If fans of what is commonly referred to as “genre fiction” ever try to storm the gates that protect capital L Literature from the marauding hordes, I predict that it will be Michael Chabon who leads the charge. In the sixteen essays contained in Maps and Legends (McSweeney’s), Chabon comes to the defence of (among other things): comic books, science fiction, Sherlock Holmes, fantasy fiction, ghost stories and horror fiction. Chabon’s own genre-defying success with The Amazing Adventures of Kavalier & Clay (his Pulitzer Prize-winning novel from 21) and The Yiddish Policemen’s Union (an “alternate history mystery” published in 27) demonstrate that “popular success” and “critical success” need not be mutually exclusive categories. Chabon is an impassioned advocate for the things he loves to read and write. His essays reminded me of an afternoon in 1995, when I sat in a darkened conference room in Vancouver with a few hundred others, listening—rapt—while Ray Brad