Jan Feduck faces Frenchish food, vomit and guys from Ontario when her ferry from the Magdalen Islands is caught in a hurricane.

“Don’t try to make anything happen,” the calm voice said. Dylan Gyles visits a sensory deprivation float tank.

Stephen Osborne attends a gallery opening for Elisapee Ishulutaq, an 89-year-old Inuit artist who has been making prints in Pangnirtung, Nunavut for 40 years.

Stephen Osborne discovers that some of the most startling papers in the city archives are the letters and diaries of the first archivist himself.

A young Canadian man visits family in Pakistan to settle a generational feud.

Does a house that has been home to four generations of one family still hold their electricity?

Opa, you know that sometimes people say things, well, indirectly? They don’t say everything that they mean?

At the Jubilee Cinema, the manager carries an imitation pistol in the John Dillinger style.

A Vancouver rock band made up of musicians, photographers and at one time, a prominent sci-fi writer.

Shared family memories of burnt baked goods.

A new pet kitten becomes part of the family.

The Calgary floods left behind a stew of knee-deep mud, and waterlogged piles of couches, fridges, books, toys, artworks, chairs, carpet, drywall...

That dreamlike quality causes rational minds to dismiss the moment as “only a coincidence.”

Headlines featuring crack-smoking mayors and election fraudsters.

Rick laughed. I walked away. I was irritated at Henry, at Lee for getting stoned and being paranoid and leaving without saying goodbye, at Rick, at everyone.

Two women on motorcycles: one in the dead zone of Chernobyl, and the other in the cactus country of Kamloops.

The first time losing a game of Scrabble and the last time taking a train cross-country.

"One way or another we all write out of this place,” comments Patricia Young in Writing Life (McClelland & Stewart), edited by Constance Rooke, a collection of essays by fifty writers, most of them Canadian, about the process and perils of authorship

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An account of the circumstances surrounding seven literary honours bestowed on a writer.

A young man comes into possession of a 1957 Pontiac, modelled after one owned by a legendary pianist.

Shiny bras and worn-in sweaters—the clothes do make the woman.

You had to sleep in it and fall in love in it.

A writer talks about personal health issues and their connection to his family history.

In 1946, a young bride writes home about her month-long sea voyage to her new home on Baffin Island.

Former Iranian schoolteacher, Mehrar Arbab escaped execution, moved to Canada and now earns a living sellingAll Beef Smokies.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

"If cities can be said to be alive, how many of them dream of growing up to become Paris?" Michael Hayward reviews How Paris Became Paris by Joan DeJean.

Kris Rothstein recounts her experience at the Pickathon, a music festival in Portland, Oregon.

Patty Osborne reviews Do You Think This Is Strange? by Aaron Cully Drake, a look into the mind of an autistic teenage boy.

Daniel Francis reviews Toronto: Biography of a City, a book bound to irritate readers who live outside Toronto—the "centre of the Canadian universe."

AnnMarie MacKinnon reviews Einsteinium (Es), an element discovered by a non-Einstein Albert.

"In Martin John, Anakana Schofield’s new novel, the reader is beckoned, saluted, enticed and then drawn inexorably into the life of a demented young man."

Eve Corbel reviews two short biographic documentaries: Seth's Dominion and I Thought I Told You to Shut Up.

Beyond: The Queer Sci-Fi and Fantasy Comics Anthology is an action-packed, swashbuckling collection of short comics produced by twenty six writers and artists of diverse sexualities and genders.

Stephen Osborne discusses the happiness level of Vancouver, the best place on earth.

AnnMarie MacKinnon reviews Death and the Penguin, a novel that follows the life of a young Ukrainian writer and his penguin.

Stephen Osborne talks about Bearded Ladies, a documentary about the works of renowned photographer Rosamond Norbury.

Jill Mandrake reviews Local Customs by Audrey Thomas, a ghost story and murder mystery set in West Africa.

Michael Hayward reviews Moomin: The Deluxe Anniversary Edition by Tove Jansson, a collection of comic strips that contain "the poetry of our world: sad, joyful, dangerous, enchanting."

Roni Simunovic reviews Queer and Trans Artists of Color: Stories of Some of Our Lives by Nia King, a collection of interviews about gender and sexuality, and how to make art, make rent and survive.

