Memories sneak up, tiptoe quiet as a cat. Boom like a slapshot

The unmistakable buzz of an approaching aircraft is enough to send my family onto the lawn

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This invertebrate does not go looking for prey

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For the sake of the large romantic gesture

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Hit everything dead on, even if it’s big

The names we learn in childhood smell the sweetest to us

Maybe my doctor has two patients named Ian Roy, and I’ve been sent the other Ian’s file

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No Skylab buzz in East Germany.

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Nature’s sanctity is the only portal to the future.

PRESS 1 IF YOU THINK YOU MAY HAVE HEARD THE BIG BANG.

Playing against the fastest chess player in the world.

"You have bruises / There was time / You spent trying to / Heal them. / As in, time wasted."

That’s one for the rice bag!

The maple leaf no longer feels like a symbol of national pride.

"my point that / i is but a : colon grown / too long"

If marriage was a television show, it might look something like this.

"The following resume / arrived by fax: One ex-military / man, 52, applying / for duty ..."

Scrape every last bit of English out of your throat.

Who puts those little stickers on the apples in the grocery store?

Destroying books for the greater good.

Remembering Norbert Ruebsaat.

Losers: you have a lifetime to hunt.

"I never went looking for them."

Fill the room with a flock of moths.

Tell me again how long the trip is?

What does it mean to love a band? A friend? A nation?

The postcard presents a series of absences—the nameless photographer,

the unknown writer and recipient; it is constituted by what is unknown

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I always longed to be the falling woman—impelled by unruly passion, driven by beauty and desire, turned into stone, drowned in flowers.

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New bylaws for civic spaces.

It is racism, not race, that is a risk factor for dying of COVID-19.

Doing time is not a blank, suspended existence.

It was as though a magic potion had brought him back to life.

Going unnoticed must be the root sorrow for the broken.

On the curve of the contagion and on the measure of Montreality.

It took me a million miles to get here and half the time I was doing it in high heels.

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I am the only woman in the water. The rest of the swimmers are men or boys. One of them bobs his head near me, a surprising vision in green goggles, like an undocumented sea creature. I imagine us having sex, briefly, him rocking over me like a wave.

The chain-link fence along boulevard de l’Acadie— two metres high, with “appropriate hedge”—separates one of the wealthiest neighbourhoods in Montreal from one of the poorest.

Randy Fred thought that life after residential school would be drinking, watching TV and dying. Instead, he became the "greatest blind Indian publisher in the world."

"I want to buy a house. And build a secret room in it. And not tell the kids about it."

I wasn’t certain whether I was in Winnipeg because of the Weakerthans, or whether I cared about the Weakerthans because I care about Winnipeg.

Spiritual landscapes and unknowable people captured on film, used to convey a message.

After Paul Muldoon and Raymond Williams.

A seance to contact a dead miner at Port Arthur, Ontario, in 1923—conducted by Conan Doyle himself.

He has been called the greatest Bulgarian poet of his generation. Can one literary scandal bury his whole career?

A basement shrine in her 1920s home inspires Caroline Adderson to discover the past lives of her house and its inhabitants.

Mastery of the self

Somewhere in the sweat and ache and muscle I carved a new shape for myself that made more sense.

"If you are still alive, you must have had the experience of surrendering."

Emily’s mother had unusually large eyes that bulged slightly and often turned red, and she stared at people in restaurants and stores. Sometimes Emily’s mother commented on these people’s conversations, or laughed at their jokes, as if she were part

The boreal forest is the mysterious place most of us are aware of only to the extent that we know we don’t want to get lost in it: the deep unconscious of a nation (Champlain called it the land God gave to Cain).

As the century turns, generational retrospectives are cropping up everywhere—a look back requires only file footage, the cut and paste. Recent books documenting Canadian life in the 1950s include Canada in the Fifties (Viking), selections from the ar

Another oddly-shaped book protruding from the shelf at the library the other day was Canada's Gigantic (Summerhill), a collection of photographs by Henri Robideau, a Gianthropologist photographer who searches out Giant Things in the Canadian landscap

The storyteller's verve in Can You Wave Bye Bye Baby? (McClelland & Stewart), by the Montreal writer Elyse Gasco, speaks volumes in which time and place hardly matter. Gasco writes in the second person in four of the seven short stories; in one of th

When W. G. Sebald died in an automobile accident in December 2001, just four of his books were available in English translation. Those four books had earned him considerable praise (Michael Ondaatje called him “the most interesting and ambitious writ

The storyteller's verve in Can You Wave Bye Bye Baby? (McClelland & Stewart), by the Montreal writer Elyse Gasco, speaks volumes in which time and place hardly matter. Gasco writes in the second person in four of the seven short stories; in one of th

According to Hollywood legend, it was Harry Houdini who gave Buster Keaton the name “Buster” after watching the young Keaton tumble down a flight of stairs. This myth is debunked in Marion Meade’s biography Buster Keaton: Cut to the Chase (Da Capo P

Caesarea (ECW Press) by Tony Burgess. There's no better place to spend New Year's Eve than Caesarea, a small town on the shore of menacing Lake Scugog, a place to forget your troubles, relax, do a little fishing, settle into your lawn chair on the ou

Bust magazine is dedicated to giving voice to the generation of women caught between Cosmo and Sassy. It is also font-crazy and printed on smudgy newsprint.

