For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

If marriage was a television show, it might look something like this.

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Remembering Norbert Ruebsaat.

Destroying books for the greater good.

Losers: you have a lifetime to hunt.

"I never went looking for them."

Tell me again how long the trip is?

Fill the room with a flock of moths.

Any resemblances to persons living or dead are purely vindictive.

The secret is in the velvet.

You can’t break eggs without making an omelette.

These stories and conversations took place in a Media and Communications Studies class at a Canadian college. Students come to the college from many countries, in the hope of enrolling eventually in a North American university.

A new anthology of reviews, interviews and commentary on Joni Mitchell's music reveals the star-making machinery.

I am sorry I caused you pain. But I thought it was okay.

The British called it the Great Game. The Russians called it Bolshoya Igra. The playing field was, and still is, Afghanistan.

Remembering her father's last days in a hospital in Wyoming, Connie Kuhns struggles with questions of mortality, memory and how to fulfill her father's dying wish.

Connie Kuhns' major profile of punk, politics and feminism in 1970s Canada: the Moral Lepers, the Dishrags and other revolutionary bands.

We don’t know why the budgie did it. He must have been unhappy. It can’t have been easy for him—pecking the bell, hanging about on the pole.

D.M. Fraser on the myth of cultural identity.

When you live in Saskatoon, you find yourself caring more about the details of grain farming then you did when you lived in Toronto or Windsor.

When Geist first approached me with the idea of speaking here, I made it known that of all the things I ever wanted to be when I grew up, being an after-dinner speaker was very low on the list.

It's human nature to jump to the wrong conclusion–and stick with it.

What is at the heart of this Edith Iglauer profile by Giller nominee Annabel Lyon? Hint: Ice Road Truckers.

Stephen Smith investigates the hockey lives of Barthes, Faulkner, Hemingway, which were marked by dismissal, befuddlement and scorn.

"Leading Men” is taken from a work-in-progress, Cinéma-Verité and the Collected Works of Ronald Reagan: A History of Propaganda in Motion Pictures.

Tom Thomson, godfather of the Group of Seven, drowned in an Ontario lake under mysterious circumstances, and ever since, his reputation has been the stuff of legend.

Compared to today's vile heros, Ned Kelly-the Australian outlaw who wrote the angry, articulate Jerilderie letter in 1879-seems as innocent as an ogre-slaughtering hero of fairy tales.

Femme girls get free Slurpees, but boyish ladies get free cavity searches at the border.

Hal Niedzviecki com­mem­o­rates his Jewish grand­fa­ther—a heavy drinker, a bad driver and a Polish refugee.

World War I, Canada’s “war of independence,” marked a turning point for a young colony wanting to prove itself as a self-reliant nation, but at what cost.

On the merry-go-round, you just shouted out a des­ti­na­tion and all the kids pushed until every­one agreed we’d arrived.

A flower child looks back, to the time between Motown and acid rock.

Derek Matthews has to be the ugliest boy in the class but I like him. I’ve liked every boy except Barry Pumphrey now. Barry Pumphrey likes me.

On a rainy night in October 1970, I crossed paths with Canada's most elusive poet.

In The Diary of a Teenage Girl by Phoebe Gloeckner (Frog Ltd/North Atlantic Books), Minnie Goetze shares her story of growing up in anything-goes 1970s San Francisco, using words, drawings and comics. It’s the year Minnie becomes sexually curious and

The death and life of Diana, Princess of Wales, provides Tina Brown, the well-known Diana tribute artist and lookalike—her Di-likeness fills the back cover of The Diana Chronicles (Doubleday), which makes it uncomfortable to read this book on public

Patty Osborne reviews The English Stories by Cynthia Flood (Biblioasis).

The main characters of The Dreamlife of Bridges by Robert Strandquist (Anvil Press), also suffer through mental collapse and find themselves outside society on the west coast. Both Leo and June bottom out in the ways of their respective sexes: for Le

In “Ambros Adelwarth,” the third story in The Emigrants (New Directions), W. G. Sebald quotes long excerpts from the titular character’s purported diary, and this character’s diction and cadences duplicate Sebald’s so exactly that one feels uneasy w

Gillian Jerome reviews The Elegance of the Hedgehog by Muriel Barbery (Europa).

I love reading memoir and I love reading anything about farming and nature (I grew up on a farm), so I wanted to love The Education of Mr. Whippoorwill: A Country Boyhood by David Zieroth (Macfarlane Walter and Ross).

