A writer roams her sleepscape in search of the extraordinary subconscious

The log jam is tall and wide and choosing wrong means we don’t make it home

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The fish is a suspended phantom, its magenta skeleton an exquisite, vibrant exhibit of what lies beneath

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A wildland fighter witnesses an old burn's second act

Memories sneak up, tiptoe quiet as a cat. Boom like a slapshot

The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

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This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

If marriage was a television show, it might look something like this.

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Destroying books for the greater good.

Remembering Norbert Ruebsaat.

Violence could not reach them only when they were distant as the moon, not of this world

“The first time I met him, he caused me to float to the ceiling"

Sebastian and I enjoy making fun of le mythomane. We compare him to characters in novels. Maybe he can’t return home because he’s wanted for a crime.

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Mastery of the self

Helen Garner’s novel "The Spare Room" opens in Melbourne as the protagonist and narrator, a middle-aged woman also named Helen (hmm), prepares for the visit of Nicola, her dear friend.

Her story powers along; eventually she will arrive at the start, returning to the losses set down in the preface, losses so terrible we won’t mind if she chickens out.

Jack Kerouac, that prototypically “all-American” writer, was born to Québécois parents, and raised in the midst of an expatriate French-Canadian community in the mill town of Lowell, Massachusetts.

A middle-aged man moves to a new city to restart his life, gets to know an old man named Oliver, and after only a few months realizes that he has fallen in love with both the new city and the old man.

Fawzia Mirza on the white, Western concept of coming out: "We have to let go of thinking that there’s one right way to be. It’s about finding better words and language to talk about the gay experience."

Shakespeare and Company bookstore in Paris regularly makes it onto lists like The World’s Coolest Bookstores and The 20 Most Beautiful Bookstores in the World.

In 1997, when Internet connections were dial-up and most of us were just trying to figure out how the World Wide Web worked, a group of people had the foresight to see that the Internet could be a powerful tool for the anti-poverty movement.

The poet and artist P.K. Page wrote Mexican Journal (Porcupine’s Quill) from 1960 to 1963, while posted in Mexico with her husband, Ambassador W. Arthur Irwin.

When I tried to describe the weird and wonderful book Accordéon by Kaie Kellough (ARP) to two Québécoise friends, I had to resort to reading a few excerpts because my own words failed me.

For Ove, the central character in the film A Man Called Ove there is nothing ahead but frustration, disappointment and sadness. “It’s just chaos when you’re not here,” he says to his newly departed wife as he lays flowers on her grave.

The first thing John K. Samson said when he and his band stepped onstage at the Commodore Ballroom on February 2 was, “Hi, we’re a middle-aged soft rock band from Winnipeg, Manitoba.”

Those who were close to the late John Berger have spoken of his generosity, praising Berger’s collaborative nature and his ability to establish and sustain creative friendships throughout a long and productive life.

In The Abominable Mr. Seabrook, Joe Ollmann begins with a reflective preamble called “Me and Mr. Seabrook,” part of which reads, “I realized that no one knew about Seabrook’s work—all his books were out of print at the time…”

The One Hundred Nights of Hero by Isabel Greenberg (Doubleday Canada) is a beautifully illustrated graphic novel offering feminist adaptations of folk tales wrapped in an epic-feeling love story.

In Hanya Yanagihara’s A Little Life (Doubleday) the main character Jude says “I’m sorry” over 100 times. And he adds in “I’m so sorry” 30 times.

Michael Hayward reviews the sweater that Sarah Lund wears in every episode of Season 1 of The Killing, a serial crime drama.

The Thrilling Adventures of Lovelace and Babbage by Sydney Padua asks the question: what would the world be like if mathematician Ada Lovelace and inventor Charles Babbage had succeeded in creating the first Victorian computer?

Jill Mandrake a new series called Christmas Ghost Stories (Biblioasis), selected and illustrated by Seth.

This fast-paced, quirky, heart warming and hilarious novel captures the fast and loose crossovers of language and culture that make southeast New Brunswick unique.

This past December longtime Geist columnist Stephen Henighan did a promotional tour of western Canada for his latest novel, Path of the Jaguar.

Michael Hayward reviews Some Rain Must Fall, part of the six volume memoir by Karl Ove Knausgaard.

"The Orange Grove is dry and sparse and heartbreaking, much like the unnamed country in which it takes place."

Pym’s loving but sly take on the world is reminiscent of Jane Austen, but I find Pym funnier and somehow more shrewd and gentle in her satire.

When faced with the gnarly writing of Thomas Bernhard readers experience again and again the difficulty of summarizing what they are reading, of thematizing what they have read.

Alberto Manguel's column from Geist 93 about how the most important Turkish novelist of modern times took over fifty years to reach English-speaking audiences.

"Canadians have long been convinced that we do not know much, or care much, about our own history, but a new study suggests that this truism is not true."

A look back at World War I as the first great twentieth-century pollution of language.

An appreciation of Dante's "Commedia."

The canoe as a fetish object, a misreading of Canadian history and a symbol of colonial oppression.

Despite hardships and dangerous slums, Nicaragua maintains a sense of hope that draws back to the democratic days of the Sandinistas.

Ruskin's readers have the power to know that there is indeed room for Alice at the Mad Hatter's table.

In order to discharge ourselves of certain problems, why not simply erase from our maps the sites of such nuisance?

What does it mean to "be" yourself? The face reflected in the mirror is unrecognizable.

In the farmer’s market, a quintessentially Canadian setting, much of Canada is not visible.

In this essay, Daniel Francis discusses how Gerda Munsinger—a woman with ties to the criminal underworld—shaped Canadian politics in the 1960s.

Reflections on John Updike's death.

Atanarjuat: The Fast Runner is a film about community and the north.

Slot machines sing their astral music. The tape recorder turns off. “Do you talk to friends about sex?” he asks.

The Geist map has a venerable ancestor that goes back four centuries and halfway around the world.

There may be more to reality TV than meets the eye.

I'm always looking for the moment in which a character must stop to eat because, for me, the very mention of food humanizes a story.

During the 1980s the literary critic Edward Said organized occasional research seminars at Columbia University in New York.

The books we love become our cartography.

One thing Canadians have learned from our armed incursion into Afghanistan is that we do not have a vocabulary for discussing war or warlike events.

The atrocities were carried out in the name of some version of “civilization” that the Queen represented.

There are imaginary cities for scientists, vampires, lechers and even bad students—but what about writers?

Is it the icons of Canadian pop culture—hockey fights, Tim Hortons coffee, Don Cherry’s haberdashery, Rick Mercer’s rants—that reveal the deepest truths about us?

After fol