The first time I met Andy Warhol he was wearing a black sweater and pants; the second time he was wearing white tie and tails (it was at Lincoln Center). The third time I met him, at Arthur, the disco opened in the sixties by Sibyl Burton, he was wearing a jersey made of silver mail.

In early March 2003, when I arrived in Taiwan to teach English, I took to the streets of Taoyuan County to take some photographs. I was looking for anything—signs, market scenes, strange faces, cityscapes, bus stations, barber shops—but all I could see was dogs. These dogs were not pets, though they may once have been. They were strays—dogs that lived on their own.

Who today remembers the man who carried Einstein’s head in a box through the streets of Vancouver? We remember clearly the box (dark wood, varnished, the door on brass hinges: what about the latch?) with Einstein’s head in it, a plaster model (was it plastic, perhaps? modelling clay? plasticine?)

Twenty-five years ago in Vancouver, an underground publishing house threw a party in a mansion in a wealthy neighbourhood of curving streets with no sidewalks, to celebrate a new book.

She would see him sometimes around Yaletown, her former counsellor, heading glassy-eyed toward a bar or creeping up the back steps of the massage parlour.

The time had come for our marathon trek through Europe. I was ten, and hated it already.

A greying, sunburnt American mis­sionary stopped us in the fruit market and invited us for a drink.

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Toward the end of her life I drew close to Althea, the cat who had been with Mary and me for five or maybe six years, ever since her real owner, Mary’s daughter Karen, had to find a home for her when a landlord invoked the no-pets rule, and Mary and I were living mere blocks away, completely petless and, some might say, carefree.

With the approach of her tenth summer, Julia considers the holidays that lie before her: will there be too many things for her to do? Trying to look ahead from school time, with its time-tables and schedules, makes it hard to remember, or to imagine, what summertime will be before summer arrives and the school year ends. In the summer when I was Julia’s age I heard Elvis Presley for the first time, down by the river on the jukebox in the fish-and-chip joint where teenagers went to hold hands and drink ice cream sodas and eat salted french fries drenched in vinegar.

I am down in the cabin and Ross, who is eighty feet up in the fire tower, sees smoke. He tries to report it but his radio isn’t working and nobody can understand him. They phone him back on the cell: does he need the water bombers? He says no, it’s just a spot fire. In that moment a huge gust of wind blasts through the cabin, blows a towel off a rack, slaps it against the valve of the water cooler and turns on the water.

My mother stands at the top of the stairs, thin as a skeleton and reeking of booze. “Are you drunk?” I ask. “No,” she says. “Have you had anything to drink today?” “No,” she says. Lies, all lies. There are always more.

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Mastery of the self

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

"If you are still alive, you must have had the experience of surrendering."

Stephen Osborne reviews Janet Malcolm's book of essays and discusses the worst novel ever published in Canada.

Mary Schendlinger reviews The Spirit Catches You and You Fall Down, the riveting tale of “a Hmong child, her American doctors and the collision of two cultures.”

Britt Huddart reviews Only Lovers Left Alive by Jim Jarmusch, not your average anguish and fangs vampire movie.

Michael Hayward reviews The Stray Bullet: William S. Burroughs in Mexico and Peter Orlovsky: A Life in Words, works for "only the most dedicated fans of Beat literature."

Lily Gontard reviews The Luminaries and The Douglas Notebooks, two award-winning novels you might not have heard of.

Jill Mandrake reviews There Can Never Be Enough by David Arnason, a combination of dreamscape and tragicomic monologue.

Sex, suicide, Nelson and Cabbagetown—Patty Osborne reviews The Modern World and The Secret Life of Fission, two hard-hitting story collections.

Kelsea O'Connor reviews 101 Two-Letter Words, an illustrated Scrabble guide by Stephen Merritt with running themes of sloths, songwriting and vampire dogs.

Jill Mandrake is blown away by South of Elfrida by Holley Rubinsky, a journey into "the land of guilt and sorrow."

Roni Simunovic reviews Seconds by Brian Lee O'Malley, a graphic novel about getting second chances whether you deserve them or not.

Jesmine Cham talks scaremongering, tinfoil hats and invasive technology in this review of Technocreep by Thomas P. Keenan.

"This is not a documentary; it is, however, an overpowering aesthetic and emotional experience, a true happening"—Stephen Osborne reviews Susan Sontag's film Promised Lands.

Eve Corbel reviews Follow the Rabbit-Proof Fence by Doris Pilkington, in which two girls are taken from their family by Western Australia government officials in 1931.

Michael Hayward reviews Stefan Zweig's The World of Yesterday, a "a window into the vanished world of the Austro-Hungarian Empire."

Dylan Gyles reviews Your Fathers, Where Are They? And the Prophets, Do They Live Forever? by Dave Eggers, the story of a disillusioned young man grappling with life, the universe and metaphysical truths.

Michael Hayward reviews American Smoke by Iain Sinclair, an account of the author's road trip across North America in search of traces of the Beat Generation.

Roni Simunovic reviews Based on a True Story by Elizabeth Renzetti, the bizarrely fascinating tale of a washed-up soap star's struggles with unemployment and substance abuse.

Lily Gontard reviews Cheryl Strayed's Wild: From Lost to Found on the Pacific Crest Trail, a memoir about crisis, redemption and hiking.

Roni Simunovic investigates Hatebeak, a death metal band with an African Grey parrot vocalist.

Kelsea O'Connor reviews Through the Woods by Emily Carroll, a collection of comics full of "ghosts, parasites, dead brothers, mysterious strangers and murderous husbands."

“I walked into the garage, and found a teenage boy in a tank top and shorts." Kathryn Mockler's poems eschew meaningless metaphors for direct language.

Michael Hayward reviews The Old Castle’s Secret by Carl Barks.

Michael Hayward reviews My Struggle Book 1: A Death in the Family by Karl Ove Knausgård.

Lily Gontard reviews Nocturne: On the Life and Death of My Brother by Helen Humphreys.

Phrase books are tools of cultural globalization—but they are also among its casualties.

When building a nation, cultural riches can be lost.

Coming to harbour in a new world.

Science and the arts fulfil their functions to help us survive through the imagination.

Dividing and conquering local populations confines them to manageable administrative units.

In a world dominated by heroes, difference is not tolerated.

“Have patience” and “Tomorrow” are two inseparable locutions in the Portuguese tongue.

For a brief period the band CANO gave shape to the dream of a bilingual Canadian culture.

"The hemispheric context reveals the roots of the residential school system...Destroying Indigenous cultures was a positivist policy from Patagonia to Dawson City."

Lisa Bird-Wilson on UNDRIP, reconciliation, and the anxiety felt by Indigenous people in Canada.

What we do when we absorb words from a screen—and we haven’t yet evolved a verb for it—is not reading.

Libraries are not only essential in educating the soul, but in forming the identity of a society.

Our society is formed on the assumption of a healthy immune system.

The woman who called herself Tatiana Aarons gave me an address that led to a vacant lot.

Dogged dedication grants a reader vicarious immortality.

What we can—and can’t—learn from the plague

On March 5, 2006, a group of people gathered in a small Ontario city in the expectation of having books signed by an author who was not present.

The newspaper wars aren’t what they used to be.

A package-deal paradise reputation curtails gringo knowledge of Dominican life.

Faith seems to shiver when confronted by art.

What can the Brothers Grimm teach us about the state of our economic system? Everything.

Must artists declare their moral integrity?

Without air travel, family networks might have dissolved long ago.

There’s something not quite right about the grid on which the game is played.