From Mapping a Sense of Place: The Photographs of Manfred Buchheit, 1972-1995, an exhibition curated by Bruce Johnson for the Art Gallery of Newfoundland and Labrador.

Does the individual have difficulty finding words, finishing sentences or naming people or things?

Veronica Gaylie encounters Trevor Linden, the Greatest Canuck Who Ever Lived, in economy class.

One instinctive action saves a life in Vancouver’s Downtown Eastside.

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Another classic story from Geist's 20th Anniversary Collector's Issue."I felt disoriented, almost light-headed, as though I were slightly stoned or moving inside a dream."

Last month we had a visit from Eliz­abeth Anderson, who hails from Min­neapolis, Minnesota, where she is a graduate student at the state univer­sity. Her field of study is Canada, and she also writes about Canada for Utne Reader.

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A new dispatch from Geist's 20th Anniversary Collector's Edition."How did more shots fired represent what we miss in life, in city life?"

Before people 'poked' and 'tweeted', waving was how we said hello and goodbye to each other.

A nervous kid from Canada becomes the king of the basketball courts in Venice Beach.

"Campbell River, best fishing in the world. They do every­thing for you. All you have to do is bring yourself and decide what you're going to drink."

Stephen Osborne recollects his encounter last summer with Robert Service outside a cafe in Vancouver. Service, who wrote the poem "The Cremation of Sam McGee," died in 1958.

In Drukpa Kunley's monastery in Bhutan, Daniel Collins experiences a birthday blessing among phallic iconography.

Was that a ghost?Why don't you have room service?We used up all your Kleenex. Sorry.Read more entries from a guest book found in room ten of a hotel in British Columbia's Okanagan Valley.

Author Michael Turner riffs on D.M. Fraser's short fiction Class Warfare, one of the ten classic Vancouver books reissued for Vancouver's 125th birthday.

Stephen Osborne memorializes D.M. Fraser, a tiny ancient man at the age of twenty-six, who wrote sentences that made you want to take him (and them) home with you.

Plumb the depths of the Aquafit subculture with our embedded nonagenarian.

A decadent feast of poetry; but what will it do to your heart?

In this city of tall buildings, the most imposing shadows are cast by women.

Four days after Sandy, Shucard's parents are in good humour, very brave and very glad to see him—and unsure if he's taking them to Bolivia, Azerbaijan or Canada.

Francois-Marc Gagnon explores curiosity as the opposite of indifference.

Michael Turner questions a US-curated exhibit of Canadian art that exoticizes Canadian artists while suggesting they are un-exotic.

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At a taping of George Stroumboulopoulos Tonight, Chelsea Novak meets Canada's boyfriend.

A feminist writer/publisher sought out stories of the partition of India: atrocity and hardship, looting, rape and murder committed by and upon Hindu, Muslim and Sikh.

Sheila Heti spends a day in a diner in Toronto observing the enormous EUCAN electrified garbage can at the corner of College and Bathurst.

Thad McIlroy undergoes a hernia operation—and with Neil Diamond and the right kind of drugs, it might only take ten minutes.

A first-hand account of Greenpeace's first expedition to stop U.S. underwater nuclear testing on September 15, 1971.

Review of "Censorettes" by Elizabeth Bales Frank.

Review of "Memories: From Moscow to the Black Sea" by Teffi (trans. Robert Chandler).

Review of "Our Flag Means Death" created by David Jenkins on HBO Max.

Review of No Fun (the band) and reissued music by Atomic Werewolf Records.

Review of "Godzilla Minus One" directed by Takashi Yamazaki.

Review of "Canzone di Guerra: New Battle Songs" by Daša Drndić, trans. by Celia Hawkesworth.

Review of "The Midnight Bargain" by C.L. Polk

Review of "The Invention of the Other" directed by Bruno Jorge (2022).

Review of "A Primer for Forgetting: Getting Past the Past" by Lewis Hyde.

Review of "Orwell: The New Life" by D.J. Taylor.

Review of "Iron Curtain Journals," "South American Journals" and "Fall of America Journals" by Allen Ginsberg.

Review of "Antkind" by Charlie Kaufman.

Review of "A Guest in the House" by Emily Carroll.

Review of "The Last Grain Race" by Eric Newby.

Review of "The Man in the Red Coat" by Julian Barnes.

Review of "Rubymusic" by Connie Kuhns.

Review of "A Russian Sister" by Caroline Adderson.

Review of the Netflix series "Rabo de Peixe" (2023) created by Augusto de Fraga.

Review of "My Grandfather’s Knife: Hidden Stories from the Second World War" by Joseph Pearson

Review of "Mercy Gene" by JD Derbyshire.

Review of "Underland" by Robert Macfarlane.

Review of "Tracking Giants: Big Trees, Tiny Triumphs, and Misadventures in the Forest" by Amanda Lewis.

Review of "Solito: A Memoir" by Javier Zamora

Review of "Turn Every Page" directed by Lizzie Gottlieb

Phrase books are tools of cultural globalization—but they are also among its casualties.

When building a nation, cultural riches can be lost.

Coming to harbour in a new world.

Science and the arts fulfil their functions to help us survive through the imagination.

Dividing and conquering local populations confines them to manageable administrative units.

In a world dominated by heroes, difference is not tolerated.

“Have patience” and “Tomorrow” are two inseparable locutions in the Portuguese tongue.

For a brief period the band CANO gave shape to the dream of a bilingual Canadian culture.

"The hemispheric context reveals the roots of the residential school system...Destroying Indigenous cultures was a positivist policy from Patagonia to Dawson City."

Lisa Bird-Wilson on UNDRIP, reconciliation, and the anxiety felt by Indigenous people in Canada.

What we do when we absorb words from a screen—and we haven’t yet evolved a verb for it—is not reading.

Libraries are not only essential in educating the soul, but in forming the identity of a society.

Our society is formed on the assumption of a healthy immune system.

The woman who called herself Tatiana Aarons gave me an address that led to a vacant lot.

Dogged dedication grants a reader vicarious immortality.

What we can—and can’t—learn from the plague

On March 5, 2006, a group of people gathered in a small Ontario city in the expectation of having books signed by an author who was not present.

The newspaper wars aren’t what they used to be.

A package-deal paradise reputation curtails gringo knowledge of Dominican life.

Faith seems to shiver when confronted by art.

What can the Brothers Grimm teach us about the state of our economic system? Everything.

Must artists declare their moral integrity?

Without air travel, family networks might have dissolved long ago.

There’s something not quite right about the grid on which the game is played.