Elvis Aaron Presley, who was reborn on the Carcross Road near Whitehorse seventeen years ago during an alien encounter, is the subject of The Elvis Project: A Yukon Road Documentary by Adam Green and Bill Kendrick (Blueishgreen).

The Exterminated Angel by Gerard Godin (Guernica Editions) is an eighteenth-century satire dressed up as a twentieth-century murder mystery in the manner of Chandler and Hammett, and great fun to read. The real subject of the book is Montreal in the

The English Patient (McClelland & Stewart) by Michael Ondaatje is just as good as everyone says it is; and surely contains some of the most compelling desert writing in the language (you will swear that Ondaatje must have spent most of his life in th

At press time I am in the middle of The First Quarter of the Moon (TalonBooks) by Michel Tremblay (translated by Sheila Fischman), and so far have been completely drawn in by the complicated and contradictory relationship between two young boys—the f

The Gathering Tree by Larry Loyie (Theytus Books) was initiated by Chee Mamuk, an organization that provides aboriginal communities with culturally appropriate education about HIV/AIDS and other sexually transmitted infections, and there is a long li

The Facts Behind the Helsinki Roccamatios, the latest book by Yann Martel (Vintage), looked to me like a novel, not a book of short stories (which it is). So, when coming close to the end of the first “chapter,” I was alarmed at how fast the story se

No secret Canadian knowledge will help illuminate The French Guy, the latest film by Ann Marie Fleming. Though it is obviously shot in Vancouver, this absurd story lacks a sense of place, and the central joke about the eponymous French guy falls flat

As an avid long-distance cyclist who also loves to be pulled into a good adventure story, I could not resist Cioma Schönhaus’s book The Forger (Granta), a memoir that describes how Schönhaus lived in hiding in wartime Berlin while working clandestine

Here in Vancouver we had Honest Nat’s Department Store at 48th and Fraser, and in Karen X. Tulchinsky’s book The Five Books of Moses Lapinsky, Toronto had Lenny’s House of Bargains on College Street near Spadina, which, according to Tulchinsky’s stor

Canadian readers may doubt that they can learn anything new about winter from The Facts of Winter (McSweeney’s), a book that is faux in many ways. The afterword is a faux biography by Paul La Farge, an American “translator,” of the book’s purported a

Howard White is known to his readers as a wry chronicler of life in the bush and on the boats. But his new book of poems, The Ghost in the Gears (Harbour), reveals the heart of a true romantic beating beneath that lumpen exterior.

Some of the books that come in over the transom I scoop up for other members of my family. But somewhere between the office and home I often find myself sneaking a read. I took home The Garden Letters by Elspeth Bradbury and Judy Maddocks (Polestar)

In his new book, The French Quarter (Macfarlane, Walter & Ross), Ron Graham sets out to illuminate French-English relations in Canada by exploring the French-Canadian side of his own family. Sounds promising, and sets us up brilliantly with a descrip

The dust jacket of The Girl with the Botticelli Face (W. D. Valgardson, Douglas & McIntyre) promises an "explicit rendering of sexual politics," a dissection of "the nature of male rage" and even "one of the most hilarious scenes in CanLit." This rev

Barbara Nickel's The Gladys Elegies (Coteau Books) was the deserving winner of this year's Pat Lowther Memorial Award for best book of poetry by a Canadian woman. Although there are many things I'd rather do than read sonnets, Nickel's subtle and del

Patricia Robertson is not a prolific writer—The Goldfish Dancer (Biblioasis) is only her second collection in over a decade—but in this collection she offers stories that draw you in and make you forget about time: a rare gift.

Dr. Portillo, a Mexican physician, lives with her husband and son in a balcony-festooned six-bedroom house in a gated suburb. The adobe walls that enclose the garden, the coloured tiles embedded in the walls and the servants’ garden house are all typical of the home of a prosperous Mexican family. The multi-generational collection of relatives who occupy the spare bedrooms also reflect Mexican tradition. Dr. Portillo receives her patients in an office located in a tower in the northern Mexican city of Tijuana; since many of the patients are American, much of her working day takes place in English. When she goes home at night, she relaxes by speaking to her husband and son in Spanish. Her son, however, often responds in English because Dr. Portillo’s typical Mexican home is located in suburban California.

The Group of Seven “vision” is an inadequate way to describe an urban, multiracial, industrial society like Canada, and pretty much always was.

In Bangkok as in major centres all over Asia, there is life everywhere, on every street, in every shop and at all hours.

