"Campbell River, best fishing in the world. They do every­thing for you. All you have to do is bring yourself and decide what you're going to drink."

A nervous kid from Canada becomes the king of the basketball courts in Venice Beach.

Before people 'poked' and 'tweeted', waving was how we said hello and goodbye to each other.

A new dispatch from Geist's 20th Anniversary Collector's Edition."How did more shots fired represent what we miss in life, in city life?"

Last month we had a visit from Eliz­abeth Anderson, who hails from Min­neapolis, Minnesota, where she is a graduate student at the state univer­sity. Her field of study is Canada, and she also writes about Canada for Utne Reader.

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Was that a ghost?Why don't you have room service?We used up all your Kleenex. Sorry.Read more entries from a guest book found in room ten of a hotel in British Columbia's Okanagan Valley.

In Drukpa Kunley's monastery in Bhutan, Daniel Collins experiences a birthday blessing among phallic iconography.

Stephen Osborne recollects his encounter last summer with Robert Service outside a cafe in Vancouver. Service, who wrote the poem "The Cremation of Sam McGee," died in 1958.

Stephen Osborne memorializes D.M. Fraser, a tiny ancient man at the age of twenty-six, who wrote sentences that made you want to take him (and them) home with you.

Author Michael Turner riffs on D.M. Fraser's short fiction Class Warfare, one of the ten classic Vancouver books reissued for Vancouver's 125th birthday.

In this city of tall buildings, the most imposing shadows are cast by women.

A decadent feast of poetry; but what will it do to your heart?

Plumb the depths of the Aquafit subculture with our embedded nonagenarian.

Four days after Sandy, Shucard's parents are in good humour, very brave and very glad to see him—and unsure if he's taking them to Bolivia, Azerbaijan or Canada.

Thad McIlroy undergoes a hernia operation—and with Neil Diamond and the right kind of drugs, it might only take ten minutes.

Sheila Heti spends a day in a diner in Toronto observing the enormous EUCAN electrified garbage can at the corner of College and Bathurst.

A feminist writer/publisher sought out stories of the partition of India: atrocity and hardship, looting, rape and murder committed by and upon Hindu, Muslim and Sikh.

At a taping of George Stroumboulopoulos Tonight, Chelsea Novak meets Canada's boyfriend.

Michael Turner questions a US-curated exhibit of Canadian art that exoticizes Canadian artists while suggesting they are un-exotic.

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Francois-Marc Gagnon explores curiosity as the opposite of indifference.

Ted Bishop visits Edith Iglauer and her husband Frank in their seaside home, where he is treated to a fast drive on a winding road, conversation on good books, and a lesson on what it's like to grow old gracefully.

Jane Silcott explores the ideas of beauty and mimicry both in theory and in the wilds of a motel complex.

Stephen Osborne compares the "major problem" of loitering in 1968 Vancouver to the 2012 Occupy movement.

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On a dark day in January in Toronto, when the sky was much too close to the ground, I went to see the grave of Timothy Eaton with my friend Tom Walmsley.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

Jim Christy and the editors who worked on Rogues, Rascals, and Scalawags Too should be congratulated for their uncanny ability to squeeze every last euphemism out of their thesauri.

Thad McIlroy reviews Paris Nocturne by Patrick Modiano, a Nobel Prize-winning author.

"The miscellanist Rob Kovitz in his new book Dead and Cold has assembled, coordinated or otherwise summoned into being the best, the most spellbinding and the most chilblain-inducing account of death in the Arctic that you will ever read."

Craft Distilling: Making Liquor Legally at Home by Victoria Redhed Miller is a no-nonsense how-to book, and a rational plea to lift laws that prevent small-batch not-for-profit distilling.

Leonard Cohen pays a visit to the neighborhood in song.

Lily Gontard reviews Passage (2008), directed by John Walker.

Rebekah Chotem reviews Sleeping Giant, a critically-acclaimed coming-of-age film directed by Andrew Cividino.

"To properly understand Mayor Gregor Robertson’s ongoing bicyclification of Vancouver, I think we need more books like Jon Day’s Cyclogeography: Journeys of a London Bicycle Courier, an extended essay about 'the bicycle in the cultural imagination.'"

In The High Mountains of Portugal (Knopf), Yann Martel returns to magic realism in three interwoven stories about lost love and journeys taken to reclaim the past.

