This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

If marriage was a television show, it might look something like this.

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Remembering Norbert Ruebsaat.

Destroying books for the greater good.

Losers: you have a lifetime to hunt.

"I never went looking for them."

Tell me again how long the trip is?

Fill the room with a flock of moths.

Any resemblances to persons living or dead are purely vindictive.

The secret is in the velvet.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

Sarah Maitland visits Margaret Atwood's book signing at Vancouver's Word on the Street festival.

"So today in class we talk about Lucky Jim by Kingsley Amis, which I looked forward to because it’s a book with two interesting female characters, for a change." Review by Siobhan Devlin.

Michael Hayward reviews Mnemonic: a book of trees by Theresa Kishkan (Goose Lane).

Michael Hayward reviews Atlantic Books' series of 'Books That Shook the World' and Alberto Manguel's biography of Homer's the Iliad and the Odyssey.

The promise of exotic and sensuous experience has lured many a European man to go abroad, as Robert Aldrich demonstrates in Colonialism and Homosexuality (Routledge), reviewed by Kris Rothstein.

"A History of the Future, by David A. Wilson, is a great idea for a book: a history of what people in the past made of the future they would never know." Review by S.K. Page.

Shannon Emmerson reviews Gail Anderson-Dargatz's A Recipe for Bees, a story about the price of our choices and the reasons we make them.

Dan Post reviews A Sound Like Water Dripping by Soren Bondrup-Nielsen, the story of the author's attempts to be the first Ontarian to locate the elusive boreal owl.

"I am by no means a connoisseur of comics, and usually confine my reading to one or two titles. Now Action Girl Comics makes it three." Review by Mindy Abramowitz.

Michael Hayward reviews Across the Territories by Kenneth White, a book of White's worldwide travels.

Patty Osborne reviews Banana Rose by Natalie Goldberg.

Michael Hayward reviews Beat Generation by Jack Kerouac, a three-act play he wrote but never produced.

Todd Coyne reviews Black: The History of a Color by Michel Pastoureau, a book that "charts a European social history of the most symbolic and evocative colour on earth."

Daniel Zomparelli reviews Rocksalt: An Anthology of Contemporary B.C. Poetry edited by Mona Fertig and Harold Rhenisch (Mother Tongue).

Michal Kozlowski reviews Sarajevo Marlboro by Miljenko Jergovic, twenty-nine (very) short stories set in Sarajevo during the Bosnian war of the early 1990s.

Sarah Leavitt reviews Fun Home: A Family Tragicomic, Alison Bechdel's first graphic novel full of vibrantly alive, expressive characters and richly satisfying extras.

It takes Patty Osborne a month to get halfway through the 462 pages of the Giller Prize-winning novel The Polished Hoe, which is only halfway through the 24 hours during which the story takes place.

Karen Schendlinger reviews The Eyre Affair and Lost in a Good Book by Jasper Fforde, two smart, allegorical crime novels starring a detective named Thursday Next.

The Girl Without Anyone is a series of linked short stories by Kelli Deeth, dealing with a teenage girl's budding sexuality, self-doubt and confusion. Reviewed by Patty Osborne.

Two different novels about family dysfunction—This Is Where I Leave you and The Corrections—written by two different Jonathans. Reviewed by Jocelyn Kuang.

"Scallions are eaten raw by self-assertive people": Why S.K. Grant was surprised to discover The Joy of Cooking as a literary work.

Clare Coughlan reviews her experience seeing (and before that, waiting in line to see) The Love Crimes of Gillian Guess.

Michal Kozlowski reviews Andy Brown's debut novel The Mole Chronicles, which charts a sibling relationship involving moles, comic books, swimming pools, kidnapping, culture jamming and more.

Patty Osborne reviews Women of the World: Women Travelers and Explorers by Rebecca Stefoff, a book—complete with maps, drawings and photographs—that describes the travels of nine women.

Memories lie because they build on memories. I think that I remember something, but in fact I remember remembering it, and so on through countless layers of memory. Every memory is a mise en abyme.

Begging the question of what can be defined as “form.”

The crowds learned that they could not act effectively in the present without confronting the past, specifically the historical treatment of indigenous people.

On the screen, only the image—not the word—can become the world.

It all started with a zesty little book about getting old.

Donald Creighton was a bigot and a curmudgeon, a cranky Tory with a chip on his shoulder. He was also the country’s leading historian, who changed the way that Canadians told their own story.

The novelist can often better define reality than the historian.

"We know that life-altering and possibly cataclysmic change is coming, and we continue to live as we have always done."

"Since the beginning of time (the telling of which is also a story), we have known that words are dangerous creatures."

Lacking in drama and embarrassingly undemocratic, Canada’s origins owe a lot to old-fashioned politics and not much to European battles or transcontinental railways.

"Authenticity is the essential quality of all travel literature, imaginary or real."

Alberto Manguel examines the rich symbology of the fist, a primal symbol of rebellion and grief, across cultures and history.

"Cross-country skiing offered me the reassurance sought by the immigrant who is excluded from his locality’s history: a viable alternate route to belonging."

Stephen Henighan asks: what if you don't have a tidy answer to "Where are you from?"

Aboriginal people are creating a new version of Canada, and non-Aboriginals can lend a hand or get out of the way—Daniel Francis on the new Canadian narrative.

Daniel Francis discusses Canada's failing mental health care system and its long history of mistreatment.

The writer who is loved by all, by definition, neglects literature’s prime responsibility: to offend.

"Resistance to wars is as much a Canadian tradition as fighting them." Daniel Francis discusses alternative histories, anti-draft demonstrations and the divisive nature of war.

"Sometimes, in politics or history, certain words, certain names are sufficient unto themselves: it is as if there were names that once pronounced require no further telling."

European Jewish artisans on horseback in Argentina.

"In the public eye, universities have never recovered from the antics of Donald Sutherland as Professor Jennings in the 1978 film Animal House."

Daniel Francis asks why a high-speed commuter route runs through Stanley Park, Vancouver's precious urban oasis.

"A library is never finished, only abandoned." Alberto Manguel on incompletion, voluntary interruption and the pleasure of the day before.

The assumption of mutual comprehensibility between speakers of Spanish and Portuguese creates a culture of mutual ignorance.