‍

Stephen Osborne uncovers the genesis of the poppy and how it became evidence of horror, a token of remembrance and a promise of oblivion.

Last month I had lunch with a good friend who years ago had told me that her parents, who immigrated to Canada after the war, were Holocaust survivors. I asked my friend, whose name is Slava, to tell me again about her parents, who had lived in Vilna, the ancient Lituanian city of Europe known for three centuries as the “Jerusalem of the north.”

The police officer turned us back and told us to for

The last thing in the world I wanted was to be an exhibit, or worse.

Senior Editor Mary Schendlinger remembers her friend and Geist contributor Saeko Usukawa.

Thompson’s free-ranging narrative of the New World must be the only one in which the devil is defeated at checkers.

At home Frank and I are mutually sympathetic to the obligation to face one another and speak loudly; or, when we are away, to supply each other with new batteries when we forget them; but we have no defence against the independent wandering behaviour of our hearing aids. They are always someplace else. I probably have spent one percent of my life, close to a whole year, looking for the damned things.

After the fall of the Berlin Wall, Hakescher Markt became one of hippest neigh

A shuttle driver at LAX shares his idea for a Valentine’s Day gift.

He looked vaguely familiar— there was a sort of outline around his ­features that I almost recognized, a translucent and shifting visage, as of someone I once knew. He looked vaguely familiar— there was a sort of outline around his ­features that I al

The man who told me to sit here is wearing a blue uniform. He asks me questions. “You’re going to sacrifice your body just to save some money,” he jokes.

On a recent trip to Paris, I met a young woman from Japan. But this is not a story about a sudden love affair, which one might expect in Paris.

If Toronto were like Baghdad, thirty-nine res

Boyfriends are trouble, I said. He leaned over and gave me a high-five.

A eulogy delivered by email, from a woman living in Berlin to her lifelong friend in Vancouver.

Sometime in the late seventies Osborne and I walked down Spadina from Bloor to Front street, listening to Shein talk about the China Effect.

In multi-cultural Vancouver, strangers come together at a moment of crisis.

The organizers of tonight’s talk have branded it as a “raw exchange”—part of a series of uncensored literary gatherings around the city—and so they’ve invited three biting B.C. writers to get down to brass tacks for a group of strangers in the basement of the Vancouver Public Library. By some freak of programming, a punk-metal band is slaying the kids in the room down the hall tonight, which means every time a bookish-looking latecomer wades into our midst, a foul-sounding wave of hellish power chords does, too.

A question of some concern among my friends when we were growing up in the fifties and sixties was how old you had to be to go to war.

An intrepid Geist correspondent narrowly avoids being stabbed by a moose-antler letter opener in Whitehorse.

I started walking, seriously. It was the bone scan that got me going. The healthy solid green was spongy with rotting black holes.

My god, I think as I wait my turn in the wash­room of the Hotel Vancouver, all of these peo­ple look just like Carol Shields.

‍

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

‍

I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

‍

New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

‍

I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

When I finally got around to reading Postwar, I was amused to discover that Detective Chief Inspector Alan Banks was reading it too. This is the first time I have found myself reading the same book as a character in a novel.

In his series of books called Preposterous Fables for Unusual Children (Bayeux Arts), Judd Palmer revisits traditional tales and rewrites them with unlikely heroes and peculiar details.

Although I am not a woman, did not grow up in the late '6os just a few blocks up from the infamous Haight-Ashbury in San Francisco and am not the child of enlightened parents who strove against mainstream American materialism, I jumped two-footed int

I had fun in the gifted class in elementary school because my parents never pressured me to become a sensation in spelling, or science—or, like Maya, the ethereal figure in Nancy Huston’s tense novel Prodigy (McArthur), a brilliant ten-year-old piani

A list of overused book review terms from achingly beautiful to woefully inadequate.

Marc Diamond's new novel, Property (Coach House), belongs to the tour-de force class, and will appeal most to those who appreciate ts-d-f: the whole thing is three paragraphs long: a real typesetter's nightmare. The first paragraph occupies 123 pages

In Africa the AIDS/HIV pandemic is quickly, and not so quietly, killing two generations of Africans. Stephen Lewis’s book Race Against Time (Anansi) begins by introducing the eight Millennium Goals for Africa as established by the United Nations Mill

I read to put myself to sleep at night but Push (Knopf) by Sapphire had no soporific effect. Long after I turned out the light and rolled over on my side to sleep, I thought about Claireece Precious Jones, the hero of this bright red book.

Putrid Scum by Crad Kilodney (Charnel House) is one of those titles many of us would perhaps rather not have to ask for in the bookstore (we got our copy through an intermediary) even if we could (few bookstores carry him) but, being a Kilodney book,

Rainer Maria Rilke and Lou Andreas-Salomé: The Correspondence (Norton) collects all of the extant letters exchanged by Rilke and Andreas-Salomé , a patron and fellow author, and (as the jacket copy describes her) “a key fin de siècle intellectual” fi

A subtitle in search of a title: Racism in Canada (Fifth House). Where are the marketing people with nerves of steel, when we need them?