"Sex for Dummies, the 'Fun and Easy Way to Have Great Sex in the ’90s,' sat in the window of my neighbourhood bookstore and I bought it because, as a twenty-three-year-old, I was curious about what sex was like before my time."

Michael Hayward reviews a number of travelogues by Daniel Canty and Bill Porter.

Mary Schendlinger reviews M Train by Patti Smith and My Life on the Road by Gloria Steinem.

"It’s well documented that Hollywood films use Canada to stand in for the US, including Brokeback Mountain, Good Will Hunting, the Twilight series, Rambo’s First Blood and many, many more blockbusters."

Hint: It’s not your own.

Alberto Manguel’s A History of Reading taught me to read.

"Poetry is the most personal of the literary arts; laureates notwithstanding, few poets enjoy national stature nowadays, and fewer still are known beyond the boundaries of their native land."

At the age of 30, Gladys Aylward, a housemaid, bought a ticket from London, England, to Yangcheng, Shanxi Province, China, in order to work as a missionary.

The Western Front, Canada’s longest running artist-run centre, recently hosted a public screening of two dozen or so films from their archive of readings by poets from the 1970s, 80s and 90s.

Meet the new bosses of a futuristic New York. Same as the old boss?

Rebekah Chotem reviews the film adaptation of Room by Emma Donoghue.

CBC Radio celebrated National Poetry Day by reading a poem written in 1916 by Bliss Carman, which raises the question: are there no living poets who cut the mustard?

Michael Hayward reviews Everything Rustles by Jane Silcott and Born Out of This by Christine Lowther.

Lily Gontard reviews A Rock Fell on the Moon by Alicia Priest and The Stone Thrower by Jael Ealey Richardson.

Over Christmas I read my friend Stephen Osborne’s book Ice & Fire (Arsenal Pulp Press), which is also a Geist Book, and felt I was reading a handshake: familiar and new.

Memories lie because they build on memories. I think that I remember something, but in fact I remember remembering it, and so on through countless layers of memory. Every memory is a mise en abyme.

Begging the question of what can be defined as “form.”

The crowds learned that they could not act effectively in the present without confronting the past, specifically the historical treatment of indigenous people.

On the screen, only the image—not the word—can become the world.

It all started with a zesty little book about getting old.

Donald Creighton was a bigot and a curmudgeon, a cranky Tory with a chip on his shoulder. He was also the country’s leading historian, who changed the way that Canadians told their own story.

The novelist can often better define reality than the historian.

"We know that life-altering and possibly cataclysmic change is coming, and we continue to live as we have always done."

"Since the beginning of time (the telling of which is also a story), we have known that words are dangerous creatures."

Lacking in drama and embarrassingly undemocratic, Canada’s origins owe a lot to old-fashioned politics and not much to European battles or transcontinental railways.

"Authenticity is the essential quality of all travel literature, imaginary or real."

Alberto Manguel examines the rich symbology of the fist, a primal symbol of rebellion and grief, across cultures and history.

"Cross-country skiing offered me the reassurance sought by the immigrant who is excluded from his locality’s history: a viable alternate route to belonging."

Stephen Henighan asks: what if you don't have a tidy answer to "Where are you from?"

Aboriginal people are creating a new version of Canada, and non-Aboriginals can lend a hand or get out of the way—Daniel Francis on the new Canadian narrative.

Daniel Francis discusses Canada's failing mental health care system and its long history of mistreatment.

The writer who is loved by all, by definition, neglects literature’s prime responsibility: to offend.

"Resistance to wars is as much a Canadian tradition as fighting them." Daniel Francis discusses alternative histories, anti-draft demonstrations and the divisive nature of war.

"Sometimes, in politics or history, certain words, certain names are sufficient unto themselves: it is as if there were names that once pronounced require no further telling."

European Jewish artisans on horseback in Argentina.

"In the public eye, universities have never recovered from the antics of Donald Sutherland as Professor Jennings in the 1978 film Animal House."

Daniel Francis asks why a high-speed commuter route runs through Stanley Park, Vancouver's precious urban oasis.

"A library is never finished, only abandoned." Alberto Manguel on incompletion, voluntary interruption and the pleasure of the day before.

The assumption of mutual comprehensibility between speakers of Spanish and Portuguese creates a culture of mutual ignorance.