Stephen Osborne finds a copy of Francoise Sagan's Those Without Shadows at the bus stop, complete with margin notes that create a new sort of text.

Patty Osborne reviews The Perimeter Dog by Julie Vandervoort.

Michal Kozlowski reviews Stardust, Bruce Serafin's essay collection: "punchy narrative, little exposition, unburdened by political correctness."

Stephen Osborne reviews The Bourgeois: Between History and Literature by Franco Moretti.

"When your narrator has Alzheimer’s Disease, neither you nor she can be sure of the facts, which is what makes this such an intriguing story."

"We don’t often get clear and honest reflections out of hundred-year-old men, which is why Frank White’s new book is such a great read."

Michael Hayward reviews the honest, outrageous and at times unflattering biographies of Lucian Freud and Rockwell Kent.

Mandelbrot reviews The Secret Parts of Fortune: Three Decades of Intense Investigations and Edgy Enthusiasms by Bruce Dern.

Kelsea O'Connor reviews Kitten Clone by Douglas Coupland, a "humanizing portrait" of Alcatel-Lucent, the company that developed the internet we know and love today.

Dylan Gyles embarks on a quest to read all of literature's most difficult tomes, starting with Gravity's Rainbow by Thomas Pynchon.

Military coups, civil wars, and NAFTA are the cause of trilingual labels in Canadian big box stores.

A writer whose work is among the most important contributions to the literature of the Holocaust is forgotten by almost all.

During the 1950s the RCMP used a machine to identify federal employees who were homosexuals. The name of this bogus device? The "fruit machine," of course.

Richard Stursberg’s memoir of his years in CBC programming raises the question: How did someone with no sympathy for public broadcasting get the job in the first place?

Stephen Henighan argues that efficiency has become a core value that heightens social divisions.

In the world between here and there, what place does one call home?

Stephen Henighan remembers Mavis Gallant, the original nomad of Canadian literature, who wrote some of Canada's finest fiction at Pablo Picasso's café table in Paris.

Stephen Henighan investigates bus travel as one of Canada's last surviving democratic spaces.

Daniel Francis investigates the practice of visiting asylums and penitentiaries as entertainment in nineteenth-century Canada.

How much does a photograph really capture the essence of a person?

Daniel Francis explores the photographer as Vancouver's most interesting historian.

Alberto Manguel reflects on art as a witness to the human desire to be infinite and eternal.

As Canadian leaders look to emulate Asian nations, our government fails to see that the tigers' fatal flaw is the absence of democracy. Or, maybe they do see.

The Great White North gets rebranded and gains some military muscle: goodbye peacenik, hello soldier.

I’ve now read Comment parler des livres que l’on n’a pas lus? and I’m happy to say that I was right.

A French writer whose name I hadn’t heard before, Pierre Bayard, has written a book called Comment parler des livres que l’on n’a pas lus? published by Éditions de Minuit in a collection aptly titled Paradoxe. A number of critics in France have writt

In 2002, when my essay collection When Words Deny the World was published, people started behaving strangely. Ambitious young writers scurried out of sight when I entered a room, as though afraid that irate authors might banish them from Toronto for having spoken to me.

One of the indispensable figures of contemporary journalism is the cutting-edge cultural commentator. The columnist who offers sardonic insights into trends, fashions, television shows and publishing personalities has become an institution.

Since the Wall came down, East German socialists in Prenzlauer Berg are free to sip coffee and talk about art.

When the crash came, Canadians paid the price for the colonized mentalities of their investment advisors.

I met Alejandra Pizarnik in Buenos Aires, in 1967, five years before her death. I had asked her to contribute to an anthology of texts that purported to continue an interrupted story begun in Shakespeare’s The Winter’s Tale: “There was a man dwelt by a churchyard.” She agreed and wrote a haunting piece called “Los muertos y la lluvia,” “The dead and the rain.” The book was never published, but we became friends.

From the trench coat to the Hummer, what does the militarization of style say about us?

In 2007, when The Penguin Book of Canadian Short Stories was published, Urquhart sent me a copy. As I examined the table of contents, I felt a dull thunk in my chest.

When General James Wolfescampered up the steep path that carried him onto the Plains of Abraham andinto the pages of the history books, what was he thinking?