Tight, pithy, replete with thinly veiled autobiographical details of a childhood in Quebec and an adult life spent as an ex-pat writer in, of all places, Cornwall, the stories were short enough that I could read two or three on a twenty-minute bus ri

After dinner I retired with my newly acquired copy of a twenty-six-year old book, Caldecott & Co.: Notes on Books & Pictures (Farrar, Straus & Giroux), essays by Maurice Sendak, author and illustrator of In the Night Kitchen, Where the Wild Things Ar

The close proximity of my new apartment to a repertory cinema has caused me to go through a movie-going renaissance. Unfortunately, most of my discoveries have been in the mediocre to bad category.

Budavox (DC Books) by Todd Swift is a first collection of poems. Swift writes like something still matters, but he doesn't know what.

On a lighter note, Bucket Nut by Liza Cody (Doubleday) was recommended to me by a fellow mystery buff who dropped by the office the other day. I like Liza Cody's mysteries anyway, but Bucket Nut is by far the most outrageous I've read.

Natural history writers often write as if nature were a nineteenth-century corporation. Species “colonize” territory left bare by glaciers; these “pioneer species” establish “dominance,” only to be “displaced” by “opportunistic newcomers” who “invade

Brotherhood of the Wolf, the highest grossing film in the history of French cinema, is a surprise. I thought it was going to be a werewolf movie, which would have been fine, but it is an action-packed tale of political intrigue set during the reign o

Just in: a copy of Broken Pencil; the Guide to Alternative Publications in Canada, Number One. A much needed guide to the weird and wonderful of the periodical press in Canada.

Breath offers insight into the minds of adolescent boys, and is also a great way to feel the thrill and power of big waves without actually surfing them.

It has been said that Canadian poets are a staid, funereal bunch, but there are a lot of exciting new writers who are reinventing the form, such as those in Breathing Fire (Harbour), an anthology of young poets. Re-entering the fray is a true origina

J.M. Coetzee has written a boyhood memoir in the third person, and this is no mean feat; nor is it a postmodern "novel." This could have to do with the fact that Boyhood: a Memoir (Vintage) is set in South Africa, a country where life and history sti

Fans who are missing Inspector Morse, the famous fictional British detective who, unfortunately, has been killed off, should try reading the Inspector Van Veeteren mysteries by Hakan Nesser (translated by Laurie Thompson; Doubleday).

Nevertheless, Canadian writers do persist in the genres, and one is always gratified to come across a Canadian thriller or a mystery novel like Paul Grescoe's Blood Vessel (Douglas & McIntyre) for the sheer pleasure of watching Canadian places and ti

In Boiling Point: How Politicians, Big Oil and Coal, Journalists, and Activists Are Fueling the Climate Crisis—and What We Can Do to Avert Disaster (Basic Books) by Ross Gelbspan, the intricate politics of oil and money that drive the governmental po

Blood (Scirocco) is the play by Tom Walmsley based on “Maxine,” a piece for performance that appeared in Geist No. 16.

Memories lie because they build on memories. I think that I remember something, but in fact I remember remembering it, and so on through countless layers of memory. Every memory is a mise en abyme.

Begging the question of what can be defined as “form.”

The crowds learned that they could not act effectively in the present without confronting the past, specifically the historical treatment of indigenous people.

On the screen, only the image—not the word—can become the world.

It all started with a zesty little book about getting old.

Donald Creighton was a bigot and a curmudgeon, a cranky Tory with a chip on his shoulder. He was also the country’s leading historian, who changed the way that Canadians told their own story.

The novelist can often better define reality than the historian.

"We know that life-altering and possibly cataclysmic change is coming, and we continue to live as we have always done."

"Since the beginning of time (the telling of which is also a story), we have known that words are dangerous creatures."

Lacking in drama and embarrassingly undemocratic, Canada’s origins owe a lot to old-fashioned politics and not much to European battles or transcontinental railways.

"Authenticity is the essential quality of all travel literature, imaginary or real."

Alberto Manguel examines the rich symbology of the fist, a primal symbol of rebellion and grief, across cultures and history.

"Resistance to wars is as much a Canadian tradition as fighting them." Daniel Francis discusses alternative histories, anti-draft demonstrations and the divisive nature of war.

The writer who is loved by all, by definition, neglects literature’s prime responsibility: to offend.

Daniel Francis discusses Canada's failing mental health care system and its long history of mistreatment.

Aboriginal people are creating a new version of Canada, and non-Aboriginals can lend a hand or get out of the way—Daniel Francis on the new Canadian narrative.

Stephen Henighan asks: what if you don't have a tidy answer to "Where are you from?"

"Cross-country skiing offered me the reassurance sought by the immigrant who is excluded from his locality’s history: a viable alternate route to belonging."

European Jewish artisans on horseback in Argentina.

"Sometimes, in politics or history, certain words, certain names are sufficient unto themselves: it is as if there were names that once pronounced require no further telling."

"In the public eye, universities have never recovered from the antics of Donald Sutherland as Professor Jennings in the 1978 film Animal House."

Daniel Francis asks why a high-speed commuter route runs through Stanley Park, Vancouver's precious urban oasis.

"A library is never finished, only abandoned." Alberto Manguel on incompletion, voluntary interruption and the pleasure of the day before.

The assumption of mutual comprehensibility between speakers of Spanish and Portuguese creates a culture of mutual ignorance.