Lonely Planet readers no longer travel in Bolivia or Thailand, but within the elastic, infinitely portable boundaries of the Lonely Planet nation.

In Chicago, where he settled, William Henry Jackson, British settler, transformed himself into Honoré Jaxon, Métis freedom fighter. He identified so closely with the Métis struggle for justice that he became one of them. He had no trouble convincing others that he was a Native and probably had no trouble convincing himself either.

When a poet friend was found dead after two days because of the do not disturb sign he had hung outside his hotel room, Darwish swore never again to hang the sign or lock his door. “When death comes,” he said, “I want to be disturbed.”

The top-selling American novel of the nineteenth century was Lew Wallace’s Ben-Hur: A Tale of the Christ. The phrase “the Christ” reminds us that the second word originally meant something along the lines of “the person who has been anointed.” By the twentieth century, the article had been dropped, making “Christ” sound like the family name of Sometime Carpenter Jesus, offspring of Joe and Mary Christ, brother of Jim Christ who keeps cropping up in the New Testament. But a couple of generations after Jesus lost His definite article, His spokesmen on Earth were still “the Reverend” So-and-so or even “the Reverend Doctor” until the editors of Time and their kind followed Samson’s example and warning: metaphor ends in 25 metres—smote them with the jawbone of an ass.

The movie Wordplay, directed by Patrick Creadon (IFC Films, available on DVD), takes us into the arcana of crossword fanatics, who call themselves puzzle heads. Once a year they come from all over the U.S. to sit at long tables in a room at the Marri

Several years ago Ian McKay, a Queen’s University history professor, published a book called The Quest of the Folk: Antimodernism and Cultural Selection in Twentieth-Century Nova Scotia (McGill-Queen’s University Press) in which he argued that the image many of us have of Nova Scotia as a tartan-wearing, bagpipe-squealing mini-Scotland is pretty much a fabrication.

Bologna, Italy, known as both “the Fat” and “the Red,” is a city to a make a bookish vacationer salivate. Less overrun by package tours than Rome, Florence or Venice, Bologna combines superb food with the wonderful bookstores that seem to be the inevitable companion of left-wing politics.

Art museums and geographical exp

The theatre is plush, high-ranking and named after the Queen. I don’t know the name of the play but C does. C brings me to the theatre when I go. I undergo a pleas­ant transformation when I go to the theatre. I wear a tie, black shoes and a sports coat. At first it was difficult, “not my style.”

In 1971 I went to work as a reporter at the Ottawa Journal. The newspaper depended for much of its copy on a roster of freelancers who would get their assignments by phone and drop by the office to deliver their articles. One of these contributors was D’Arcy Marsh.

In the sun-streaked barroom of the Irma Hotel on the main street of Cody, Wyoming, late one afternoon in June, I made a big mistake. “What’s on tap?” I asked.

Immediately after the New Year, both my daughters became victims of the First Great Snowfall of 1999.

I first tried to read J. M. Coetzee in 1994, when I was twenty-three. I failed.

Last summer, in anticipation of the opening round of the World Cup of soccer, the largely immigrant population of the narrow side street in Lisbon where I was renting an apartment draped their windows with flags. The green and red of Portugal predominated, but the blue planet on a gold-and-green background of Brazil also hung from some windows.

Over dinner, I asked the Québécoise writer Sylvie Desrosiers, the author of successful novels for both adults and younger readers, whether her books had been translated into English. “Non, pas en anglais,” she said.

In 1999, when I returned to Canada from London, England, to teach Spanish at the University of Guelph, I was handed an introductory Spanish textbook and told that two-thirds of my teaching load was basic language instruction. The textbook was American.

During the power cut that paralyzed Ontario in August 2003, the residents of my townhouse condominium complex began talking to each other. It was an event that took me by surprise.

In 1982 I had my first argument with an American about Saddam Hussein. As an undergraduate at an American liberal arts college where everyone read the New York Times, I supplemented my reading by browsing the British papers.

As Canada is one of the world's most urbanized countries, a reader knowing nothing of contemporary Canadian writing might expect to find a surfeit of urban novels in our bookstores. Yet novels explicitly set in Canadian cities form a mere sliver of our novelistic production.

The Giller Prize is the most conspicuous example of corporate suffocation of the public institutions that built our literary culture. True, the Giller hasn’t done as much damage as the throttling of the book market by the Chapters-Indigo chain.

Cakchiquel, the third most widely spoken of Guatemala’s twenty Mayan languages, is understood by more than 400,000 people. It is blessed with a larger population base than most Native American languages but is cursed by its location.