When the Vancouver Public Library workers went on strike, I read more of Raymond Chandler’s Philip Marlowe than I had intended.

>After filming Elliot Lovett, an American G.I., for a study of soldiers and their music, the Australian documentary filmmaker George Gittoes followed Lovett back to his home in the Brown Sub ghetto in Miami. The neighbourhood he found there was every

The Canadian director Gary Burns’s take on the urban and suburban condition has always been fictional, until now. Burns teams up with Jim Brown to tackle life in the cul de sac in Radiant City, a film that combines commentary on design, culture and p

We get a lot of mail at the Geist offices, much of it from people who "read the mag from cover to cover!!" But some Geist readers pay closer attention than others. One such sharp-eyed fan wrote recently to ask: "Just what is a 'techno-otipimist' (Num

A Gibsons, B.C. reader wrote in response to my review of Press Gang Publishers' catalogue (Geist 1), including that it was "not stapled, so recycle worry-free." She advises that recycling-wise, staples are much more acceptable than glue and are pulle

The French writer Julien Gracq, who will be ninety-seven this year, is a living link to the era of Louis Aragon and André Breton. Gracq has avoided the kind of recognition that most modern writers crave (he refused the Prix Goncourt in 1951), and his

Young James Laxer prayed for a normal life. He grew up in a committed Communist household, an experience he describes in Red Diaper Baby: A Boyhood in the Age of McCarthyism (Douglas & McIntyre).

Republic Pictures was an independent genre film studio active in the 1940s and ’50s, specializing in westerns and action-adventure serials—the movies kids went to see on Saturday afternoons. But while the movies the studio released were B films on fi

Fact and fiction are intermingled in this "novel" about growing up Mennonite in the Fraser Valley.

From my parents’ bed that night, Lévesque looked like a man—maybe the first man in CBC history—who had lost two countries at the same time.

The most comprehensive DVD (and the most fun) to hit my machine lately is the special edition release of Quentin Tarantino’s Reservoir Dogs. There are so many reasons to have this DVD in your library I hardly know where to start.

I got a copy of Restricted Entry, by Janine Fuller and Stuart Blackley (Press Gang) as part of the ticket price for a benefit for Little Sister's Bookstore & Art Emporium. For those two of you who don't already know, Little Sister's has taken the gov

Aritha van Herk’s Restlessness (Red Deer College Press), though, ought to go missing from hostel shelves. It is a meditative novel which begins on a dramatic and Gothic note with a woman in a Calgary hotel room waiting for her “chosen assassin.”

Memories lie because they build on memories. I think that I remember something, but in fact I remember remembering it, and so on through countless layers of memory. Every memory is a mise en abyme.

Begging the question of what can be defined as “form.”

The crowds learned that they could not act effectively in the present without confronting the past, specifically the historical treatment of indigenous people.

On the screen, only the image—not the word—can become the world.

It all started with a zesty little book about getting old.

Donald Creighton was a bigot and a curmudgeon, a cranky Tory with a chip on his shoulder. He was also the country’s leading historian, who changed the way that Canadians told their own story.

The novelist can often better define reality than the historian.

"We know that life-altering and possibly cataclysmic change is coming, and we continue to live as we have always done."

"Since the beginning of time (the telling of which is also a story), we have known that words are dangerous creatures."

Lacking in drama and embarrassingly undemocratic, Canada’s origins owe a lot to old-fashioned politics and not much to European battles or transcontinental railways.

"Authenticity is the essential quality of all travel literature, imaginary or real."

Alberto Manguel examines the rich symbology of the fist, a primal symbol of rebellion and grief, across cultures and history.

"Cross-country skiing offered me the reassurance sought by the immigrant who is excluded from his locality’s history: a viable alternate route to belonging."

Stephen Henighan asks: what if you don't have a tidy answer to "Where are you from?"

Aboriginal people are creating a new version of Canada, and non-Aboriginals can lend a hand or get out of the way—Daniel Francis on the new Canadian narrative.

Daniel Francis discusses Canada's failing mental health care system and its long history of mistreatment.

The writer who is loved by all, by definition, neglects literature’s prime responsibility: to offend.

"Resistance to wars is as much a Canadian tradition as fighting them." Daniel Francis discusses alternative histories, anti-draft demonstrations and the divisive nature of war.

"Sometimes, in politics or history, certain words, certain names are sufficient unto themselves: it is as if there were names that once pronounced require no further telling."

European Jewish artisans on horseback in Argentina.

"In the public eye, universities have never recovered from the antics of Donald Sutherland as Professor Jennings in the 1978 film Animal House."

Daniel Francis asks why a high-speed commuter route runs through Stanley Park, Vancouver's precious urban oasis.

"A library is never finished, only abandoned." Alberto Manguel on incompletion, voluntary interruption and the pleasure of the day before.

The assumption of mutual comprehensibility between speakers of Spanish and Portuguese creates a culture of mutual ignorance.