Sometime in the future, historians will look back amazed at how little attention North American media paid to African issues in this time in history. In Scott Peterson's memoir Me Against my Brother: At War in Somalia, Sudan and Rwanda (Routledge), h
The Canadian Museum of Civilization is to be commended for Meta Incognita: A Discourse of Discovery: Martin Frobisher’s Arctic Explorations, 1576-1578, a two-volume compilation of everything there is to know about the series of disasters known as the
The Canadian Museum of Civilization is to be commended for Meta Incognita: A Discourse of Discovery: Martin Frobisher’s Arctic Explorations, 1576-1578, a two-volume compilation of everything there is to know about the series of disasters known as the
Child-rearing manuals cropped up with a vengeance in the latter half of the twentieth century after Dr. Benjamin Spock produced Baby and Child Care—the all-time best-selling book in American history, second only to the Bible, despite advice such as “
For the folks out there who are indifferent to what’s going on in Iraq and Afghanistan, this book seems to whisper, “Stop eating your grilled Gruyère cheese with Roma tomatoes and red onion on open-face sourdough long enough to read me, if you please
Stan Persky and John Dixon ask important questions in their book On Kiddie Porn: Sexual Representation, Free Speech and the Robin Sharpe Case (New Star). Is possession of a photograph depicting a criminal act a criminal act?
Yiddish is a language of survival. Although spoken by only five percent of the world's population, it's one of the seven most widespread languages, spoken in every corner of the globe. In Outwitting History: The Amazing Adventures of a Man Who Rescue
This review was accepted for publication by the Vancouver Sun in January 2000, and then rejected by editors who found it "too one-sided and unfair to the bank." This is the first financial book review to be published in Geist, and is offered here in
Last summer, during a visit to Vancouver, my nine-year-old son climbed the pediment of a cast-iron traffic-light standard and put his palm on the glowing hand that warns pedestrians to stay put. My mother pointed out afterwards that my photograph of the event contained its own French caption, in the word visible over his shoulder: main.
I met Alejandra Pizarnik in Buenos Aires, in 1967, five years before her death. I had asked her to contribute to an anthology of texts that purported to continue an interrupted story begun in Shakespeare’s The Winter’s Tale: “There was a man dwelt by a churchyard.” She agreed and wrote a haunting piece called “Los muertos y la lluvia,” “The dead and the rain.” The book was never published, but we became friends.
The next performer, Coco, a six-year-old Belgian shepherd, stood on his back legs and hopped alongside a woman wearing white go-go boots who jiggled her hips in time to “ymca.” Coco weaved between her legs, rolled across her feet, lay on his back and kicked his legs in the air. The woman’s brow was furrowed and sweat ran down her face. Coco bounded in front of her, then backed through her legs and sneezed twice. The judges looked at each other and one of them wrote somethingdown.