Who today remembers the man who carried Einstein’s head in a box through the streets of Vancouver? We remember clearly the box (dark wood, varnished, the door on brass hinges: what about the latch?) with Einstein’s head in it, a plaster model (was it plastic, perhaps? modelling clay? plasticine?)

She would see him sometimes around Yaletown, her former counsellor, heading glassy-eyed toward a bar or creeping up the back steps of the massage parlour.

The time had come for our marathon trek through Europe. I was ten, and hated it already.

A greying, sunburnt American mis­sionary stopped us in the fruit market and invited us for a drink.

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With the approach of her tenth summer, Julia considers the holidays that lie before her: will there be too many things for her to do? Trying to look ahead from school time, with its time-tables and schedules, makes it hard to remember, or to imagine, what summertime will be before summer arrives and the school year ends. In the summer when I was Julia’s age I heard Elvis Presley for the first time, down by the river on the jukebox in the fish-and-chip joint where teenagers went to hold hands and drink ice cream sodas and eat salted french fries drenched in vinegar.

Toward the end of her life I drew close to Althea, the cat who had been with Mary and me for five or maybe six years, ever since her real owner, Mary’s daughter Karen, had to find a home for her when a landlord invoked the no-pets rule, and Mary and I were living mere blocks away, completely petless and, some might say, carefree.

I am down in the cabin and Ross, who is eighty feet up in the fire tower, sees smoke. He tries to report it but his radio isn’t working and nobody can understand him. They phone him back on the cell: does he need the water bombers? He says no, it’s just a spot fire. In that moment a huge gust of wind blasts through the cabin, blows a towel off a rack, slaps it against the valve of the water cooler and turns on the water.

My mother stands at the top of the stairs, thin as a skeleton and reeking of booze. “Are you drunk?” I ask. “No,” she says. “Have you had anything to drink today?” “No,” she says. Lies, all lies. There are always more.

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

Mastery of the self

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

Ola Szczecinska returns to Warsaw to visit her grandmother, and to keep from losing her memories.

Sarah Maitland visits Margaret Atwood's book signing at Vancouver's Word on the Street festival.

"So today in class we talk about Lucky Jim by Kingsley Amis, which I looked forward to because it’s a book with two interesting female characters, for a change." Review by Siobhan Devlin.

Michael Hayward reviews Mnemonic: a book of trees by Theresa Kishkan (Goose Lane).

Michael Hayward reviews Atlantic Books' series of 'Books That Shook the World' and Alberto Manguel's biography of Homer's the Iliad and the Odyssey.

The promise of exotic and sensuous experience has lured many a European man to go abroad, as Robert Aldrich demonstrates in Colonialism and Homosexuality (Routledge), reviewed by Kris Rothstein.

"A History of the Future, by David A. Wilson, is a great idea for a book: a history of what people in the past made of the future they would never know." Review by S.K. Page.

Shannon Emmerson reviews Gail Anderson-Dargatz's A Recipe for Bees, a story about the price of our choices and the reasons we make them.

Dan Post reviews A Sound Like Water Dripping by Soren Bondrup-Nielsen, the story of the author's attempts to be the first Ontarian to locate the elusive boreal owl.

"I am by no means a connoisseur of comics, and usually confine my reading to one or two titles. Now Action Girl Comics makes it three." Review by Mindy Abramowitz.

Michael Hayward reviews Across the Territories by Kenneth White, a book of White's worldwide travels.

Patty Osborne reviews Banana Rose by Natalie Goldberg.

Michael Hayward reviews Beat Generation by Jack Kerouac, a three-act play he wrote but never produced.

Todd Coyne reviews Black: The History of a Color by Michel Pastoureau, a book that "charts a European social history of the most symbolic and evocative colour on earth."

Daniel Zomparelli reviews Rocksalt: An Anthology of Contemporary B.C. Poetry edited by Mona Fertig and Harold Rhenisch (Mother Tongue).

Michal Kozlowski reviews Sarajevo Marlboro by Miljenko Jergovic, twenty-nine (very) short stories set in Sarajevo during the Bosnian war of the early 1990s.

Sarah Leavitt reviews Fun Home: A Family Tragicomic, Alison Bechdel's first graphic novel full of vibrantly alive, expressive characters and richly satisfying extras.

It takes Patty Osborne a month to get halfway through the 462 pages of the Giller Prize-winning novel The Polished Hoe, which is only halfway through the 24 hours during which the story takes place.

Karen Schendlinger reviews The Eyre Affair and Lost in a Good Book by Jasper Fforde, two smart, allegorical crime novels starring a detective named Thursday Next.

The Girl Without Anyone is a series of linked short stories by Kelli Deeth, dealing with a teenage girl's budding sexuality, self-doubt and confusion. Reviewed by Patty Osborne.

Two different novels about family dysfunction—This Is Where I Leave you and The Corrections—written by two different Jonathans. Reviewed by Jocelyn Kuang.

"Scallions are eaten raw by self-assertive people": Why S.K. Grant was surprised to discover The Joy of Cooking as a literary work.

Clare Coughlan reviews her experience seeing (and before that, waiting in line to see) The Love Crimes of Gillian Guess.

Michal Kozlowski reviews Andy Brown's debut novel The Mole Chronicles, which charts a sibling relationship involving moles, comic books, swimming pools, kidnapping, culture jamming and more.

Patty Osborne reviews Women of the World: Women Travelers and Explorers by Rebecca Stefoff, a book—complete with maps, drawings and photographs—that describes the travels of nine women.

Phrase books are tools of cultural globalization—but they are also among its casualties.

When building a nation, cultural riches can be lost.

Coming to harbour in a new world.

Science and the arts fulfil their functions to help us survive through the imagination.

In a world dominated by heroes, difference is not tolerated.

Dividing and conquering local populations confines them to manageable administrative units.

“Have patience” and “Tomorrow” are two inseparable locutions in the Portuguese tongue.

For a brief period the band CANO gave shape to the dream of a bilingual Canadian culture.

Lisa Bird-Wilson on UNDRIP, reconciliation, and the anxiety felt by Indigenous people in Canada.

"The hemispheric context reveals the roots of the residential school system...Destroying Indigenous cultures was a positivist policy from Patagonia to Dawson City."

What we do when we absorb words from a screen—and we haven’t yet evolved a verb for it—is not reading.

Libraries are not only essential in educating the soul, but in forming the identity of a society.

Our society is formed on the assumption of a healthy immune system.

What we can—and can’t—learn from the plague

Dogged dedication grants a reader vicarious immortality.

The woman who called herself Tatiana Aarons gave me an address that led to a vacant lot.

On March 5, 2006, a group of people gathered in a small Ontario city in the expectation of having books signed by an author who was not present.

The newspaper wars aren’t what they used to be.

A package-deal paradise reputation curtails gringo knowledge of Dominican life.

What can the Brothers Grimm teach us about the state of our economic system? Everything.

Faith seems to shiver when confronted by art.

Must artists declare their moral integrity?

Without air travel, family networks might have dissolved long ago.

There’s something not quite right about the grid on which the game is played.