In between films I read Hal Niedzviecki’s new book, Hello I’m Special: How Individuality Became the New Conformity (Penguin). It was inspired by the author’s crisis of faith in underground culture, precipitated by a Hallmark card reading “Happy Birth
In Her Own Words: Women's Memoirs from Australia, New Zealand, Canada & the United States (Vintage), edited by Jill Ker Conway, is a book that invites browsing. All twelve of the memoirs here are excerpts of longer works, so many of the paragraphs en
Carl Honoré isn’t the first author to investigate the phenomenon of slow living, but his book In Praise of Slow: How a Worldwide Movement is Challenging the Cult of Speed (Vintage Canada) is the most comprehensive explanation of recent attention to s
In Plain Sight: Reflections on Life in Downtown Eastside Vancouver (Talonbooks), edited by Leslie Robertson and Dara Culhane, is a book of interviews that have been shaped into stories by seven women who tell us about their everyday lives. Once you g
Alberto Manguel, this country's man of letters par excellence, has a new collection: Into the Looking-Glass Wood: Essays on Words and the World (Knopf), consisting of twenty-two essays cast in the assured voice of a man who knows the world and is kno
Every aspect of a book—the page dimensions, paper type, font, length of text line, space between text lines, margin sizes and so on—is the result of a designer’s decision. When these decisions are well made, then reading a book’s text is like reading
Greg Gatenby must be stopped. A couple of years ago he edited a collection of remarks about Canada by various foreign writers. Now he has followed up with a second thick collection, The Very Richness of That Past: Canada Through the Eyes of Foreign W
Yiddish is a language of survival. Although spoken by only five percent of the world's population, it's one of the seven most widespread languages, spoken in every corner of the globe. In Outwitting History: The Amazing Adventures of a Man Who Rescue
This review was accepted for publication by the Vancouver Sun in January 2000, and then rejected by editors who found it "too one-sided and unfair to the bank." This is the first financial book review to be published in Geist, and is offered here in
PhotoGraphic Encounters: The Edges and Edginess of Reading Prose Pictures and Visual Fictions (University of Alberta Press and the Kamloops Art Gallery) contains much promise of “edginess” and “subversion,” once the great virtues of the postmodern ag