Since the Canadian withdrawal from the North American ballistic missile defence treaty, you might think you don’t need to read Mel Hurtig’s ominously titled Rushing to Armageddon: The Shocking Truth About Canada, Missile Defence, and Star Wars (McCle
Notman's department store approach to photography is carried on in this century in the work of Courtney Milne, whose recent Sacred Places in North America, subtitled A Journey into the Medicine Wheel (Stewart, Tabori & Chang), represents the fruit of
The photographs in Saqiyuq: Stories from the Lives of Three Inuit Women (McGill-Queens), are plentiful but wretchedly printed, which is a sadness because this book of stories is so good that you want to return to the photographs again and again to se
Stephen R. Bown’s Scurvy: How a Surgeon, a Mariner, and a Gentleman Solved the Greatest Medical Mystery of the Age of Sail (Thomas Allen) is an excellent account of life and lingering death on the high seas during the age of empires and oceanic voyag
October 21, 2005, marked the 200th anniversary of the great naval battle of Trafalgar, an engagement in which Admiral Nelson and the British fleet ended Napoleon’s dream of invading England by crushing the French and Spanish fleets off the southwest
Ascending Peculiarity: Edward Gorey on Edward Gorey (Harcourt), selected and edited by Karen Wilkin, is a collection of twenty-six years’ worth of interviews of Gorey, the eccentric American artist and writer. He was best known for his intricate pen-
In 1995, New Star Books in Vancouver launched a series of short (about 100 pages), inexpensive books about nonmainstream subjects in the history and culture of British Columbia. The series is called Transmontanus (that’s “across the mountains” for th
People who live in the North speak of leaving as “going outside.” I recently returned to the North after a lengthy absence and found myself reading two books about the effects of the “outside,” and about the things that brought me here in the first p
Last summer, during a visit to Vancouver, my nine-year-old son climbed the pediment of a cast-iron traffic-light standard and put his palm on the glowing hand that warns pedestrians to stay put. My mother pointed out afterwards that my photograph of the event contained its own French caption, in the word visible over his shoulder: main.
I met Alejandra Pizarnik in Buenos Aires, in 1967, five years before her death. I had asked her to contribute to an anthology of texts that purported to continue an interrupted story begun in Shakespeare’s The Winter’s Tale: “There was a man dwelt by a churchyard.” She agreed and wrote a haunting piece called “Los muertos y la lluvia,” “The dead and the rain.” The book was never published, but we became friends.
The next performer, Coco, a six-year-old Belgian shepherd, stood on his back legs and hopped alongside a woman wearing white go-go boots who jiggled her hips in time to “ymca.” Coco weaved between her legs, rolled across her feet, lay on his back and kicked his legs in the air. The woman’s brow was furrowed and sweat ran down her face. Coco bounded in front of her, then backed through her legs and sneezed twice. The judges looked at each other and one of them wrote somethingdown.