The fish is a suspended phantom, its magenta skeleton an exquisite, vibrant exhibit of what lies beneath

‍

A wildland fighter witnesses an old burn's second act

Memories sneak up, tiptoe quiet as a cat. Boom like a slapshot

The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

‍

This invertebrate does not go looking for prey

‍

For the sake of the large romantic gesture

‍

Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

‍

No Skylab buzz in East Germany.

‍

Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

If marriage was a television show, it might look something like this.

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Destroying books for the greater good.

Remembering Norbert Ruebsaat.

Losers: you have a lifetime to hunt.

"I never went looking for them."

“The first time I met him, he caused me to float to the ceiling"

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

‍

I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

‍

New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

‍

I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Mastery of the self

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Neil MacDonald reviews Streeters, a compilation of Rick Mercer's solo rants and raves from 22 Minutes, covering everything from Mike Harris in a Speedo to "Canuba," a sovereignty association between Canada and Cuba.

Kris Rothstein reviews Souvenir of Canada, which appeared at the 2005 Vancouver International Film Festival, and Douglas Coupland's role in it and appearance at the festival.

In Stickboy, Shane Koyczan asks: what happens when the bullied begins to bully back? Reviewed by Michal Kozlowski.

Luanne Armstrong reviews "three of the better books of short stories to come out in 2001"—Kingdom of Monkeys, Simple Recipes and Sputnik Diner.

Despite high hopes, Stephen Osborne calls Shoot! by George Bowering his biggest disappointment.

Patty Osborne reviews Women of the World: Women Travelers and Explorers by Rebecca Stefoff, a book—complete with maps, drawings and photographs—that describes the travels of nine women.

Michal Kozlowski reviews Andy Brown's debut novel The Mole Chronicles, which charts a sibling relationship involving moles, comic books, swimming pools, kidnapping, culture jamming and more.

Clare Coughlan reviews her experience seeing (and before that, waiting in line to see) The Love Crimes of Gillian Guess.

"Scallions are eaten raw by self-assertive people": Why S.K. Grant was surprised to discover The Joy of Cooking as a literary work.

Two different novels about family dysfunction—This Is Where I Leave you and The Corrections—written by two different Jonathans. Reviewed by Jocelyn Kuang.

The Girl Without Anyone is a series of linked short stories by Kelli Deeth, dealing with a teenage girl's budding sexuality, self-doubt and confusion. Reviewed by Patty Osborne.

Karen Schendlinger reviews The Eyre Affair and Lost in a Good Book by Jasper Fforde, two smart, allegorical crime novels starring a detective named Thursday Next.

It takes Patty Osborne a month to get halfway through the 462 pages of the Giller Prize-winning novel The Polished Hoe, which is only halfway through the 24 hours during which the story takes place.

Sarah Leavitt reviews Fun Home: A Family Tragicomic, Alison Bechdel's first graphic novel full of vibrantly alive, expressive characters and richly satisfying extras.

Between the Door Posts, by Isa Milman (Ekstasis Editions), begins with this quote from Kafka: “How can one take delight in the world unless one flees to it for refuge?”

Bannock, Beans & Black Tea by the writer/comix artist Seth, is a small, beautiful, disturbing and touching book in which Seth has compiled, edited and illustrated his father’s stories of growing up poor—really poor—in St. Charles, P.E.I.

Asterix the Gaul (Orion), a comic book classic recently reprinted, tramples over all sorts of contemporary niceties.

Ashley Kahn’s book A Love Supreme: The Story of John Coltrane’s Signature Album, a lovingly detailed account of the creation of John Coltrane’s classic album of the same name, is a cause for celebration.

Just five pages into A Date With Destiny: Night of a Thousand Boyfriends by Miranda Clarke, I can’t decide whether to go to a hotel with an importer/exporter named Chaz, or ditch Chaz and go dancing at Club Neptune with a woman named Danni.

The fourth volume in the Da Capo Best Music Writing pulls together some of the finest music writing published in 2003. It is rife with typos, but the articles are compulsively readable and they cover “rock, pop, jazz, country and more."

Each book in the ongoing Complete Peanuts series (Fantagraphics) is beautifully designed by the Canadian cartoonist Seth, and features two years of thoughtfully reproduced daily and Sunday newspaper cartoon strips.

“I knew that I would dream that night of the city in flames, the brown-brick towers falling, caving in on themselves (in slow motion, great clouds of burning dust), proud lights flickering out, psssfft, all the messages going dark one by one."

Did you know that you are more likely to encounter Worcestershire sauce stains in winter and that correction fluid stains are most common in April?

The Secret Voyage of Sir Francis Drake 1577-1580, by Samuel Bawlf, completes the story of European adventure in the north of North America in the sixteenth century.

Alberto Manguel's column from Geist 93 about how the most important Turkish novelist of modern times took over fifty years to reach English-speaking audiences.

"Canadians have long been convinced that we do not know much, or care much, about our own history, but a new study suggests that this truism is not true."

A look back at World War I as the first great twentieth-century pollution of language.

An appreciation of Dante's "Commedia."

The canoe as a fetish object, a misreading of Canadian history and a symbol of colonial oppression.

Despite hardships and dangerous slums, Nicaragua maintains a sense of hope that draws back to the democratic days of the Sandinistas.

Ruskin's readers have the power to know that there is indeed room for Alice at the Mad Hatter's table.

In order to discharge ourselves of certain problems, why not simply erase from our maps the sites of such nuisance?

What does it mean to "be" yourself? The face reflected in the mirror is unrecognizable.

In the farmer’s market, a quintessentially Canadian setting, much of Canada is not visible.

In this essay, Daniel Francis discusses how Gerda Munsinger—a woman with ties to the criminal underworld—shaped Canadian politics in the 1960s.

Reflections on John Updike's death.

Atanarjuat: The Fast Runner is a film about community and the north.

Slot machines sing their astral music. The tape recorder turns off. “Do you talk to friends about sex?” he asks.

The Geist map has a venerable ancestor that goes back four centuries and halfway around the world.

There may be more to reality TV than meets the eye.

I'm always looking for the moment in which a character must stop to eat because, for me, the very mention of food humanizes a story.

During the 1980s the literary critic Edward Said organized occasional research seminars at Columbia University in New York.

The books we love become our cartography.

One thing Canadians have learned from our armed incursion into Afghanistan is that we do not have a vocabulary for discussing war or warlike events.

The atrocities were carried out in the name of some version of “civilization” that the Queen represented.

There are imaginary cities for scientists, vampires, lechers and even bad students—but what about writers?

Is it the icons of Canadian pop culture—hockey fights, Tim Hortons coffee, Don Cherry’s haberdashery, Rick Mercer’s rants—that reveal the deepest truths about us?

After fol